https://zinewiki.com/zinewiki/api.php?action=feedcontributions&user=Shakeandpop&feedformat=atomZineWiki - User contributions [en]2024-03-19T12:45:16ZUser contributionsMediaWiki 1.35.1https://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=180909Gary Pig Gold2021-11-29T19:59:38Z<p>Shakeandpop: /* Bibliography */ up-dated</p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published [http://www.archive.org/details/ThePigPaper01 a mock concert program] commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' magazine the following month. By then, ''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.nywaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://popdiggers.com/author/gary-pig-gold/ PopDiggers]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books/ECW Press, 2009, 2011, editor, interview subject)<br />
<br />
* ''The Mammoth Book of Bob Dylan'' (Constable & Robinson/Running Press, 2011, contributor)<br />
<br />
* ''Perfect Youth: The Birth of Canadian Punk'' (ECW Press, 2012, interview subject)<br />
<br />
* ''The Canadian Pop Music Encyclopedia'' Volumes 1 and 2 (Bullseye Canada, 2012, contributor)<br />
<br />
* ''A Lennon Pastiche: Expressions from Fans of John Lennon'' (PANGEA Publishing, 2013, contributor)<br />
<br />
* ''50 Licks: Myths and Stories from Half a Century of the Rolling Stones'' (Bloomsbury Publishing, 2013, contributor)<br />
<br />
* ''A Tribute To The Forgotten Rebels'' (ePub Bud, 2013, contributor)<br />
<br />
* ''The Mammoth Book of The Rolling Stones'' (Constable & Robinson/Running Press, 2013, contributor)<br />
<br />
* ''It Was Fifty Years Ago Today: The Beatles Invade America and Hollywood'' (Otherworld Cottage Industries, 2014, interview subject)<br />
<br />
* ''Turn Up The Radio! Rock, Pop, and Roll in Los Angeles 1956-1972'' (Santa Monica Press, 2014, contributor)<br />
<br />
* ''Gods Of The Hammer: The Teenage Head Story'' (Coach House Books, 2014, interview subject)<br />
<br />
* ''Neil Young: Heart of Gold'' (Backbeat Books, 2015, contributor)<br />
<br />
* ''Heavy Metalloid Music: The Story of Simply Saucer'' (Eternal Cavalier Press, 2016, interview subject)<br />
<br />
* ''1967: A Complete Rock Music History of the Summer of Love'' (Sterling Publishing, 2017, contributor)<br />
<br />
* ''Inside Cave Hollywood: Music InnerViews and InterViews Collection, Vol. 1'' (Cave Hollywood, 2017, contributor)<br />
<br />
* ''Dreamer: The Making of Dennis Wilson's 'Pacific Ocean Blue''' (Jetfighter, 2017, interview subject)<br />
<br />
* ''The Doors: Summer’s Gone'' (Otherworld Cottage Industries, 2018, contributor)<br />
<br />
* ''The Story Of The Band: From Big Pink to The Last Waltz'' (Sterling Publishing, 2018, contributor)<br />
<br />
* ''Docs That Rock, Music That Matters'' (Otherworld Cottage Industries, 2020, contributor)<br />
<br />
* ''Domenic Troiano: His Life And Music'' (FriesenPress, 2021, interview subject)<br />
<br />
* ''Jimi Hendrix: Voodoo Child'' (Sterling Publishing, 2021, interview subject)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
* ''The Last Pogo Jumps Again'', 2013<br />
<br />
* ''Records'', 2021<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/Library/Writer/gary-pig-gold Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=173073Gary Pig Gold2021-10-28T16:52:09Z<p>Shakeandpop: /* Bibliography */</p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published [http://www.archive.org/details/ThePigPaper01 a mock concert program] commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' magazine the following month. By then, ''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.nywaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://popdiggers.com/author/gary-pig-gold/ PopDiggers]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books/ECW Press, 2009, 2011, editor, interview subject)<br />
<br />
* ''The Mammoth Book of Bob Dylan'' (Constable & Robinson/Running Press, 2011, contributor)<br />
<br />
* ''Perfect Youth: The Birth of Canadian Punk'' (ECW Press, 2012, interview subject)<br />
<br />
* ''The Canadian Pop Music Encyclopedia'' Volumes 1 and 2 (Bullseye Canada, 2012, contributor)<br />
<br />
* ''A Lennon Pastiche: Expressions from Fans of John Lennon'' (PANGEA Publishing, 2013, contributor)<br />
<br />
* ''50 Licks: Myths and Stories from Half a Century of the Rolling Stones'' (Bloomsbury Publishing, 2013, contributor)<br />
<br />
* ''A Tribute To The Forgotten Rebels'' (ePub Bud, 2013, contributor)<br />
<br />
* ''The Mammoth Book of The Rolling Stones'' (Constable & Robinson/Running Press, 2013, contributor)<br />
<br />
* ''It Was Fifty Years Ago Today: The Beatles Invade America and Hollywood'' (Otherworld Cottage Industries, 2014, interview subject)<br />
<br />
* ''Turn Up The Radio! Rock, Pop, and Roll in Los Angeles 1956-1972'' (Santa Monica Press, 2014, contributor)<br />
<br />
* ''Gods Of The Hammer: The Teenage Head Story'' (Coach House Books, 2014, interview subject)<br />
<br />
* ''Neil Young: Heart of Gold'' (Backbeat Books, 2015, contributor)<br />
<br />
* ''Heavy Metalloid Music: The Story of Simply Saucer'' (Eternal Cavalier Press, 2016, interview subject)<br />
<br />
* ''1967: A Complete Rock Music History of the Summer of Love'' (Sterling Publishing, 2017, contributor)<br />
<br />
* ''Inside Cave Hollywood: Music InnerViews and InterViews Collection, Vol. 1'' (Cave Hollywood, 2017, contributor)<br />
<br />
* ''Dreamer: The Making of Dennis Wilson's 'Pacific Ocean Blue''' (Jetfighter, 2017, interview subject)<br />
<br />
* ''The Doors: Summer’s Gone'' (Otherworld Cottage Industries, 2018, contributor)<br />
<br />
* ''The Story Of The Band: From Big Pink to The Last Waltz'' (Sterling Publishing, 2018, contributor)<br />
<br />
* ''Docs That Rock, Music That Matters'' (Otherworld Cottage Industries, 2020, contributor)<br />
<br />
* ''Domenic Troiano: His Life And Music'' (FriesenPress, 2021, interview subject)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
* ''The Last Pogo Jumps Again'', 2013<br />
<br />
* ''Records'', 2021<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/Library/Writer/gary-pig-gold Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=173072Gary Pig Gold2021-10-28T16:51:13Z<p>Shakeandpop: /* Bibliography */ updated</p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published [http://www.archive.org/details/ThePigPaper01 a mock concert program] commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' magazine the following month. By then, ''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.nywaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://popdiggers.com/author/gary-pig-gold/ PopDiggers]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books/ECW Press, 2009, 2011, editor, interview subject)<br />
<br />
* ''The Mammoth Book of Bob Dylan'' (Constable & Robinson/Running Press, 2011, contributor)<br />
<br />
* ''Perfect Youth: The Birth of Canadian Punk'' (ECW Press, 2012, interview subject)<br />
<br />
* ''The Canadian Pop Music Encyclopedia'' Volumes 1 and 2 (Bullseye Canada, 2012, contributor)<br />
<br />
* ''A Lennon Pastiche: Expressions from Fans of John Lennon'' (PANGEA Publishing, 2013, contributor)<br />
<br />
* ''50 Licks: Myths and Stories from Half a Century of the Rolling Stones'' (Bloomsbury Publishing, 2013, contributor)<br />
<br />
* ''A Tribute To The Forgotten Rebels'' (ePub Bud, 2013, contributor)<br />
<br />
* ''The Mammoth Book of The Rolling Stones'' (Constable & Robinson/Running Press, 2013, contributor)<br />
<br />
* ''It Was Fifty Years Ago Today: The Beatles Invade America and Hollywood'' (Otherworld Cottage Industries, 2014, interview subject)<br />
<br />
* ''Turn Up The Radio! Rock, Pop, and Roll in Los Angeles 1956-1972'' (Santa Monica Press, 2014, contributor)<br />
<br />
* ''Gods Of The Hammer: The Teenage Head Story'' (Coach House Books, 2014, interview subject)<br />
<br />
* ''Neil Young: Heart of Gold'' (Backbeat Books, 2015, contributor)<br />
<br />
* ''Heavy Metalloid Music: The Story of Simply Saucer'' (Eternal Cavalier Press, 2016, interview subject)<br />
<br />
* ''1967: A Complete Rock Music History of the Summer of Love'' (Sterling Publishing, 2017, contributor)<br />
<br />
* ''Inside Cave Hollywood: Music InnerViews and InterViews Collection, Vol. 1'' (Cave Hollywood, 2017, contributor)<br />
<br />
* ''Dreamer: The Making of Dennis Wilson's 'Pacific Ocean Blue''' (Jetfighter, 2017, interview subject)<br />
<br />
* ''The Doors: Summer’s Gone'' (Otherworld Cottage Industries, 2018, contributor)<br />
<br />
* ''The Story Of The Band: From Big Pink to The Last Waltz'' (Sterling Publishing, 2018, contributor)<br />
<br />
* ''Docs That Rock, Music That Matters'' (Otherworld Cottage Industries, 2020, contributor)<br />
<br />
* ''Domenic Traiano: His Life And Music'' (FriesenPress, 2021, interview subject)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
* ''The Last Pogo Jumps Again'', 2013<br />
<br />
* ''Records'', 2021<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/Library/Writer/gary-pig-gold Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=167818Gary Pig Gold2021-10-18T22:21:56Z<p>Shakeandpop: /* Filmography */</p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published [http://www.archive.org/details/ThePigPaper01 a mock concert program] commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' magazine the following month. By then, ''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.nywaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://popdiggers.com/author/gary-pig-gold/ PopDiggers]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books/ECW Press, 2009, 2011, editor, interview subject)<br />
<br />
* ''The Mammoth Book of Bob Dylan'' (Constable & Robinson/Running Press, 2011, contributor)<br />
<br />
* ''Perfect Youth: The Birth of Canadian Punk'' (ECW Press, 2012, interview subject)<br />
<br />
* ''The Canadian Pop Music Encyclopedia'' Volumes 1 and 2 (Bullseye Canada, 2012, contributor)<br />
<br />
* ''A Lennon Pastiche: Expressions from Fans of John Lennon'' (PANGEA Publishing, 2013, contributor)<br />
<br />
* ''50 Licks: Myths and Stories from Half a Century of the Rolling Stones'' (Bloomsbury Publishing, 2013, contributor)<br />
<br />
* ''A Tribute To The Forgotten Rebels'' (ePub Bud, 2013, contributor)<br />
<br />
* ''The Mammoth Book of The Rolling Stones'' (Constable & Robinson/Running Press, 2013, contributor)<br />
<br />
* ''It Was Fifty Years Ago Today: The Beatles Invade America and Hollywood'' (Otherworld Cottage Industries, 2014, interview subject)<br />
<br />
* ''Turn Up The Radio! Rock, Pop, and Roll in Los Angeles 1956-1972'' (Santa Monica Press, 2014, contributor)<br />
<br />
* ''Gods Of The Hammer: The Teenage Head Story'' (Coach House Books, 2014, interview subject)<br />
<br />
* ''Neil Young: Heart of Gold'' (Backbeat Books, 2015, contributor)<br />
<br />
* ''Heavy Metalloid Music: The Story of Simply Saucer'' (Eternal Cavalier Press, 2016, interview subject)<br />
<br />
* ''1967: A Complete Rock Music History of the Summer of Love'' (Sterling Publishing, 2017, contributor)<br />
<br />
* ''Inside Cave Hollywood: Music InnerViews and InterViews Collection, Vol. 1'' (Cave Hollywood, 2017, contributor)<br />
<br />
* ''Dreamer: The Making of Dennis Wilson's 'Pacific Ocean Blue''' (Jetfighter, 2017, interview subject)<br />
<br />
* ''The Doors: Summer’s Gone'' (Otherworld Cottage Industries, 2018, contributor)<br />
<br />
* ''The Story Of The Band: From Big Pink to The Last Waltz'' (Sterling Publishing, 2018, contributor)<br />
<br />
* ''Docs That Rock, Music That Matters'' (Otherworld Cottage Industries, 2020, contributor)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
* ''The Last Pogo Jumps Again'', 2013<br />
<br />
* ''Records'', 2021<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/Library/Writer/gary-pig-gold Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=111269Gary Pig Gold2020-10-29T20:22:02Z<p>Shakeandpop: /* Bibliography */ updated</p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published [http://www.archive.org/details/ThePigPaper01 a mock concert program] commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' magazine the following month. By then, ''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.nywaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://popdiggers.com/author/gary-pig-gold/ PopDiggers]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books/ECW Press, 2009, 2011, editor, interview subject)<br />
<br />
* ''The Mammoth Book of Bob Dylan'' (Constable & Robinson/Running Press, 2011, contributor)<br />
<br />
* ''Perfect Youth: The Birth of Canadian Punk'' (ECW Press, 2012, interview subject)<br />
<br />
* ''The Canadian Pop Music Encyclopedia'' Volumes 1 and 2 (Bullseye Canada, 2012, contributor)<br />
<br />
* ''A Lennon Pastiche: Expressions from Fans of John Lennon'' (PANGEA Publishing, 2013, contributor)<br />
<br />
* ''50 Licks: Myths and Stories from Half a Century of the Rolling Stones'' (Bloomsbury Publishing, 2013, contributor)<br />
<br />
* ''A Tribute To The Forgotten Rebels'' (ePub Bud, 2013, contributor)<br />
<br />
* ''The Mammoth Book of The Rolling Stones'' (Constable & Robinson/Running Press, 2013, contributor)<br />
<br />
* ''It Was Fifty Years Ago Today: The Beatles Invade America and Hollywood'' (Otherworld Cottage Industries, 2014, interview subject)<br />
<br />
* ''Turn Up The Radio! Rock, Pop, and Roll in Los Angeles 1956-1972'' (Santa Monica Press, 2014, contributor)<br />
<br />
* ''Gods Of The Hammer: The Teenage Head Story'' (Coach House Books, 2014, interview subject)<br />
<br />
* ''Neil Young: Heart of Gold'' (Backbeat Books, 2015, contributor)<br />
<br />
* ''Heavy Metalloid Music: The Story of Simply Saucer'' (Eternal Cavalier Press, 2016, interview subject)<br />
<br />
* ''1967: A Complete Rock Music History of the Summer of Love'' (Sterling Publishing, 2017, contributor)<br />
<br />
* ''Inside Cave Hollywood: Music InnerViews and InterViews Collection, Vol. 1'' (Cave Hollywood, 2017, contributor)<br />
<br />
* ''Dreamer: The Making of Dennis Wilson's 'Pacific Ocean Blue''' (Jetfighter, 2017, interview subject)<br />
<br />
* ''The Doors: Summer’s Gone'' (Otherworld Cottage Industries, 2018, contributor)<br />
<br />
* ''The Story Of The Band: From Big Pink to The Last Waltz'' (Sterling Publishing, 2018, contributor)<br />
<br />
* ''Docs That Rock, Music That Matters'' (Otherworld Cottage Industries, 2020, contributor)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
* ''The Last Pogo Jumps Again'', 2013<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/Library/Writer/gary-pig-gold Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=110956Gary Pig Gold2016-03-30T17:48:33Z<p>Shakeandpop: /* Bibliography */</p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published [http://www.archive.org/details/ThePigPaper01 a mock concert program] commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' magazine the following month. By then, ''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.nywaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://popdiggers.com/author/gary-pig-gold/ PopDiggers]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books/ECW Press, 2009, 2011, editor, interview subject)<br />
<br />
* ''The Mammoth Book of Bob Dylan'' (Constable & Robinson/Running Press, 2011, contributor)<br />
<br />
* ''Perfect Youth: The Birth of Canadian Punk'' (ECW Press, 2012, interview subject)<br />
<br />
* ''The Canadian Pop Music Encyclopedia'' Volumes 1 and 2 (Bullseye Canada, 2012, contributor)<br />
<br />
* ''A Lennon Pastiche: Expressions from Fans of John Lennon'' (PANGEA Publishing, 2013, contributor)<br />
<br />
* ''50 Licks: Myths and Stories from Half a Century of the Rolling Stones'' (Bloomsbury Publishing, 2013, contributor)<br />
<br />
* ''A Tribute To The Forgotten Rebels'' (ePub Bud, 2013, contributor)<br />
<br />
* ''The Mammoth Book of The Rolling Stones'' (Constable & Robinson/Running Press, 2013, contributor)<br />
<br />
* ''It Was Fifty Years Ago Today: The Beatles Invade America and Hollywood'' (Otherworld Cottage Industries, 2014, interview subject)<br />
<br />
* ''Turn Up The Radio! Rock, Pop, and Roll in Los Angeles 1956-1972'' (Santa Monica Press, 2014, contributor)<br />
<br />
* ''Gods Of The Hammer: The Teenage Head Story'' (Coach House Books, 2014, interview subject)<br />
<br />
* ''Neil Young: Heart of Gold'' (Backbeat Books, 2015, contributor)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
* ''The Last Pogo Jumps Again'', 2013<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/Library/Writer/gary-pig-gold Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=107876Gary Pig Gold2015-03-05T03:09:43Z<p>Shakeandpop: /* Selected Articles */</p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published [http://www.archive.org/details/ThePigPaper01 a mock concert program] commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' magazine the following month. By then, ''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.nywaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://popdiggers.com/author/gary-pig-gold/ PopDiggers]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books/ECW Press, 2009, 2011, editor, interview subject)<br />
<br />
* ''The Mammoth Book of Bob Dylan'' (Constable & Robinson/Running Press, 2011, contributor)<br />
<br />
* ''Perfect Youth: The Birth of Canadian Punk'' (ECW Press, 2012, interview subject)<br />
<br />
* ''The Canadian Pop Music Encyclopedia'' Volumes 1 and 2 (Bullseye Canada, 2012, contributor)<br />
<br />
* ''A Lennon Pastiche: Expressions from Fans of John Lennon'' (PANGEA Publishing, 2013, contributor)<br />
<br />
* ''50 Licks: Myths and Stories from Half a Century of the Rolling Stones'' (Bloomsbury Publishing, 2013, contributor)<br />
<br />
* ''A Tribute To The Forgotten Rebels'' (ePub Bud, 2013, contributor)<br />
<br />
* ''The Mammoth Book of The Rolling Stones'' (Constable & Robinson/Running Press, 2013, contributor)<br />
<br />
* ''It Was Fifty Years Ago Today: The Beatles Invade America and Hollywood'' (Otherworld Cottage Industries, 2014, interview subject)<br />
<br />
* ''Turn Up The Radio! Rock, Pop, and Roll in Los Angeles 1956-1972'' (Santa Monica Press, 2014, contributor)<br />
<br />
* ''Gods Of The Hammer: The Teenage Head Story'' (Coach House Books, 2014, interview subject)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
* ''The Last Pogo Jumps Again'', 2013<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/Library/Writer/gary-pig-gold Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=107875Gary Pig Gold2015-03-05T03:07:49Z<p>Shakeandpop: /* Selected Articles */</p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published [http://www.archive.org/details/ThePigPaper01 a mock concert program] commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' magazine the following month. By then, ''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.nywaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.fufkin.com/columns/gold/columns_gold.htm Fufkin]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://popdiggers.com/author/gary-pig-gold/ PopDiggers]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books/ECW Press, 2009, 2011, editor, interview subject)<br />
<br />
* ''The Mammoth Book of Bob Dylan'' (Constable & Robinson/Running Press, 2011, contributor)<br />
<br />
* ''Perfect Youth: The Birth of Canadian Punk'' (ECW Press, 2012, interview subject)<br />
<br />
* ''The Canadian Pop Music Encyclopedia'' Volumes 1 and 2 (Bullseye Canada, 2012, contributor)<br />
<br />
* ''A Lennon Pastiche: Expressions from Fans of John Lennon'' (PANGEA Publishing, 2013, contributor)<br />
<br />
* ''50 Licks: Myths and Stories from Half a Century of the Rolling Stones'' (Bloomsbury Publishing, 2013, contributor)<br />
<br />
* ''A Tribute To The Forgotten Rebels'' (ePub Bud, 2013, contributor)<br />
<br />
* ''The Mammoth Book of The Rolling Stones'' (Constable & Robinson/Running Press, 2013, contributor)<br />
<br />
* ''It Was Fifty Years Ago Today: The Beatles Invade America and Hollywood'' (Otherworld Cottage Industries, 2014, interview subject)<br />
<br />
* ''Turn Up The Radio! Rock, Pop, and Roll in Los Angeles 1956-1972'' (Santa Monica Press, 2014, contributor)<br />
<br />
* ''Gods Of The Hammer: The Teenage Head Story'' (Coach House Books, 2014, interview subject)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
* ''The Last Pogo Jumps Again'', 2013<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/Library/Writer/gary-pig-gold Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=107874Gary Pig Gold2015-03-05T03:03:48Z<p>Shakeandpop: /* External links */</p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published [http://www.archive.org/details/ThePigPaper01 a mock concert program] commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' magazine the following month. By then, ''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.newyorkwaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.fufkin.com/columns/gold/columns_gold.htm Fufkin]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://popdiggers.com/author/gary-pig-gold/ PopDiggers]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books/ECW Press, 2009, 2011, editor, interview subject)<br />
<br />
* ''The Mammoth Book of Bob Dylan'' (Constable & Robinson/Running Press, 2011, contributor)<br />
<br />
* ''Perfect Youth: The Birth of Canadian Punk'' (ECW Press, 2012, interview subject)<br />
<br />
* ''The Canadian Pop Music Encyclopedia'' Volumes 1 and 2 (Bullseye Canada, 2012, contributor)<br />
<br />
* ''A Lennon Pastiche: Expressions from Fans of John Lennon'' (PANGEA Publishing, 2013, contributor)<br />
<br />
* ''50 Licks: Myths and Stories from Half a Century of the Rolling Stones'' (Bloomsbury Publishing, 2013, contributor)<br />
<br />
* ''A Tribute To The Forgotten Rebels'' (ePub Bud, 2013, contributor)<br />
<br />
* ''The Mammoth Book of The Rolling Stones'' (Constable & Robinson/Running Press, 2013, contributor)<br />
<br />
* ''It Was Fifty Years Ago Today: The Beatles Invade America and Hollywood'' (Otherworld Cottage Industries, 2014, interview subject)<br />
<br />
* ''Turn Up The Radio! Rock, Pop, and Roll in Los Angeles 1956-1972'' (Santa Monica Press, 2014, contributor)<br />
<br />
* ''Gods Of The Hammer: The Teenage Head Story'' (Coach House Books, 2014, interview subject)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
* ''The Last Pogo Jumps Again'', 2013<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/Library/Writer/gary-pig-gold Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=107873Gary Pig Gold2015-03-05T03:01:34Z<p>Shakeandpop: /* Bibliography */ updated</p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published [http://www.archive.org/details/ThePigPaper01 a mock concert program] commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' magazine the following month. By then, ''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.newyorkwaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.fufkin.com/columns/gold/columns_gold.htm Fufkin]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://popdiggers.com/author/gary-pig-gold/ PopDiggers]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books/ECW Press, 2009, 2011, editor, interview subject)<br />
<br />
* ''The Mammoth Book of Bob Dylan'' (Constable & Robinson/Running Press, 2011, contributor)<br />
<br />
* ''Perfect Youth: The Birth of Canadian Punk'' (ECW Press, 2012, interview subject)<br />
<br />
* ''The Canadian Pop Music Encyclopedia'' Volumes 1 and 2 (Bullseye Canada, 2012, contributor)<br />
<br />
* ''A Lennon Pastiche: Expressions from Fans of John Lennon'' (PANGEA Publishing, 2013, contributor)<br />
<br />
* ''50 Licks: Myths and Stories from Half a Century of the Rolling Stones'' (Bloomsbury Publishing, 2013, contributor)<br />
<br />
* ''A Tribute To The Forgotten Rebels'' (ePub Bud, 2013, contributor)<br />
<br />
* ''The Mammoth Book of The Rolling Stones'' (Constable & Robinson/Running Press, 2013, contributor)<br />
<br />
* ''It Was Fifty Years Ago Today: The Beatles Invade America and Hollywood'' (Otherworld Cottage Industries, 2014, interview subject)<br />
<br />
* ''Turn Up The Radio! Rock, Pop, and Roll in Los Angeles 1956-1972'' (Santa Monica Press, 2014, contributor)<br />
<br />
* ''Gods Of The Hammer: The Teenage Head Story'' (Coach House Books, 2014, interview subject)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
* ''The Last Pogo Jumps Again'', 2013<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/Library/Writer/gary-pig-gold Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
* [http://www.myspace.com/garypiggold Gary Pig Gold MySpace]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=102245Gary Pig Gold2014-07-10T01:43:35Z<p>Shakeandpop: /* Bibliography */ updated</p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published [http://www.archive.org/details/ThePigPaper01 a mock concert program] commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' magazine the following month. By then, ''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.newyorkwaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.fufkin.com/columns/gold/columns_gold.htm Fufkin]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://popdiggers.com/author/gary-pig-gold/ PopDiggers]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books/ECW Press, 2009, 2011, editor, interview subject)<br />
<br />
* ''The Mammoth Book of Bob Dylan'' (Constable & Robinson/Running Press, 2011, contributor)<br />
<br />
* ''Perfect Youth: The Birth of Canadian Punk'' (ECW Press, 2012, interview subject)<br />
<br />
* ''The Canadian Pop Music Encyclopedia'' Volumes 1 and 2 (Bullseye Canada, 2012, contributor)<br />
<br />
* ''A Lennon Pastiche: Expressions from Fans of John Lennon'' (PANGEA Publishing, 2013, contributor)<br />
<br />
* ''A Tribute To The Forgotten Rebels'' (ePub Bud, 2013, contributor)<br />
<br />
* ''The Mammoth Book of The Rolling Stones'' (Constable & Robinson/Running Press, 2013, contributor)<br />
<br />
* ''It Was Fifty Years Ago Today: The Beatles Invade America and Hollywood'' (Otherworld Cottage Industries, 2014, interview subject)<br />
<br />
* ''Turn Up The Radio! Rock, Pop, and Roll in Los Angeles 1956-1972'' (Santa Monica Press, 2014, contributor)<br />
<br />
* ''Gods Of The Hammer: The Teenage Head Story'' (Coach House Books, 2014, interview subject)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
* ''The Last Pogo Jumps Again'', 2013<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/Library/Writer/gary-pig-gold Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
* [http://www.myspace.com/garypiggold Gary Pig Gold MySpace]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=100029Gary Pig Gold2014-05-04T18:40:01Z<p>Shakeandpop: /* Bibliography */ updated</p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published [http://www.archive.org/details/ThePigPaper01 a mock concert program] commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' magazine the following month. By then, ''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.newyorkwaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.fufkin.com/columns/gold/columns_gold.htm Fufkin]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://popdiggers.com/author/gary-pig-gold/ PopDiggers]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books/ECW Press, 2009, 2011, editor, interview subject)<br />
<br />
* ''The Mammoth Book of Bob Dylan'' (Constable & Robinson/Running Press, 2011, contributor)<br />
<br />
* ''The Canadian Pop Music Encyclopedia'' Volumes 1 and 2 (Bullseye Canada, 2012, contributor)<br />
<br />
* ''A Lennon Pastiche: Expressions from Fans of John Lennon'' (PANGEA Publishing, 2013, contributor)<br />
<br />
* ''A Tribute To The Forgotten Rebels'' (ePub Bud, 2013, contributor)<br />
<br />
* ''The Mammoth Book of The Rolling Stones'' (Constable & Robinson/Running Press, 2013, contributor)<br />
<br />
* ''It Was Fifty Years Ago Today: The Beatles Invade America and Hollywood'' (Otherworld Cottage Industries, 2014, interview subject)<br />
<br />
* ''Turn Up The Radio! Rock, Pop, and Roll in Los Angeles 1956-1972'' (Santa Monica Press, 2014, contributor)<br />
<br />
* ''Gods Of The Hammer: The Teenage Head Story'' (Coach House Books, 2014, interview subject)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
* ''The Last Pogo Jumps Again'', 2013<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/Library/Writer/gary-pig-gold Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
* [http://www.myspace.com/garypiggold Gary Pig Gold MySpace]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=92142Gary Pig Gold2014-01-18T21:30:26Z<p>Shakeandpop: /* Bibliography */ updated</p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published [http://www.archive.org/details/ThePigPaper01 a mock concert program] commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' magazine the following month. By then, ''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.newyorkwaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.fufkin.com/columns/gold/columns_gold.htm Fufkin]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://popdiggers.com/author/gary-pig-gold/ PopDiggers]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books/ECW Press, 2009, 2011, editor, interview subject)<br />
<br />
* ''The Mammoth Book of Bob Dylan'' (Constable & Robinson/Running Press, 2011, contributor)<br />
<br />
* ''The Canadian Pop Music Encyclopedia'' Volumes 1 and 2 (Bullseye Canada, 2012, contributor)<br />
<br />
* ''A Lennon Pastiche: Expressions from Fans of John Lennon'' (PANGEA Publishing, 2013, contributor)<br />
<br />
* ''A Tribute To The Forgotten Rebels'' (ePub Bud, 2013, contributor)<br />
<br />
* ''The Mammoth Book of The Rolling Stones'' (Constable & Robinson/Running Press, 2013, contributor)<br />
<br />
* ''It Was Fifty Years Ago Today: The Beatles Invade America and Hollywood'' (Otherworld Cottage Industries, 2014, interview subject)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
* ''The Last Pogo Jumps Again'', 2013<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/Library/Writer/gary-pig-gold Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
* [http://www.myspace.com/garypiggold Gary Pig Gold MySpace]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=77042Gary Pig Gold2013-06-25T19:58:18Z<p>Shakeandpop: /* External links */</p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published [http://www.archive.org/details/ThePigPaper01 a mock concert program] commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' magazine the following month. By then, ''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.newyorkwaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.fufkin.com/columns/gold/columns_gold.htm Fufkin]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://popdiggers.com/author/gary-pig-gold/ PopDiggers]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books/ECW Press, 2009, 2011, editor, interview subject)<br />
<br />
* ''The Mammoth Book of Bob Dylan'' (Constable & Robinson/Running Press, 2011, contributor)<br />
<br />
* ''The Canadian Pop Music Encyclopedia'' Volumes 1 and 2 (Bullseye Canada, 2012, contributor)<br />
<br />
* ''A Lennon Pastiche: Expressions from Fans of John Lennon'' (PANGEA Publishing, 2013, contributor)<br />
<br />
* ''A Tribute To The Forgotten Rebels'' (ePub Bud, 2013, contributor)<br />
<br />
* ''The Mammoth Book of The Rolling Stones'' (Constable & Robinson/Running Press, 2013, contributor)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
* ''The Last Pogo Jumps Again'', 2013<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/Library/Writer/gary-pig-gold Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
* [http://www.myspace.com/garypiggold Gary Pig Gold MySpace]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Pig_Paper&diff=77041Pig Paper2013-06-25T19:55:32Z<p>Shakeandpop: /* External Links */</p>
<hr />
<div>[[Image:PigPaper9.jpg|200px|thumb|right |PigPaper]]<br />
'''''The Pig Paper''''' was Canada’s very first self-published music [[fanzine]], one of the pioneering, and longest-lasting examples of that country’s vibrant small press pedigree.<br />
<br />
==History==<br />
Beginning life in the early Seventies as record-hunting correspondence between founder/publisher [[Gary Pig Gold]] and his oldest friend, Doug “Rock Serling” Pelton, the first ''Pig Paper'' to be made available to the public was a mock-concert program sold during a 1975 appearance by The Who in Toronto. <br />
<br />
Two years later, ''The Pig Paper'' was covering Canada’s nascent [[punk]] rock scene, publishing some of the first-ever in-depth articles on such bands as Teenage Head, The Viletones, and Simply Saucer as well as early reviews and interviews with The Ramones, Sex Pistols, Talking Heads and many others. Each issue also contained material on vintage acts such as The Beach Boys and Elvis Presley, as well as offering performers such as Half Japanese and Jandek many of their initial appearances in print.<br />
<br />
''The Pig Paper'' duly gave birth as well to the '''Pig Records''' label in 1978, issuing the first release by Simply Saucer, and Gary’s widely-syndicated ''Pigshit'' column, which first appeared in the February 1979 issue of [[Flipside]] Fanzine, continues to run monthly online to this day.<br />
<br />
==Issues==<br />
<br />
* [http://www.archive.org/details/ThePigPaper01 '''Pig Paper # 1'''] (December 1975) <br />
Pictures, stories, and interviews, both old and new, on The Who, including a lengthy discography, packaged together as an Official Concert Program and initially sold only on the streets outside Maple Leaf Gardens in Toronto when the band performed there on December 11, 1975.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper02 '''Pig Paper # 2'''] (October 1976) <br />
A small literary “coda” and update on The Who, inserted into reprints of ''Pig Paper 1'' and again sold outside Toronto’s Maple Leaf Gardens when the band returned there on October 21, 1976 (coincidentally, Keith Moon’s final public performance with the band).<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper03 '''Pig Paper # 3'''] (April 1977) <br />
The “True Kink Konfessions” of Simply Saucer’s Edgar Breau, distributed free-of-charge to concert-goers when The Kinks played Maple Leaf Gardens in Toronto on April 29, 1977. This was also the first ''Pig Paper'' made available outside of Canada (at the Kinks’ show in Buffalo, NY, the following evening, as well as during their in-store appearance at Buffalo’s Record Theatre the day after that).<br />
<br />
<br />
* '''Pig Paper # 4''' (June 1977) withdrawn<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper05 '''Pig Paper # 5'''] (August 1977) <br />
An interview with The Ramones (conducted at their June 18, 1977 Toronto performance and party afterwards), an article/discography on the Australian band The Saints, Rock Serling’s first “Delete Zone” column, the Sex Pistols’ “Anarchy In Canada,” “Elvis Is Dead” obituary, ''Pig Paper'' photographer Johnny Pig’s run-in with Thin Lizzy’s Phil Lynott, “Pig Punk Part One” (Teenage Head, Simply Saucer, The Viletones, Battered Wives and The Curse) plus record reviews of the Saints’ ''(I’m) Stranded'', ''The Beach Boys Love You'' and ''Surfin’ With The Viletones''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper06 '''Pig Paper # 6'''] (October 1977) <br />
Interviews with Talking Heads and Beach Boy Dennis Wilson, a report on the Toronto “Outrage” concert, “Marc Bolan Is Dead” obituary, “Pig Punk Part Two” (The Dishes, Loved Ones, Concordes, Headache, Diodes), the first “Pigossip” column, “More True Kink Konfessions” (from the proposed ''Pig Paper # 4''), plus record reviews of the Alan Parsons Project, Viletones, Sex Pistols, Rattles, Dishes, ''24 Original Happening Hits'', Nick Lowe, and the New Legion Rock Spectacular.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper07 '''Pig Paper # 7'''] (December 1977) <br />
Interviews with The Hollies, Eddie and the Hot Rods and the Boyfriends, articles on Tommy Ramone, Freddie and the Dreamers and the Vibrators, the first “Pigallery” photo spread, “Pig Punk Part Three” (Dole-Q, The Ugly, Afrika Korps, The Poles, Stanley Frank), plus record reviews of Iggy Pop, XTC, the Dead Boys, Bay City Rollers, Suicide, Dwight Twilley Band, X-Ray Spex, and many more. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper08 '''Pig Paper # 8'''] (April 1978) <br />
Interviews with Elvis Costello and The Viletones, The Forgotten Rebels’ Fan Mail, Jeremy Gluck’s “Stupid Songs I Have Known,” The Runaways at the El Mocambo, The Diodes in New York City, Bill McAvory’s first Classic Canada column, “Pig Punk Part 4” (Blue Reimondos, Jumpers, The Good), plus record reviews of the Heartbreakers, The Monkees, Rich Kids, Damned, Eric Burdon, The Rutles, and many more. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper09 '''Pig Paper # 9'''] (August 1978) <br />
Interviews with John Lydon and Generation X, articles on Suicide, Buddy Holly, and Destroy All Monsters, “Pig Toronto Punk Discography,” Bill McAvory on the Ugly Ducklings, Edgar Breau plays “Blindate,” plus record reviews of David Johansen, Wild Man Fischer, Blondie, Mink DeVille, the Paley Brothers, Tom Petty, the Romantics, Television, Soft Boys, Ringo Starr, Ian Dury, and many more. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper10 '''Pig Paper # 10'''] (December 1978) <br />
The Story of the Dave Clark Five, Rock Serling’s All-Time Top 1000, “Where The Action Is” Boston and Los Angeles scene reports, Keith Richards plays “Blindate,” articles on the Rich Kids, Greg Kihn and The Verbs, plus record reviews of Glen Campbell, Captain Beefheart, Shaun Cassidy, the Modern Lovers, Elvis Presley, Devo, and many more.<br />
<br />
<br />
* '''Pig Paper #’s''' [http://www.archive.org/details/ThePigPaper10a '''10-A'''] and [http://www.archive.org/details/ThePigPaper10b '''10-B'''] (February and March 1979) <br />
First two of a proposed series of 25-cent, monthly “between ''Pig Paper'' Newsletters,” featuring The Diodes, Clash, Teenage Head and Ugly Ducklings.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper11 '''Pig Paper # 11'''] (January 1980) <br />
The first of the “Pocket Pig Papers,” featuring Elvis Presley, Half Japanese, Wayne County, Steve Jones’ “Blindate,” plus record reviews of Chuck Berry, the Cramps, ABBA, ''The Chipmunks Sing The Beatles Hits'', Kim Fowley, Michael Nesmith, Shoes, Bob Dylan, and many more.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper12 '''Pig Paper # 12'''] (March 1980) <br />
“The Strange Case of John Lennon,” PiL, Marianne Faithfull interview, plus the Paul Revere and the Raiders record (review) that never was. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper13 '''Pig Paper # 13'''] (June 1980) <br />
The first of two strictly promotional ''Pig Paper''s, reproducing clippings and reviews spotlighting Pig Productions’ first five years of operation.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper14 '''Pig Paper # 14'''] (January 1982) <br />
The first California-produced ''Pig Paper'', featuring Mick Clintrock’s interview with Jerry Lee Lewis.<br />
<br />
<br />
* [http://www.archive.org/details/PigPaper15 '''Pig Paper # 15'''] (October 1983) <br />
The second ''Promo-Pig Paper''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper16 '''Pig Paper # 16'''] (February 1985) <br />
The first of the two-page giveaway Mail Art ''Pig Paper''s, featuring Part One of an interview with the Dream Syndicate.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper17 '''Pig Paper # 17'''] (March 1985) <br />
Part Two of the Dream Syndicate interview, plus the first Ace Backwords Comix. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper18 '''Pig Paper # 18'''] (April 1985) <br />
Part Three of the Dream Syndicate interview, plus first Jad Fair artwork. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper19 '''Pig Paper # 19'''] (June 1985) <br />
Part Four of the Dream Syndicate interview.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper20 '''Pig Paper # 20'''] (July 1985) <br />
Interview with Fat Mike of NOFX.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper21 '''Pig Paper # 21'''] (August 1985) <br />
“Why I Hate the Psychedelic Revival” by H. Gertz, plus Eddie Flowers’ first “L.A. Blues” column.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper22 '''Pig Paper # 22'''] (September 1985) <br />
''Back To Cool Issue'', featuring “Questions Gas Station Attendants Frequently Ask About Deja Voodoo’s Car.”<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper23 '''Pig Paper # 23'''] (October 1985) <br />
''Special Anachronism Issue'', including the first “Continuing Saga of Dr. Iguana” column.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper24 '''Pig Paper # 24'''] (January 1986) <br />
''Gala Tenth Anniversary Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper25 '''Pig Paper # 25'''] (March 1986) <br />
“Confessions of an Ex-Loved One” by Ed O’Bryan, Part Three, plus John Crawford’s “The World’s First Hardcore Compilation Letter!”<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper26 '''Pig Paper # 26'''] (May 1986) <br />
''Special Glenn Gould Memorial Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper27 '''Pig Paper # 27'''] (August 1986) <br />
''Special Bobby Fuller Memorial Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper28 '''Pig Paper # 28'''] (October 1986) <br />
''Special Brian Epstein Memorial Issue'', including first Tuli Kupferberg artwork.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper29 '''Pig Paper # 29'''] (January 1987) <br />
''Special Brian Wilson Memorial Issue'', including David Leaf’s Top Ten List.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper30 '''Pig Paper # 30'''] (April 1987) <br />
''Gala Thirtieth Anniversary Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper31 '''Pig Paper # 31'''] (August 1987) <br />
''Special Elvis-Still-Dead Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper32 '''Pig Paper # 32'''] (December 1987) <br />
''Special Punkstalgia Memorial Issue'', including James Lord’s “Letters From The Damned” and Ace Backwords’ “Sid Vicious and Johnny Rotten Garbage Patch Dolls.”<br />
<br />
==External Links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.archive.org/search.php?query=subject%3A%22The%20Pig%20Paper%22 ''The Pig Paper'' at Internet Archive]<br />
* [http://www.garypiggold.com/pigshit.html some ''Pigshit'' columns]<br />
* [http://www.rocksbackpages.com/Library/Writer/gary-pig-gold Gary Pig Gold at Rock’s Backpages]<br />
* [http://en.wikipedia.org/wiki/Gary_Pig_Gold Gary Pig Gold Wikipedia]<br />
<br />
[[Category:Zine]]<br />
[[Category:Zines from Canada]]<br />
[[Category:Ontario Zines]] <br />
[[Category:1970's publications]]<br />
[[Category:1980's publications]]<br />
[[Category:Punk]]<br />
[[Category:Previously Featured Articles|Pig]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=76570Gary Pig Gold2013-05-12T22:02:16Z<p>Shakeandpop: /* Selected Articles */ updated</p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published [http://www.archive.org/details/ThePigPaper01 a mock concert program] commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' magazine the following month. By then, ''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.newyorkwaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.fufkin.com/columns/gold/columns_gold.htm Fufkin]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://popdiggers.com/author/gary-pig-gold/ PopDiggers]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books/ECW Press, 2009, 2011, editor, interview subject)<br />
<br />
* ''The Mammoth Book of Bob Dylan'' (Constable & Robinson/Running Press, 2011, contributor)<br />
<br />
* ''The Canadian Pop Music Encyclopedia'' Volumes 1 and 2 (Bullseye Canada, 2012, contributor)<br />
<br />
* ''A Lennon Pastiche: Expressions from Fans of John Lennon'' (PANGEA Publishing, 2013, contributor)<br />
<br />
* ''A Tribute To The Forgotten Rebels'' (ePub Bud, 2013, contributor)<br />
<br />
* ''The Mammoth Book of The Rolling Stones'' (Constable & Robinson/Running Press, 2013, contributor)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
* ''The Last Pogo Jumps Again'', 2013<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/writer.html?WriterID=gold_gp Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
* [http://www.myspace.com/garypiggold Gary Pig Gold MySpace]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=76569Gary Pig Gold2013-05-12T21:54:16Z<p>Shakeandpop: /* Bibliography */ updated</p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published [http://www.archive.org/details/ThePigPaper01 a mock concert program] commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' magazine the following month. By then, ''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.newyorkwaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.fufkin.com/columns/gold/columns_gold.htm Fufkin]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://wenker.se/archives/author/gary-pig-gold/ Looking For The Magic]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books/ECW Press, 2009, 2011, editor, interview subject)<br />
<br />
* ''The Mammoth Book of Bob Dylan'' (Constable & Robinson/Running Press, 2011, contributor)<br />
<br />
* ''The Canadian Pop Music Encyclopedia'' Volumes 1 and 2 (Bullseye Canada, 2012, contributor)<br />
<br />
* ''A Lennon Pastiche: Expressions from Fans of John Lennon'' (PANGEA Publishing, 2013, contributor)<br />
<br />
* ''A Tribute To The Forgotten Rebels'' (ePub Bud, 2013, contributor)<br />
<br />
* ''The Mammoth Book of The Rolling Stones'' (Constable & Robinson/Running Press, 2013, contributor)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
* ''The Last Pogo Jumps Again'', 2013<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/writer.html?WriterID=gold_gp Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
* [http://www.myspace.com/garypiggold Gary Pig Gold MySpace]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=76129Gary Pig Gold2013-04-01T02:02:05Z<p>Shakeandpop: /* Bibliography */ updated</p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published [http://www.archive.org/details/ThePigPaper01 a mock concert program] commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' magazine the following month. By then, ''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.newyorkwaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.fufkin.com/columns/gold/columns_gold.htm Fufkin]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://wenker.se/archives/author/gary-pig-gold/ Looking For The Magic]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books/ECW Press, 2009, 2011, editor, interview subject)<br />
<br />
* ''The Mammoth Book of Bob Dylan'' (Constable & Robinson/Running Press, 2011, contributor)<br />
<br />
* ''A Lennon Pastiche: Expressions from Fans of John Lennon'' (PANGEA Publishing, 2013, contributor)<br />
<br />
* ''A Tribute To The Forgotten Rebels'' (ePub Bud, 2013, contributor)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
* ''The Last Pogo Jumps Again'', 2013<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/writer.html?WriterID=gold_gp Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
* [http://www.myspace.com/garypiggold Gary Pig Gold MySpace]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=75998Gary Pig Gold2013-03-20T09:49:57Z<p>Shakeandpop: /* Filmography */ updated</p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published [http://www.archive.org/details/ThePigPaper01 a mock concert program] commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' magazine the following month. By then, ''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.newyorkwaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.fufkin.com/columns/gold/columns_gold.htm Fufkin]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://wenker.se/archives/author/gary-pig-gold/ Looking For The Magic]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books/ECW Press, 2009, 2011, editor, interview subject)<br />
<br />
* ''The Mammoth Book of Bob Dylan'' (Constable & Robinson/Running Press, 2011, contributor)<br />
<br />
* ''A Lennon Pastiche: Expressions from Fans of John Lennon'' (PANGEA Publishing, 2013, contributor)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
* ''The Last Pogo Jumps Again'', 2013<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/writer.html?WriterID=gold_gp Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
* [http://www.myspace.com/garypiggold Gary Pig Gold MySpace]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=75997Gary Pig Gold2013-03-20T09:45:31Z<p>Shakeandpop: /* Bibliography */ updated</p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published [http://www.archive.org/details/ThePigPaper01 a mock concert program] commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' magazine the following month. By then, ''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.newyorkwaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.fufkin.com/columns/gold/columns_gold.htm Fufkin]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://wenker.se/archives/author/gary-pig-gold/ Looking For The Magic]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books/ECW Press, 2009, 2011, editor, interview subject)<br />
<br />
* ''The Mammoth Book of Bob Dylan'' (Constable & Robinson/Running Press, 2011, contributor)<br />
<br />
* ''A Lennon Pastiche: Expressions from Fans of John Lennon'' (PANGEA Publishing, 2013, contributor)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/writer.html?WriterID=gold_gp Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
* [http://www.myspace.com/garypiggold Gary Pig Gold MySpace]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=54493Gary Pig Gold2011-11-17T19:24:34Z<p>Shakeandpop: /* Bibliography */</p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published [http://www.archive.org/details/ThePigPaper01 a mock concert program] commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' magazine the following month. By then, ''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.newyorkwaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.fufkin.com/columns/gold/columns_gold.htm Fufkin]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://wenker.se/archives/author/gary-pig-gold/ Looking For The Magic]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books/ECW Press, 2009, 2011, editor, interview subject)<br />
<br />
* ''The Mammoth Book of Bob Dylan'' (Constable & Robinson/Running Press, 2011, contributor)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/writer.html?WriterID=gold_gp Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
* [http://www.myspace.com/garypiggold Gary Pig Gold MySpace]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=50933Gary Pig Gold2011-10-10T03:03:43Z<p>Shakeandpop: Updated Bibliography</p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published [http://www.archive.org/details/ThePigPaper01 a mock concert program] commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' magazine the following month. By then, ''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.newyorkwaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.fufkin.com/columns/gold/columns_gold.htm Fufkin]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://wenker.se/archives/author/gary-pig-gold/ Looking For The Magic]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books/ECW Press, 2009, editor, interview subject)<br />
<br />
* ''The Mammoth Book of Bob Dylan'' (Constable & Robinson/Running Press, 2011, contributor)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/writer.html?WriterID=gold_gp Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
* [http://www.myspace.com/garypiggold Gary Pig Gold MySpace]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Talk:Pig_Paper&diff=42695Talk:Pig Paper2011-05-22T20:05:50Z<p>Shakeandpop: </p>
<hr />
<div>This article was the feature article on the front page of ZineWiki, January 2011! [[User:Jerianne|Jerianne]] 02:28, 10 January 2011 (UTC)<br />
<br />
This is to confirm that ZineWiki username Shakeandpop is the same posting this material at Wikipedia.</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Pig_Paper&diff=41200Pig Paper2011-05-04T00:15:46Z<p>Shakeandpop: </p>
<hr />
<div>[[Image:PigPaper9.jpg|200px|thumb|right |PigPaper]]<br />
'''''The Pig Paper''''' was Canada’s very first self-published music [[fanzine]], one of the pioneering, and longest-lasting examples of that country’s vibrant small press pedigree.<br />
<br />
==History==<br />
Beginning life in the early Seventies as record-hunting correspondence between founder/publisher [[Gary Pig Gold]] and his oldest friend, Doug “Rock Serling” Pelton, the first ''Pig Paper'' to be made available to the public was a mock-concert program sold during a 1975 appearance by The Who in Toronto. <br />
<br />
Two years later, ''The Pig Paper'' was covering Canada’s nascent [[punk]] rock scene, publishing some of the first-ever in-depth articles on such bands as Teenage Head, The Viletones, and Simply Saucer as well as early reviews and interviews with The Ramones, Sex Pistols, Talking Heads and many others. Each issue also contained material on vintage acts such as The Beach Boys and Elvis Presley, as well as offering performers such as Half Japanese and Jandek many of their initial appearances in print.<br />
<br />
''The Pig Paper'' duly gave birth as well to the '''Pig Records''' label in 1978, issuing the first release by Simply Saucer, and Gary’s widely-syndicated ''Pigshit'' column, which first appeared in the February 1979 issue of [[Flipside]] Fanzine, continues to run monthly online to this day.<br />
<br />
==Issues==<br />
<br />
* [http://www.archive.org/details/ThePigPaper01 '''Pig Paper # 1'''] (December 1975) <br />
Pictures, stories, and interviews, both old and new, on The Who, including a lengthy discography, packaged together as an Official Concert Program and initially sold only on the streets outside Maple Leaf Gardens in Toronto when the band performed there on December 11, 1975.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper02 '''Pig Paper # 2'''] (October 1976) <br />
A small literary “coda” and update on The Who, inserted into reprints of ''Pig Paper 1'' and again sold outside Toronto’s Maple Leaf Gardens when the band returned there on October 21, 1976 (coincidentally, Keith Moon’s final public performance with the band).<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper03 '''Pig Paper # 3'''] (April 1977) <br />
The “True Kink Konfessions” of Simply Saucer’s Edgar Breau, distributed free-of-charge to concert-goers when The Kinks played Maple Leaf Gardens in Toronto on April 29, 1977. This was also the first ''Pig Paper'' made available outside of Canada (at the Kinks’ show in Buffalo, NY, the following evening, as well as during their in-store appearance at Buffalo’s Record Theatre the day after that).<br />
<br />
<br />
* '''Pig Paper # 4''' (June 1977) withdrawn<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper05 '''Pig Paper # 5'''] (August 1977) <br />
An interview with The Ramones (conducted at their June 18, 1977 Toronto performance and party afterwards), an article/discography on the Australian band The Saints, Rock Serling’s first “Delete Zone” column, the Sex Pistols’ “Anarchy In Canada,” “Elvis Is Dead” obituary, ''Pig Paper'' photographer Johnny Pig’s run-in with Thin Lizzy’s Phil Lynott, “Pig Punk Part One” (Teenage Head, Simply Saucer, The Viletones, Battered Wives and The Curse) plus record reviews of the Saints’ ''(I’m) Stranded'', ''The Beach Boys Love You'' and ''Surfin’ With The Viletones''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper06 '''Pig Paper # 6'''] (October 1977) <br />
Interviews with Talking Heads and Beach Boy Dennis Wilson, a report on the Toronto “Outrage” concert, “Marc Bolan Is Dead” obituary, “Pig Punk Part Two” (The Dishes, Loved Ones, Concordes, Headache, Diodes), the first “Pigossip” column, “More True Kink Konfessions” (from the proposed ''Pig Paper # 4''), plus record reviews of the Alan Parsons Project, Viletones, Sex Pistols, Rattles, Dishes, ''24 Original Happening Hits'', Nick Lowe, and the New Legion Rock Spectacular.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper07 '''Pig Paper # 7'''] (December 1977) <br />
Interviews with The Hollies, Eddie and the Hot Rods and the Boyfriends, articles on Tommy Ramone, Freddie and the Dreamers and the Vibrators, the first “Pigallery” photo spread, “Pig Punk Part Three” (Dole-Q, The Ugly, Afrika Korps, The Poles, Stanley Frank), plus record reviews of Iggy Pop, XTC, the Dead Boys, Bay City Rollers, Suicide, Dwight Twilley Band, X-Ray Spex, and many more. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper08 '''Pig Paper # 8'''] (April 1978) <br />
Interviews with Elvis Costello and The Viletones, The Forgotten Rebels’ Fan Mail, Jeremy Gluck’s “Stupid Songs I Have Known,” The Runaways at the El Mocambo, The Diodes in New York City, Bill McAvory’s first Classic Canada column, “Pig Punk Part 4” (Blue Reimondos, Jumpers, The Good), plus record reviews of the Heartbreakers, The Monkees, Rich Kids, Damned, Eric Burdon, The Rutles, and many more. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper09 '''Pig Paper # 9'''] (August 1978) <br />
Interviews with John Lydon and Generation X, articles on Suicide, Buddy Holly, and Destroy All Monsters, “Pig Toronto Punk Discography,” Bill McAvory on the Ugly Ducklings, Edgar Breau plays “Blindate,” plus record reviews of David Johansen, Wild Man Fischer, Blondie, Mink DeVille, the Paley Brothers, Tom Petty, the Romantics, Television, Soft Boys, Ringo Starr, Ian Dury, and many more. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper10 '''Pig Paper # 10'''] (December 1978) <br />
The Story of the Dave Clark Five, Rock Serling’s All-Time Top 1000, “Where The Action Is” Boston and Los Angeles scene reports, Keith Richards plays “Blindate,” articles on the Rich Kids, Greg Kihn and The Verbs, plus record reviews of Glen Campbell, Captain Beefheart, Shaun Cassidy, the Modern Lovers, Elvis Presley, Devo, and many more.<br />
<br />
<br />
* '''Pig Paper #’s''' [http://www.archive.org/details/ThePigPaper10a '''10-A'''] and [http://www.archive.org/details/ThePigPaper10b '''10-B'''] (February and March 1979) <br />
First two of a proposed series of 25-cent, monthly “between ''Pig Paper'' Newsletters,” featuring The Diodes, Clash, Teenage Head and Ugly Ducklings.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper11 '''Pig Paper # 11'''] (January 1980) <br />
The first of the “Pocket Pig Papers,” featuring Elvis Presley, Half Japanese, Wayne County, Steve Jones’ “Blindate,” plus record reviews of Chuck Berry, the Cramps, ABBA, ''The Chipmunks Sing The Beatles Hits'', Kim Fowley, Michael Nesmith, Shoes, Bob Dylan, and many more.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper12 '''Pig Paper # 12'''] (March 1980) <br />
“The Strange Case of John Lennon,” PiL, Marianne Faithfull interview, plus the Paul Revere and the Raiders record (review) that never was. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper13 '''Pig Paper # 13'''] (June 1980) <br />
The first of two strictly promotional ''Pig Paper''s, reproducing clippings and reviews spotlighting Pig Productions’ first five years of operation.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper14 '''Pig Paper # 14'''] (January 1982) <br />
The first California-produced ''Pig Paper'', featuring Mick Clintrock’s interview with Jerry Lee Lewis.<br />
<br />
<br />
* [http://www.archive.org/details/PigPaper15 '''Pig Paper # 15'''] (October 1983) <br />
The second ''Promo-Pig Paper''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper16 '''Pig Paper # 16'''] (February 1985) <br />
The first of the two-page giveaway Mail Art ''Pig Paper''s, featuring Part One of an interview with the Dream Syndicate.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper17 '''Pig Paper # 17'''] (March 1985) <br />
Part Two of the Dream Syndicate interview, plus the first Ace Backwords Comix. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper18 '''Pig Paper # 18'''] (April 1985) <br />
Part Three of the Dream Syndicate interview, plus first Jad Fair artwork. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper19 '''Pig Paper # 19'''] (June 1985) <br />
Part Four of the Dream Syndicate interview.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper20 '''Pig Paper # 20'''] (July 1985) <br />
Interview with Fat Mike of NOFX.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper21 '''Pig Paper # 21'''] (August 1985) <br />
“Why I Hate the Psychedelic Revival” by H. Gertz, plus Eddie Flowers’ first “L.A. Blues” column.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper22 '''Pig Paper # 22'''] (September 1985) <br />
''Back To Cool Issue'', featuring “Questions Gas Station Attendants Frequently Ask About Deja Voodoo’s Car.”<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper23 '''Pig Paper # 23'''] (October 1985) <br />
''Special Anachronism Issue'', including the first “Continuing Saga of Dr. Iguana” column.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper24 '''Pig Paper # 24'''] (January 1986) <br />
''Gala Tenth Anniversary Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper25 '''Pig Paper # 25'''] (March 1986) <br />
“Confessions of an Ex-Loved One” by Ed O’Bryan, Part Three, plus John Crawford’s “The World’s First Hardcore Compilation Letter!”<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper26 '''Pig Paper # 26'''] (May 1986) <br />
''Special Glenn Gould Memorial Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper27 '''Pig Paper # 27'''] (August 1986) <br />
''Special Bobby Fuller Memorial Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper28 '''Pig Paper # 28'''] (October 1986) <br />
''Special Brian Epstein Memorial Issue'', including first Tuli Kupferberg artwork.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper29 '''Pig Paper # 29'''] (January 1987) <br />
''Special Brian Wilson Memorial Issue'', including David Leaf’s Top Ten List.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper30 '''Pig Paper # 30'''] (April 1987) <br />
''Gala Thirtieth Anniversary Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper31 '''Pig Paper # 31'''] (August 1987) <br />
''Special Elvis-Still-Dead Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper32 '''Pig Paper # 32'''] (December 1987) <br />
''Special Punkstalgia Memorial Issue'', including James Lord’s “Letters From The Damned” and Ace Backwords’ “Sid Vicious and Johnny Rotten Garbage Patch Dolls.”<br />
<br />
==External Links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.archive.org/search.php?query=subject%3A%22The%20Pig%20Paper%22 ''The Pig Paper'' at Internet Archive]<br />
* [http://www.garypiggold.com/pigshit.html some ''Pigshit'' columns]<br />
* [http://www.rocksbackpages.com/writer.html?WriterID=gold_gp Gary Pig Gold at Rock’s Backpages]<br />
* [http://en.wikipedia.org/wiki/Gary_Pig_Gold Gary Pig Gold Wikipedia]<br />
<br />
[[Category:Zine]]<br />
[[Category:Zines from Canada]]<br />
[[Category:Ontario Zines]] <br />
[[Category:1970's publications]]<br />
[[Category:1980's publications]]<br />
[[Category:Punk]]<br />
[[Category:Previously Featured Articles|Pig]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Mongrel_zine&diff=41183Mongrel zine2011-05-03T21:03:36Z<p>Shakeandpop: </p>
<hr />
<div>[[Image:Mz8andvol5cd1.jpg|right]]<br />
'''Mongrel Zine''' is a print [[fanzine]] that features garage bands and underground artists. Each issue contains interviews, record reviews, drawings, and a CD compilation. It’s edited, designed, photocopied, folded, and stapled by Janelle Hollyrock and Bob Scott out of Vancouver, BC, Canada.<br />
<br />
Beginning with Mongrel Zine #4, the zine is printed in a flipzine format with two different covers on each side with content meeting in the center, and includes a burned CD compilation of bands featured in the zine with many previously unreleased tracks.<br />
<br />
Interviews and music reviews from past issues are posted online at the Mongrel Zine website after the subsequent new issue is released.<br />
<br />
=== Issues ===<br />
'''Mongrel Zine #1''' (2008) Interviews with artist Bob Scott, Seattle garage rockers The Paper Dolls, Vancouver blues band The Pack A.D., and Cinema Sewer’s Robin Bougie. 30 pages. 8.5″ x 11″. Colour cover.<br />
<br />
'''Mongrel Zine #2''' (2008) Interviews with artist I,Braineater, the last interview with Montreal’s CPC Gangbangs, Vancouver garage rockers The Trap Doors, The Green Hour Band, Andy Meyers from the ‘77 Toronto punk band The Scenics, Dead Ghosts, Dandelion Records, plus drawings by Skip Jensen and Don Chambers. 30 pages. 8.5″ x 11″. Colour cover.<br />
<br />
'''Mongrel Zine #3''' (2008) Interviews with cartoonist Rick Trembles, one man band and half of King Khan & BBQ Show Mark Sultan/BBQ, mod Vancouver band The Tranzmitors, classic powerpop band The Pointed Sticks, rockabilly OMB Bloodshot Bill, artist Oily Chi, plus The Stolen Minks, and Defektors. 40 pages. 8.5″ x 11″. Colour cover.<br />
<br />
'''Mongrel Zine #4 + Mongrel Zine Vol. 1 CD Comp''' (2008) Interviews with punk photographer Bev Davies, pop artist Holly Ruth Anderson, Montreal garage bands Thee B-Sides and The Gruesomes, Vancouver garage bands Thee Manipulators and The Vicious Cycles (MC), Wreckless Eric & Amy Rigby, The Angry Dragons, Little Red Sounds Studio in Vancouver. Plus Mongrel Zine Vol. 1 CD Comp, a 22-SONG CD Comp. 80 pages. 6″ x 7.5". Black and white cover.<br />
<br />
'''Mongrel Zine #5 + Mongrel Zine Vol. 2 CD Comp''' (2009) Interviews inside with King Khan of King Khan & BBQ Show and King Khan & The Shrines, Seattle punkers The Spits, Pierced Arrows (ex-Dead Moon), the directors of Unknown Passage : The Dead Moon Story, Montreal's Skip Jensen, blistering Mexican punks Ratas del Vaticano, Chuck Violence, Vancouver's B-Lines, artists Rupert Bottenberg and CM Ruiz, The Speaking Tongues, The Girls of Beehive, Ayden Gallery, plus an article on Stef Petticoat and a tribute to the late Cramps frontman Lux Interior. Also: [[Gary Pig Gold]], Kirsten Easthope, Rot N Hell, Fingers, and an exclusive introduction by Bobby Beaton. Plus Mongrel Zine Vol. 2 CD Comp, a 24-SONG CD Comp. 120 pages. 6″ x 7.5". Black and white cover.<br />
<br />
'''Mongrel Zine #6 + Mongrel Zine Vol. 3 CD Comp''' (2009) Mongréal Zine #6 + Vol. 3 CD Comp is the Montréal issue. Interviews with Montreal bands Demon’s Claws, Red Mass, The Sunday Sinners, Bloodshot Bill, Teenage Hookers, and artist Mathieu ‘Trude’ Trudel. Plus garage band The Black Lips, Vancouver bands Dead Ghosts, Manic Attracts, and Petroleum By-Product, music aficionado Nardwuar the Human Serviette, Gerard Van Herk (Deja Voodoo), Simply Saucer and a tribute to the late Sky Saxon and a feature on Mike Sniper (Blank Dogs). Plus Mongrel Zine Vol. 3 CD Comp, a 25-SONG CD Comp. 116 pages. 6″ x 7.5". Black and white cover.<br />
<br />
'''Mongrel Zine #7 + Mongrel Zine Vol. 4 CD Comp''' (2009) Halloween issue featuring interviews with Haunted George of the Garagepunk podcast Haunted Shack Theatre, New Orleans occasional one man band King Louie, Vancouver garage band Indian Wars, Mexico City's Inservibles, a rare interview with the late Billy Van from The Hilarious House of Frightenstein, vintage Halloween collector Mark Ledenbach, plus Box Elders, The TVees, Hard Feelings, HYPSTRZ, The Orpheans, Corpusse, and Telekrimen. 6″ x 7.5". Black and white cover. Plus Mongrel Zine Vol. 4 CD Comp, a 28-SONG CD Comp. 104 pages. 6″ x 7.5". Black and white cover.<br />
<br />
'''Mongrel Zine #8 + Mongrel Zine Vol. 5 CD Comp''' (2010) Interviews with Mark Sultan, Jacuzzi Boys, Subhumans (Canada), Tandoori Knights (King Khan & Bloodshot Bill), The Midwest Beat, Wendy Norton (of bands Plexi 3 and The Flips, and zines Real Rocknroll, What We Do Is Secret, Search & Annoy), Student Teacher, Those Darlins, White Wires, artist Johnny Sampson, James T. Kirks, Sonic Avenues, drawings by Andrea Baeza, a Meiko Kaji Retrospect, and Open Your Mouth and Say... Mr. Chi Pig and Bloodied but Unbowed punk documentaries. Plus Mongrel Zine Vol. 5, a 24 song CD Comp. 96 pages. 6″ x 7.5". Black and white cover.<br />
<br />
=== CD Compilations ===<br />
'''Mongrel Zine Vol. 1 CD Comp (included with Mongrel Zine #4)'''<br />
1. What To Do - DEAD GHOSTS from S/T CDR (Milk N Herpes) 2008<br />
2. The Devil's Potion - THE TRAP DOORS (unreleased) 2008 *<br />
3. Ooga Booga Man - THEE MANIPULATORS (unreleased) 2008 *<br />
4. Try The Punch - RAISED BY WOLVES from HOT BLOOD (Stomp and Howl) 2005<br />
5. 0 - THEE B-SIDES (unreleased) 2008 *<br />
6. As Much As I Do - SKIP JENSEN W/ SEB NORMAL from S/T CD 2006<br />
7. No Good Man Blues - SKIP JENSEN W/ SEB NORMAL from S/T CD 2006<br />
8. Lickin The Bowl - BLOODSHOT BILL from FULL BLAST (SIN) 2008<br />
9. (We Come From) Under The Dirt - !THE LIZARD PEOPLE! from "THEY LIVE" LIVE IN JAPAN! LARGE 2007<br />
10. IMINLOV - THEE B-SIDES (unreleased) 2008 *<br />
11. Be Alright - THEE MANIPULATORS (unreleased) 2008 *<br />
12. Hang Around - THE TRAP DOORS (unreleased) 2008 *<br />
13. Skinny Little Arms Made Out of Paper - THE PARALLELS from S/T 45 (La-Ti-Da) 2008<br />
14. Twist My Arm - THE TVEES (unreleased) 2008 *<br />
15. A Thought To A Friend - THEE B-SIDES (unreleased) 2008 *<br />
16. That Ain't Rock N Roll - TIMECOPZ (unreleased) 2008 *<br />
17. Tartan Army - PETROLEUM BY PRODUCTS (unreleased) 2008 *<br />
18. North End Strangler - THE STOLEN MINKS from HIGH KICKS (New Romance for Kids) 2008<br />
19. Jailbound - TIMECOPZ (unreleased) 2008 *<br />
20. O Boy - THE SCENICS from THE LAST POGO DVD (Dream Tower Records) 1978<br />
21. One Way Ticket - CHOYCE AND THE SHARKS from KYB 010 (KYB Records) 2008<br />
22. L.A. Sleaze - CPC GANGBANGS FEAT. A-C (unreleased) 2008 * *Previously unreleased<br />
<br />
'''Mongrel Zine Vol. 2 CD Comp (included with Mongrel Zine #5)'''<br />
“I Hate Being In Love” by Amy and the Angels from Making Waves LP (Girlfriend Records) 1981. Stef Petticoat article in MZ5<br />
“Army Life” by The Spits from Demos, Filler, and More. The Spits interview in MZ5. PREVIOUSLY UNRELEASED<br />
“Esquema Social” by Ratas del Vaticano from Matado por la Muerte (españa) 2008. Ratas interview in MZ5<br />
“Acostúmbrate” by Ratas del Vaticano from Matado por la Muerte (españa) 2008<br />
“She Likes It” by Dead Ghosts from Dead Ghosts/The Smith Westerns split 7” (Bachelor Records BR-24) 2009. Dead Ghosts interview in MZ2<br />
“Shut It” by Manic Attracts from Shut It/Teenage Teenage 7” (Yakisakana Sazae-035) 2009<br />
“My Brother” by Thee B-Sides (unreleased) 2009. Thee B-Sides interview in MZ4. PREVIOUSLY UNRELEASED<br />
“You're the Man” by Thee B-Sides (unreleased) 2009. PREVIOUSLY UNRELEASED<br />
“Get Outta My Hair” by The Gruesomes from Tyrants of Teen Trash (Ricochet Sound) 2008 reissue. The Gruesomes interview in MZ4<br />
“Whirlpool” by The Gruesomes from Gruesomania (Ricochet Sound) 2008 reissue<br />
“Who's Gonna Tell Mary?” by Tranzmitors from Busy Singles (Deranged) 2009. Tranzmitors interview in MZ3<br />
“No Good For Me” by White Wires from Girly Girly Girly LP (GOING GAGA RECORDS) 2008<br />
“Back by 9” by The Trap Doors” from Don't Talk Shit Demo CDR 2009. The Trap Doors interview in MZ2. PREVIOUSLY UNRELEASED<br />
“Old Marble” by The Trap Doors” from Don't Talk Shit Demo CDR 2009. PREVIOUSLY UNRELEASED<br />
“La Pomata” by Chuck Violence (unreleased) 2009. Chuck Violence interview in MZ5. PREVIOUSLY UNRELEASED<br />
“Ain’t Got Money” by Petroleum By-Products (unreleased) 2008. PREVIOUSLY UNRELEASED<br />
“Busy Man” by B-LINES (unreleased) 2007. B-LINES interview in MZ5. PREVIOUSLY UNRELEASED<br />
“Chemtrails” by The Spits from Demos, Filler, and More. PREVIOUSLY UNRELEASED<br />
“Cannot Calm Down” by Sedatives from Cannot Calm Down 7" (GOING GAGA RECORDS) 2009<br />
“Girlfriend” by The Angry Dragons (unreleased) 2008. Angry Dragons article in MZ4. PREVIOUSLY UNRELEASED<br />
“Black Alibi” by The Aversions from Black Alibi 7" (Die in Style Records) 2006<br />
“Can You Rock With Me?” by Choyce and the Sharks from s/t CDR (K.Y.B. Records KYB-010) 2008. CPC Gangbangs interview in MZ2<br />
“Go Home” by Fried Clams (unreleased) 2008. PREVIOUSLY UNRELEASED<br />
“Darbi and Tarlton” by Skip Jensen w/ Seb Normal from s/t CD 2006. Skip Jensen interview in MZ5<br />
<br />
'''Mongrel Zine Vol. 3 CD Comp (included with Mongrel Zine #6)'''<br />
Success for Crime – RED MASS<br />
Lover Please – THE SUNDAY SINNERS<br />
She’s a Big Girl (Live) – THE BROKEN JUGS & FATAL FLAWS<br />
Any Lou (Live) – DEMON’S CLAWS<br />
Fiery Tears (Acoustic) – PAT METEOR & KING KHAN<br />
Paradise – BLOODSHOT BILL<br />
The Ghost of Rudyard Kipling (Alt. Track) – HONEY & LIES<br />
Silk – RED MASS<br />
No Love - RED MASS<br />
Mad is the Man – THE GOODNIGHT LOVING<br />
Minor League Fame – THEE MANIPULATORS<br />
Worm Pickers Stereo – THE TRAP DOORS<br />
Bikini – THE TRAP DOORS<br />
Bad Vibes – DEAD GHOSTS<br />
Things She Does to Me – THE GRUESOMES<br />
You Got Me Into This, Now You Get Me Out – THE EVAPORATORS<br />
Waste of Time – MANIC ATTRACTS<br />
Pilar – RATAS DEL VATICANO<br />
Skater – RED MASS<br />
Weird Ways (Live) – DEMON’S CLAWS<br />
Illegal Bodies – SIMPLY SAUCER<br />
Slip Away – SEDATIVES<br />
TV Date – PETROLEUM BY-PRODUCT<br />
Summer’s Over – HELL SHOVEL<br />
<br />
'''Mongrel Zine Vol. 4 CD Comp (included with Mongrel Zine #7)'''<br />
In the Graveyard – BLOODSHOT BILL<br />
Luces en el Mar Muerto – TELEKRIMEN<br />
Satan’s Bloody Sabbath – SNUFF MAXIMUS<br />
Already Gone – HELL SHOVEL<br />
Ifugao – DEJA VOODOO<br />
Pick You Up – INDIAN WARS<br />
Haunted Pants – FATAL FLAWS<br />
You’re Evil – THE CRYPTICS<br />
T’es Pas D’ici – LE KID & LES MARINELLIS<br />
Just Can’t Stay – STUDENT TEACHER<br />
Paper Girl – BROKEN JUGS & FATAL FLAWS<br />
New Moon Part 4 – RICHARD CATWRANGLEUR<br />
Peanuts – LAST RAPES OF MR. TEACH<br />
Nada Chido – INSERVIBLES<br />
Shit City – TIMECOPZ<br />
Well Boy – THE FELINES<br />
Northern Lights – MOVIE STAR JUNKIES<br />
Backlash – SEDATIVES<br />
P.O. Box 9847 – PLEXI 3<br />
No Busco Problemas con la Autoridad – RATAS DEL VATICANO<br />
Wall of Paisley – DEJA VOODOO<br />
Glossy Pages – SHORTPANTS ROMANCE<br />
I Can Wait – THE TVEES<br />
Steppin’ Stone – HYPSTRZ<br />
Douche Chills – HARD FEELINGS<br />
Silverado Sixpack – BRICKWAR<br />
Amphetamine Train – PINCHE GRINGO<br />
Shall I Leave You – BROKEN JUGS<br />
<br />
'''Mongrel Zine Vol. 5 CD Comp (included with Mongrel Zine #8)'''<br />
Nobody But You (Alternate take) – MARK SULTAN<br />
Suicide (Acoustic) – RED MASS<br />
Cave Man Cave Girl – PRIMITIVE HANDS<br />
Alone Now – THE MIDWEST BEAT<br />
I Just Don’t Know Where I Stand – THE FLIPS<br />
Boozetown – SPIDER<br />
Tourist Dollars – MIND CONTROLS<br />
Pogo ‘til I Puke Tonight – WHITE WIRES<br />
Komi Caricoles – JACUZZI BOYS<br />
First Love – RED MASS<br />
Chateau de Sable – MANYMENTAL MISTAKES<br />
The Duality Trap – MASTS<br />
Red Light Love – THOSE DARLINS<br />
Rails To Your Grave – PAT METEOR<br />
Faulty Stance – STUDENT TEACHER<br />
Stealing Candy – HELL SHOVEL<br />
We’re A Druggie Family – STRANGE ATTRACTOR<br />
Everybody Knows – PLEXI 3<br />
Slap in the Face (Demo) – SUBHUMANS (CA)<br />
Theme Song From The Kandy Tuffs – JAMES T. KIRKS<br />
Hiding From You – SONIC AVENUES<br />
Sister Mary Katherine – THE MIDWEST BEAT<br />
If You Want Me – INDIAN WARS<br />
Go Fuck My Brain - STRANGE ATTRACTOR<br />
Why You Laugh At Me – BROKEN JUGS (“hidden” track)<br />
<br />
<br />
==External links ==<br />
*[http://www.mongrelzine.ca/ Mongrel Zine]<br />
<br />
[[Category:Zine]] [[Category:Zines from Canada]] [[Category:British Columbia Zines]] [[Category: 2000's publications]] [[Category:Website]] [[Category:Review Zine]][[Category:Multi Media]][[Category:Punk]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Roctober&diff=41182Roctober2011-05-03T21:01:43Z<p>Shakeandpop: Undo revision 41141 by Shakeandpop (Talk)</p>
<hr />
<div>'''Roctober''' is a [[comic]]s and music [[zine]] created by Chicago native [[Jake Austen]], together with a regular cast of contributors. The first issue appeared in the Spring of 1992, and it continues to be published 2-3 times a year.<br />
<br />
"Roctober" takes a broad view of popular music, covering everything from The Ramones, to Afrika Bombaataa, to Dolly Parton and David Allen Coe. Regular features include: "The Hall of Dynamic Greatness," Jake Austen's "Punk'n Head" comics, and "Flamin' Waymon Timbsdayle, King of Reviewland."<br />
<br />
Editor Jake Austen refuses to ackowledge musical boundaries, saying that good gay disco is really no different from a good Misfits song. Austen is less interested in promoting one particular style of music than he is in publishing articles that are passionate about their subject matter. <br />
<br />
The cover art is a virtual "Who's Who" of poster artists and underground cartoonists. <br />
<br />
===Themes===<br />
<br />
Past issues of '''Roctober''' have included some rather notable (or unusual) themes:<br />
<br />
* '''The Secret History of Masked Rock 'n' Roll'''<br />
<br />
* '''The Rock 'n' Roll AIDS Quilt''' (the cover of which was a full color photo of an actual quilt, sewn with the likenesses of the late Freddie Mercury, Eazy-E, Klaus Nomi, Sylvester, Ricky Nelson, and Esquerita) <br />
<br />
* '''Icons and Enigmas''' (which featured a Cyndi Lauper interview and a Cyndi Lauper comic)<br />
<br />
* '''Maximumsammysoul''' A Hilarious spoof of "[[punk]] Bible" [[Maximum Rock N Roll]] that looks just like an actual copy of MRR (right down to the cheap newsprint), except that it's a tribute to Sammy Davis Jr. featuring fake Sammy Davis Jr. columns by Reverend Norb, Vic Bondi, and [[Jeff Bale]]. Comes with a free CD. <br />
<br />
* '''Comics Galore!''' (issues 20 and 26)<br />
<br />
* '''Chicago Rock 'n' Soul Tour''''<br />
<br />
* '''One Man Band Encyclopedia'''<br />
<br />
* '''Black Punk Time: Blacks in Punk, New Wave and Hardcore 1976-1983'''<br />
<br />
==Critical response==<br />
<br />
Many consider "Roctober" to be the best music zine in America ([[Terminal Boredom]] called it "the greatest print mag in existence"). <br />
<br />
Roctober has also been featured in in ''USA Today''. <br />
<br />
==Notable contributors==<br />
<br />
* Pedro Bell, who designed most of the album art for Parliament-Funkadelic<br />
* Flamin' [[Waymon Timsdayle]], master of the one sentence record review <br />
* Nardwuar the Human Serviette, Canadian television personality<br />
* Jessica Abel<br />
* Rob Syers<br />
* Derek Erdman<br />
* Jason Lutes<br />
* [[Chris Ware]]<br />
* "King" Darren Merinuk<br />
* Jason Kochis<br />
<br />
==Notable zinesters who have contributed to Roctober==<br />
<br />
What follows is only a partial list:<br />
<br />
* [[Sean "Goblin" Aaberg]]<br />
* [[Heather McAdams]]<br />
* [[Gentleman John Battles]]<br />
* [[Seth Bogard]]<br />
* [[Joe Chiapetta]]<br />
* [[Seth Feinberg]]<br />
* [[Russ Forster]]<br />
* [[Jerome Gaynor]]<br />
* [[Gary Pig Gold]]<br />
* [[Beth Johnson]]<br />
* [[Missy Kulik]]<br />
* [[Jason Mitchell]]<br />
* [[Slink Moss]]<br />
* [[Mark Murrmann]]<br />
* [[John Porcellino]]<br />
* [[James Porter]]<br />
* [[Jason Shithead]]<br />
* [[Jenny Zervakis]]<br />
<br />
==External links==<br />
* [http://www.roctober.com/roctober/index.html Roctober]<br />
<br />
[[Category:Zine|Roctober]] [[Category:Chicago Zines]] [[Category:Punk]] [[Category:1990's publications]][[Category:2000's publications]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=41181Gary Pig Gold2011-05-03T20:50:54Z<p>Shakeandpop: </p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published [http://www.archive.org/details/ThePigPaper01 a mock concert program] commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' magazine the following month. By then, ''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.newyorkwaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.fufkin.com/columns/gold/columns_gold.htm Fufkin]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://wenker.se/archives/author/gary-pig-gold/ Looking For The Magic]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books, 2009, editor, interview subject)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/writer.html?WriterID=gold_gp Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
* [http://www.myspace.com/garypiggold Gary Pig Gold MySpace]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=41180Gary Pig Gold2011-05-03T20:47:31Z<p>Shakeandpop: </p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published [http://www.archive.org/details/ThePigPaper01 a mock concert program] commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' the following month. By then, ''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.newyorkwaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.fufkin.com/columns/gold/columns_gold.htm Fufkin]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://wenker.se/archives/author/gary-pig-gold/ Looking For The Magic]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books, 2009, editor, interview subject)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/writer.html?WriterID=gold_gp Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
* [http://www.myspace.com/garypiggold Gary Pig Gold MySpace]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Gary_Pig_Gold&diff=41179Gary Pig Gold2011-05-03T20:38:40Z<p>Shakeandpop: New page: '''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His Pig Paper was Canada’s first independently-publ...</p>
<hr />
<div>'''Gary Pig Gold''' (born May 30, 1955 in Toronto, Ontario, Canada) is a singer-songwriter, record producer, filmmaker and author. His [[Pig Paper]] was Canada’s first independently-published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert.<br />
<br />
==History==<br />
He formed his first band, Pornographic Cornflake (named after "I Am The Walrus" lyric) at age thirteen, and his first 16mm film made four years later, a documentary about his hometown entitled ''This is Port Credit!'', was chosen to be aired on a local PBS Television affiliate after winning an award at a high school film competition. Due to its libelous nature however, Gold was advised to indemnify himself from possible legal action by crediting the film to a fictitious director. Eating breakfast the morning the credits were to be re-shot, a plastic pig stamper fell from his cereal box and the pseudonym '''Gary Pig''' was adopted.<br />
<br />
Under this nom de plume, Gold began self-publishing '''''The Pig Paper''''' in 1973 and distributing it by mail to friends. Visiting London two years later he met Joe Strummer, then leading The 101ers, who encouraged Gold to continue his writing. That winter, he published a mock concert program commemorating an appearance by The Who in Toronto, and in 1977 a similar ''Pig Paper'' on The Kinks became the first issue to be made available outside of Canada, when Gold followed the band to a concert and record signing in Buffalo, New York.<br />
<br />
The featured interviewee of [http://www.archive.org/details/ThePigPaper03 that ''Pig Paper''] was Edgar Breau, whose band Simply Saucer Gold began managing and producing, releasing their first record June 8, 1978 on '''Pig Records'''. It was voted Single Of The Week in London’s ''Record Mirror'' the following month. By then,''The Pig Paper'' was being distributed throughout the U.S. and Europe, offering early in-depth coverage of The Viletones, Ramones, Half Japanese, Elvis Costello and Talking Heads as well as features on such vintage acts as The Hollies and Dave Clark Five.<br />
<br />
Immediately after attending a Jan and Dean concert in Toronto during the summer of 1980, Gold relocated to California where he formed The Loved Ones, as well as promoting concerts for local bands such as The Crowd over the next three years. He spent the remainder of the decade back in Canada, first joining the Vancouver-based Fun With Numbers band before touring five years with Endless Summer. In 1989, he returned to the studio, working in Nashville alongside Donald Dunn and Pat Boone, then at Daniel Lanois’ Grant Avenue Studio with Dave Rave (DesRoches) and Coyote Shivers, the latter sessions resulting in the ''Valentino’s Pirates'' album, which became the first independently-recorded western release to be issued on the Soviet Union’s Melodiya record label.<br />
<br />
After relocating to New York City with DesRoches and Shivers to form the Dave Rave Conspiracy alongside Billy Ficca of Television and ex-Washington Squares Lauren Agnelli, Gold co-founded the pioneering alternative-country band The Ghost Rockets, whose ''maximum rhythm ‘n’ bluegrass'' cover of the Beach Boys’ “In My Room” became a radio “turntable hit” in Europe. Another song, “Marcia Marcia Marcia,” written by Gold for the ''A Very Brady Sequel'' movie, appeared instead on the King Records label in New Zealand, to be followed by dozens of other Ghost Rockets releases worldwide.<br />
<br />
Gold meanwhile produced two albums for Shane Faubert, formerly of The Cheepskates, with whom he began the To M’Lou Music label in 1998, releasing the acclaimed debut album of the Los Angeles band The Masticators as well as ''He’s A Rebel: The Gene Pitney Story Retold'', which included exclusive recordings by Billy Cowsill, Mick Farren, Gordon Waller and Al Kooper. Gold contributed tracks himself to the Bullseye Records of Canada ''Men In Plaid'' Bay City Rollers tribute album as well as singing alongside Jim Carroll for ''Back To The Streets: Celebrating the Music of Don Covay'', and with Andrew Loog Oldham on the 1993 issue of Alex Chilton’s ''Bach’s Bottom'' album.<br />
<br />
Concurrently, he continued writing, for Visible Ink Press’ ''Music Hound'' Essential Album Guides as well as ''Bubblegum Music Is The Naked Truth'', ''Encounters With Bob Dylan'', ''Lost In The Grooves'', ''Paul McCartney: I Saw Him Standing There'', ''TV A-Go-Go,'' ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond 1977-1981'', and ''The Little Black Book of Music'', plus to this day his syndicated ''Pigshit'' column (first appearing in Los Angeles [[Flipside]] Fanzine in 1979) runs monthly online. He was also a featured interview subject in the ''Jandek On Corwood'' documentary film.<br />
<br />
In 2008, Gold began work at John Huelbig’s Backroom Studios in Wallington, New Jersey, writing, performing and producing with such artists as Mark Johnson, Chris Butler, Dave Rave and Frank Lee Sprague.<br />
<br />
<br />
==Zines==<br />
*[[Pig Paper]]<br />
<br />
==Selected Articles==<br />
* [http://rockandrollreport.com/author/gary-pig-gold/ The Rock and Roll Report]<br />
* [http://blacklistedjournalist.com/1pig.html The Blacklisted Journalist]<br />
* [http://gometric.typepad.com/gometric/pigshit Go Metric]<br />
* [http://www.inmusicwetrust.com/articles/by-garypiggold.html In Music We Trust]<br />
* [http://www.newyorkwaste.com/nyw_main/bartalk/pigshit.html New York Waste]<br />
* [http://www.fufkin.com/columns/gold/columns_gold.htm Fufkin]<br />
* [http://www.medleyville.us/columns Medleyville]<br />
* [http://wenker.se/archives/author/gary-pig-gold/ Looking For The Magic]<br />
<br />
==Bibliography==<br />
* ''Music Hound Rock: The Essential Album Guide'' (Visible Ink/Omnibus, 1996, 1999, contributor)<br />
<br />
* ''Music Hound Country: The Essential Album Guide'' (Visible Ink/Omnibus, 1997, contributor)<br />
<br />
* ''Music Hound R & B: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Folk: The Essential Album Guide'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''Music Hound Lounge: The Essential Album Guide to Martini Music and Easy Listening'' (Visible Ink/Omnibus, 1998, contributor)<br />
<br />
* ''On A Cold Road: Tales of Adventure in Canadian Rock'' by Dave Bidini (McClelland & Stewart, 1998, interview subject)<br />
<br />
* ''Music Hound Swing: The Essential Album Guide'' (Visible Ink/Omnibus, 1999, contributor)<br />
<br />
* ''Music Hound World: The Essential Album Guide'' (Visible Ink/Omnibus, 2000, contributor)<br />
<br />
* ''Encounters with Bob Dylan: If You See Him, Say Hello'' (Humble Press, 2000, contributor)<br />
<br />
* ''Paul McCartney: I Saw Him Standing There'' (Billboard Books, 2000, contributor)<br />
<br />
* ''Bubblegum Music is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'' (Feral House, 2001, contributor)<br />
<br />
* ''The Beach Boys’ Pet Sounds: The Greatest Album of the Twentieth Century'' (Helter Skelter, 2001, contributor)<br />
<br />
* ''Lost In The Grooves'' (Routledge, 2005, contributor)<br />
<br />
* ''T.V. A-Go-Go: Rock on T.V. from American Bandstand to American Idol'' (Chicago Review Press, 2005, contributor)<br />
<br />
* ''The Little Black Book of Music'' (Cassell Illustrated, 2007, contributor)<br />
<br />
* ''The Top 100 Canadian Albums'' (Goose Lane Editions, 2007, contributor)<br />
<br />
* ''Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977-1981'' (Bongo Beat Books, 2009, editor, interview subject)<br />
<br />
==Filmography==<br />
* ''Jandek on Corwood'', 2004<br />
<br />
==External links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.rocksbackpages.com/writer.html?WriterID=gold_gp Gary Pig Gold at Rock’s Backpages]<br />
* [http://www.allmusic.com/artist/gary-pig-gold-p483090 Gary Pig Gold at AllMusic]<br />
* [http://www.myspace.com/garypiggold Gary Pig Gold MySpace]<br />
<br />
[[Category:Zinester|Gold]] <br />
[[Category:Canada Zinesters|Gold]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Mongrel_zine&diff=41175Mongrel zine2011-05-03T19:15:13Z<p>Shakeandpop: Added link to Mongrel Zine #5</p>
<hr />
<div>[[Image:Mz8andvol5cd1.jpg|right]]<br />
'''Mongrel Zine''' is a print [[fanzine]] that features garage bands and underground artists. Each issue contains interviews, record reviews, drawings, and a CD compilation. It’s edited, designed, photocopied, folded, and stapled by Janelle Hollyrock and Bob Scott out of Vancouver, BC, Canada.<br />
<br />
Beginning with Mongrel Zine #4, the zine is printed in a flipzine format with two different covers on each side with content meeting in the center, and includes a burned CD compilation of bands featured in the zine with many previously unreleased tracks.<br />
<br />
Interviews and music reviews from past issues are posted online at the Mongrel Zine website after the subsequent new issue is released.<br />
<br />
=== Issues ===<br />
'''Mongrel Zine #1''' (2008) Interviews with artist Bob Scott, Seattle garage rockers The Paper Dolls, Vancouver blues band The Pack A.D., and Cinema Sewer’s Robin Bougie. 30 pages. 8.5″ x 11″. Colour cover.<br />
<br />
'''Mongrel Zine #2''' (2008) Interviews with artist I,Braineater, the last interview with Montreal’s CPC Gangbangs, Vancouver garage rockers The Trap Doors, The Green Hour Band, Andy Meyers from the ‘77 Toronto punk band The Scenics, Dead Ghosts, Dandelion Records, plus drawings by Skip Jensen and Don Chambers. 30 pages. 8.5″ x 11″. Colour cover.<br />
<br />
'''Mongrel Zine #3''' (2008) Interviews with cartoonist Rick Trembles, one man band and half of King Khan & BBQ Show Mark Sultan/BBQ, mod Vancouver band The Tranzmitors, classic powerpop band The Pointed Sticks, rockabilly OMB Bloodshot Bill, artist Oily Chi, plus The Stolen Minks, and Defektors. 40 pages. 8.5″ x 11″. Colour cover.<br />
<br />
'''Mongrel Zine #4 + Mongrel Zine Vol. 1 CD Comp''' (2008) Interviews with punk photographer Bev Davies, pop artist Holly Ruth Anderson, Montreal garage bands Thee B-Sides and The Gruesomes, Vancouver garage bands Thee Manipulators and The Vicious Cycles (MC), Wreckless Eric & Amy Rigby, The Angry Dragons, Little Red Sounds Studio in Vancouver. Plus Mongrel Zine Vol. 1 CD Comp, a 22-SONG CD Comp. 80 pages. 6″ x 7.5". Black and white cover.<br />
<br />
'''Mongrel Zine #5 + Mongrel Zine Vol. 2 CD Comp''' (2009) Interviews inside with King Khan of King Khan & BBQ Show and King Khan & The Shrines, Seattle punkers The Spits, Pierced Arrows (ex-Dead Moon), the directors of Unknown Passage : The Dead Moon Story, Montreal's Skip Jensen, blistering Mexican punks Ratas del Vaticano, Chuck Violence, Vancouver's B-Lines, artists Rupert Bottenberg and CM Ruiz, The Speaking Tongues, The Girls of Beehive, Ayden Gallery, plus an article on Stef Petticoat and a tribute to the late Cramps frontman Lux Interior. Also: [http://zinewiki.com/Pig_Paper '''Gary Pig Gold'''], Kirsten Easthope, Rot N Hell, Fingers, and an exclusive introduction by Bobby Beaton. Plus Mongrel Zine Vol. 2 CD Comp, a 24-SONG CD Comp. 120 pages. 6″ x 7.5". Black and white cover.<br />
<br />
'''Mongrel Zine #6 + Mongrel Zine Vol. 3 CD Comp''' (2009) Mongréal Zine #6 + Vol. 3 CD Comp is the Montréal issue. Interviews with Montreal bands Demon’s Claws, Red Mass, The Sunday Sinners, Bloodshot Bill, Teenage Hookers, and artist Mathieu ‘Trude’ Trudel. Plus garage band The Black Lips, Vancouver bands Dead Ghosts, Manic Attracts, and Petroleum By-Product, music aficionado Nardwuar the Human Serviette, Gerard Van Herk (Deja Voodoo), Simply Saucer and a tribute to the late Sky Saxon and a feature on Mike Sniper (Blank Dogs). Plus Mongrel Zine Vol. 3 CD Comp, a 25-SONG CD Comp. 116 pages. 6″ x 7.5". Black and white cover.<br />
<br />
'''Mongrel Zine #7 + Mongrel Zine Vol. 4 CD Comp''' (2009) Halloween issue featuring interviews with Haunted George of the Garagepunk podcast Haunted Shack Theatre, New Orleans occasional one man band King Louie, Vancouver garage band Indian Wars, Mexico City's Inservibles, a rare interview with the late Billy Van from The Hilarious House of Frightenstein, vintage Halloween collector Mark Ledenbach, plus Box Elders, The TVees, Hard Feelings, HYPSTRZ, The Orpheans, Corpusse, and Telekrimen. 6″ x 7.5". Black and white cover. Plus Mongrel Zine Vol. 4 CD Comp, a 28-SONG CD Comp. 104 pages. 6″ x 7.5". Black and white cover.<br />
<br />
'''Mongrel Zine #8 + Mongrel Zine Vol. 5 CD Comp''' (2010) Interviews with Mark Sultan, Jacuzzi Boys, Subhumans (Canada), Tandoori Knights (King Khan & Bloodshot Bill), The Midwest Beat, Wendy Norton (of bands Plexi 3 and The Flips, and zines Real Rocknroll, What We Do Is Secret, Search & Annoy), Student Teacher, Those Darlins, White Wires, artist Johnny Sampson, James T. Kirks, Sonic Avenues, drawings by Andrea Baeza, a Meiko Kaji Retrospect, and Open Your Mouth and Say... Mr. Chi Pig and Bloodied but Unbowed punk documentaries. Plus Mongrel Zine Vol. 5, a 24 song CD Comp. 96 pages. 6″ x 7.5". Black and white cover.<br />
<br />
=== CD Compilations ===<br />
'''Mongrel Zine Vol. 1 CD Comp (included with Mongrel Zine #4)'''<br />
1. What To Do - DEAD GHOSTS from S/T CDR (Milk N Herpes) 2008<br />
2. The Devil's Potion - THE TRAP DOORS (unreleased) 2008 *<br />
3. Ooga Booga Man - THEE MANIPULATORS (unreleased) 2008 *<br />
4. Try The Punch - RAISED BY WOLVES from HOT BLOOD (Stomp and Howl) 2005<br />
5. 0 - THEE B-SIDES (unreleased) 2008 *<br />
6. As Much As I Do - SKIP JENSEN W/ SEB NORMAL from S/T CD 2006<br />
7. No Good Man Blues - SKIP JENSEN W/ SEB NORMAL from S/T CD 2006<br />
8. Lickin The Bowl - BLOODSHOT BILL from FULL BLAST (SIN) 2008<br />
9. (We Come From) Under The Dirt - !THE LIZARD PEOPLE! from "THEY LIVE" LIVE IN JAPAN! LARGE 2007<br />
10. IMINLOV - THEE B-SIDES (unreleased) 2008 *<br />
11. Be Alright - THEE MANIPULATORS (unreleased) 2008 *<br />
12. Hang Around - THE TRAP DOORS (unreleased) 2008 *<br />
13. Skinny Little Arms Made Out of Paper - THE PARALLELS from S/T 45 (La-Ti-Da) 2008<br />
14. Twist My Arm - THE TVEES (unreleased) 2008 *<br />
15. A Thought To A Friend - THEE B-SIDES (unreleased) 2008 *<br />
16. That Ain't Rock N Roll - TIMECOPZ (unreleased) 2008 *<br />
17. Tartan Army - PETROLEUM BY PRODUCTS (unreleased) 2008 *<br />
18. North End Strangler - THE STOLEN MINKS from HIGH KICKS (New Romance for Kids) 2008<br />
19. Jailbound - TIMECOPZ (unreleased) 2008 *<br />
20. O Boy - THE SCENICS from THE LAST POGO DVD (Dream Tower Records) 1978<br />
21. One Way Ticket - CHOYCE AND THE SHARKS from KYB 010 (KYB Records) 2008<br />
22. L.A. Sleaze - CPC GANGBANGS FEAT. A-C (unreleased) 2008 * *Previously unreleased<br />
<br />
'''Mongrel Zine Vol. 2 CD Comp (included with Mongrel Zine #5)'''<br />
“I Hate Being In Love” by Amy and the Angels from Making Waves LP (Girlfriend Records) 1981. Stef Petticoat article in MZ5<br />
“Army Life” by The Spits from Demos, Filler, and More. The Spits interview in MZ5. PREVIOUSLY UNRELEASED<br />
“Esquema Social” by Ratas del Vaticano from Matado por la Muerte (españa) 2008. Ratas interview in MZ5<br />
“Acostúmbrate” by Ratas del Vaticano from Matado por la Muerte (españa) 2008<br />
“She Likes It” by Dead Ghosts from Dead Ghosts/The Smith Westerns split 7” (Bachelor Records BR-24) 2009. Dead Ghosts interview in MZ2<br />
“Shut It” by Manic Attracts from Shut It/Teenage Teenage 7” (Yakisakana Sazae-035) 2009<br />
“My Brother” by Thee B-Sides (unreleased) 2009. Thee B-Sides interview in MZ4. PREVIOUSLY UNRELEASED<br />
“You're the Man” by Thee B-Sides (unreleased) 2009. PREVIOUSLY UNRELEASED<br />
“Get Outta My Hair” by The Gruesomes from Tyrants of Teen Trash (Ricochet Sound) 2008 reissue. The Gruesomes interview in MZ4<br />
“Whirlpool” by The Gruesomes from Gruesomania (Ricochet Sound) 2008 reissue<br />
“Who's Gonna Tell Mary?” by Tranzmitors from Busy Singles (Deranged) 2009. Tranzmitors interview in MZ3<br />
“No Good For Me” by White Wires from Girly Girly Girly LP (GOING GAGA RECORDS) 2008<br />
“Back by 9” by The Trap Doors” from Don't Talk Shit Demo CDR 2009. The Trap Doors interview in MZ2. PREVIOUSLY UNRELEASED<br />
“Old Marble” by The Trap Doors” from Don't Talk Shit Demo CDR 2009. PREVIOUSLY UNRELEASED<br />
“La Pomata” by Chuck Violence (unreleased) 2009. Chuck Violence interview in MZ5. PREVIOUSLY UNRELEASED<br />
“Ain’t Got Money” by Petroleum By-Products (unreleased) 2008. PREVIOUSLY UNRELEASED<br />
“Busy Man” by B-LINES (unreleased) 2007. B-LINES interview in MZ5. PREVIOUSLY UNRELEASED<br />
“Chemtrails” by The Spits from Demos, Filler, and More. PREVIOUSLY UNRELEASED<br />
“Cannot Calm Down” by Sedatives from Cannot Calm Down 7" (GOING GAGA RECORDS) 2009<br />
“Girlfriend” by The Angry Dragons (unreleased) 2008. Angry Dragons article in MZ4. PREVIOUSLY UNRELEASED<br />
“Black Alibi” by The Aversions from Black Alibi 7" (Die in Style Records) 2006<br />
“Can You Rock With Me?” by Choyce and the Sharks from s/t CDR (K.Y.B. Records KYB-010) 2008. CPC Gangbangs interview in MZ2<br />
“Go Home” by Fried Clams (unreleased) 2008. PREVIOUSLY UNRELEASED<br />
“Darbi and Tarlton” by Skip Jensen w/ Seb Normal from s/t CD 2006. Skip Jensen interview in MZ5<br />
<br />
'''Mongrel Zine Vol. 3 CD Comp (included with Mongrel Zine #6)'''<br />
Success for Crime – RED MASS<br />
Lover Please – THE SUNDAY SINNERS<br />
She’s a Big Girl (Live) – THE BROKEN JUGS & FATAL FLAWS<br />
Any Lou (Live) – DEMON’S CLAWS<br />
Fiery Tears (Acoustic) – PAT METEOR & KING KHAN<br />
Paradise – BLOODSHOT BILL<br />
The Ghost of Rudyard Kipling (Alt. Track) – HONEY & LIES<br />
Silk – RED MASS<br />
No Love - RED MASS<br />
Mad is the Man – THE GOODNIGHT LOVING<br />
Minor League Fame – THEE MANIPULATORS<br />
Worm Pickers Stereo – THE TRAP DOORS<br />
Bikini – THE TRAP DOORS<br />
Bad Vibes – DEAD GHOSTS<br />
Things She Does to Me – THE GRUESOMES<br />
You Got Me Into This, Now You Get Me Out – THE EVAPORATORS<br />
Waste of Time – MANIC ATTRACTS<br />
Pilar – RATAS DEL VATICANO<br />
Skater – RED MASS<br />
Weird Ways (Live) – DEMON’S CLAWS<br />
Illegal Bodies – SIMPLY SAUCER<br />
Slip Away – SEDATIVES<br />
TV Date – PETROLEUM BY-PRODUCT<br />
Summer’s Over – HELL SHOVEL<br />
<br />
'''Mongrel Zine Vol. 4 CD Comp (included with Mongrel Zine #7)'''<br />
In the Graveyard – BLOODSHOT BILL<br />
Luces en el Mar Muerto – TELEKRIMEN<br />
Satan’s Bloody Sabbath – SNUFF MAXIMUS<br />
Already Gone – HELL SHOVEL<br />
Ifugao – DEJA VOODOO<br />
Pick You Up – INDIAN WARS<br />
Haunted Pants – FATAL FLAWS<br />
You’re Evil – THE CRYPTICS<br />
T’es Pas D’ici – LE KID & LES MARINELLIS<br />
Just Can’t Stay – STUDENT TEACHER<br />
Paper Girl – BROKEN JUGS & FATAL FLAWS<br />
New Moon Part 4 – RICHARD CATWRANGLEUR<br />
Peanuts – LAST RAPES OF MR. TEACH<br />
Nada Chido – INSERVIBLES<br />
Shit City – TIMECOPZ<br />
Well Boy – THE FELINES<br />
Northern Lights – MOVIE STAR JUNKIES<br />
Backlash – SEDATIVES<br />
P.O. Box 9847 – PLEXI 3<br />
No Busco Problemas con la Autoridad – RATAS DEL VATICANO<br />
Wall of Paisley – DEJA VOODOO<br />
Glossy Pages – SHORTPANTS ROMANCE<br />
I Can Wait – THE TVEES<br />
Steppin’ Stone – HYPSTRZ<br />
Douche Chills – HARD FEELINGS<br />
Silverado Sixpack – BRICKWAR<br />
Amphetamine Train – PINCHE GRINGO<br />
Shall I Leave You – BROKEN JUGS<br />
<br />
'''Mongrel Zine Vol. 5 CD Comp (included with Mongrel Zine #8)'''<br />
Nobody But You (Alternate take) – MARK SULTAN<br />
Suicide (Acoustic) – RED MASS<br />
Cave Man Cave Girl – PRIMITIVE HANDS<br />
Alone Now – THE MIDWEST BEAT<br />
I Just Don’t Know Where I Stand – THE FLIPS<br />
Boozetown – SPIDER<br />
Tourist Dollars – MIND CONTROLS<br />
Pogo ‘til I Puke Tonight – WHITE WIRES<br />
Komi Caricoles – JACUZZI BOYS<br />
First Love – RED MASS<br />
Chateau de Sable – MANYMENTAL MISTAKES<br />
The Duality Trap – MASTS<br />
Red Light Love – THOSE DARLINS<br />
Rails To Your Grave – PAT METEOR<br />
Faulty Stance – STUDENT TEACHER<br />
Stealing Candy – HELL SHOVEL<br />
We’re A Druggie Family – STRANGE ATTRACTOR<br />
Everybody Knows – PLEXI 3<br />
Slap in the Face (Demo) – SUBHUMANS (CA)<br />
Theme Song From The Kandy Tuffs – JAMES T. KIRKS<br />
Hiding From You – SONIC AVENUES<br />
Sister Mary Katherine – THE MIDWEST BEAT<br />
If You Want Me – INDIAN WARS<br />
Go Fuck My Brain - STRANGE ATTRACTOR<br />
Why You Laugh At Me – BROKEN JUGS (“hidden” track)<br />
<br />
<br />
==External links ==<br />
*[http://www.mongrelzine.ca/ Mongrel Zine]<br />
<br />
[[Category:Zine]] [[Category:Zines from Canada]] [[Category:British Columbia Zines]] [[Category: 2000's publications]] [[Category:Website]] [[Category:Review Zine]][[Category:Multi Media]][[Category:Punk]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Roctober&diff=41141Roctober2011-05-02T15:50:25Z<p>Shakeandpop: Added to Notable Zinesters list</p>
<hr />
<div>'''Roctober''' is a [[comic]]s and music [[zine]] created by Chicago native [[Jake Austen]], together with a regular cast of contributors. The first issue appeared in the Spring of 1992, and it continues to be published 2-3 times a year.<br />
<br />
"Roctober" takes a broad view of popular music, covering everything from The Ramones, to Afrika Bombaataa, to Dolly Parton and David Allen Coe. Regular features include: "The Hall of Dynamic Greatness," Jake Austen's "Punk'n Head" comics, and "Flamin' Waymon Timbsdayle, King of Reviewland."<br />
<br />
Editor Jake Austen refuses to ackowledge musical boundaries, saying that good gay disco is really no different from a good Misfits song. Austen is less interested in promoting one particular style of music than he is in publishing articles that are passionate about their subject matter. <br />
<br />
The cover art is a virtual "Who's Who" of poster artists and underground cartoonists. <br />
<br />
===Themes===<br />
<br />
Past issues of '''Roctober''' have included some rather notable (or unusual) themes:<br />
<br />
* '''The Secret History of Masked Rock 'n' Roll'''<br />
<br />
* '''The Rock 'n' Roll AIDS Quilt''' (the cover of which was a full color photo of an actual quilt, sewn with the likenesses of the late Freddie Mercury, Eazy-E, Klaus Nomi, Sylvester, Ricky Nelson, and Esquerita) <br />
<br />
* '''Icons and Enigmas''' (which featured a Cyndi Lauper interview and a Cyndi Lauper comic)<br />
<br />
* '''Maximumsammysoul''' A Hilarious spoof of "[[punk]] Bible" [[Maximum Rock N Roll]] that looks just like an actual copy of MRR (right down to the cheap newsprint), except that it's a tribute to Sammy Davis Jr. featuring fake Sammy Davis Jr. columns by Reverend Norb, Vic Bondi, and [[Jeff Bale]]. Comes with a free CD. <br />
<br />
* '''Comics Galore!''' (issues 20 and 26)<br />
<br />
* '''Chicago Rock 'n' Soul Tour''''<br />
<br />
* '''One Man Band Encyclopedia'''<br />
<br />
* '''Black Punk Time: Blacks in Punk, New Wave and Hardcore 1976-1983'''<br />
<br />
==Critical response==<br />
<br />
Many consider "Roctober" to be the best music zine in America ([[Terminal Boredom]] called it "the greatest print mag in existence"). <br />
<br />
Roctober has also been featured in in ''USA Today''. <br />
<br />
==Notable contributors==<br />
<br />
* Pedro Bell, who designed most of the album art for Parliament-Funkadelic<br />
* Flamin' [[Waymon Timsdayle]], master of the one sentence record review <br />
* Nardwuar the Human Serviette, Canadian television personality<br />
* Jessica Abel<br />
* Rob Syers<br />
* Derek Erdman<br />
* Jason Lutes<br />
* [[Chris Ware]]<br />
* "King" Darren Merinuk<br />
* Jason Kochis<br />
<br />
==Notable zinesters who have contributed to Roctober==<br />
<br />
What follows is only a partial list:<br />
<br />
* [[Sean "Goblin" Aaberg]]<br />
* [[Heather McAdams]]<br />
* [[Gentleman John Battles]]<br />
* [[Seth Bogard]]<br />
* [[Joe Chiapetta]]<br />
* [[Seth Feinberg]]<br />
* [[Russ Forster]]<br />
* [[Jerome Gaynor]]<br />
* [http://zinewiki.com/Pig_Paper '''Gary Pig Gold''']<br />
* [[Beth Johnson]]<br />
* [[Missy Kulik]]<br />
* [[Jason Mitchell]]<br />
* [[Slink Moss]]<br />
* [[Mark Murrmann]]<br />
* [[John Porcellino]]<br />
* [[James Porter]]<br />
* [[Jason Shithead]]<br />
* [[Jenny Zervakis]]<br />
<br />
==External links==<br />
* [http://www.roctober.com/roctober/index.html Roctober]<br />
<br />
[[Category:Zine|Roctober]] [[Category:Chicago Zines]] [[Category:Punk]] [[Category:1990's publications]][[Category:2000's publications]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Pig_Paper&diff=35931Pig Paper2011-01-08T04:28:26Z<p>Shakeandpop: /* History */</p>
<hr />
<div>[[Image:PigPaper9.jpg|200px|thumb|right |PigPaper]]<br />
'''''The Pig Paper''''' was Canada’s very first self-published music [[fanzine]], one of the pioneering, and longest-lasting examples of that country’s vibrant small press pedigree.<br />
<br />
==History==<br />
Beginning life in the early Seventies as record-hunting correspondence between founder/publisher [http://en.wikipedia.org/wiki/Gary_Pig_Gold Gary Pig Gold] and his oldest friend, Doug “Rock Serling” Pelton, the first ''Pig Paper'' to be made available to the public was a mock-concert program sold during a 1975 appearance by The Who in Toronto. <br />
<br />
Two years later, ''The Pig Paper'' was covering Canada’s nascent [[punk]] rock scene, publishing some of the first-ever in-depth articles on such bands as '''Teenage Head''', '''The Viletones''', and '''Simply Saucer''' as well as early reviews and interviews with '''The Ramones''', '''Sex Pistols''', '''Talking Heads''' and many others. Each issue also contained material on vintage acts such as '''The Beach Boys''' and '''Elvis Presley''', as well as offering performers such as '''Half Japanese''' and '''Jandek''' many of their initial appearances in print.<br />
<br />
''The Pig Paper'' duly gave birth as well to the '''Pig Records''' label in 1978, issuing the first release by '''Simply Saucer''', and Gary’s widely-syndicated '''''Pigshit''''' column, which first appeared in the February 1979 issue of [[Flipside]] Fanzine, continues to run monthly online to this day.<br />
<br />
==Issues==<br />
<br />
* [http://www.archive.org/details/ThePigPaper01 '''Pig Paper # 1'''] (December 1975) <br />
Pictures, stories, and interviews, both old and new, on The Who, including a lengthly discography, packaged together as an Official Concert Program and initially sold only on the streets outside Maple Leaf Gardens in Toronto when the band performed there on December 11, 1975.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper02 '''Pig Paper # 2'''] (October 1976) <br />
A small literary “coda” and update on The Who, inserted into reprints of ''Pig Paper 1'' and again sold outside Toronto’s Maple Leaf Gardens when the band returned there on October 21, 1976 (coincidentally, Keith Moon’s final public performance with the band).<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper03 '''Pig Paper # 3'''] (April 1977) <br />
The “True Kink Konfessions” of Simply Saucer’s Edgar Breau, distributed free-of-charge to concert-goers when The Kinks played Maple Leaf Gardens in Toronto on April 29, 1977. This was also the first ''Pig Paper'' made available outside of Canada (at the Kinks’ show in Buffalo, NY the following evening, as well as during their in-store appearance at Buffalo’s Record Theatre the day after that).<br />
<br />
<br />
* '''Pig Paper # 4''' (June 1977) withdrawn<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper05 '''Pig Paper # 5'''] (August 1977) <br />
An interview with The Ramones (conducted at their June 18, 1977 Toronto performance and party afterwards), an article/discography on the Australian band The Saints, Rock Serling’s first “Delete Zone” column, the Sex Pistols’ “Anarchy In Canada,” “Elvis Is Dead” obituary, ''Pig Paper'' photographer Johnny Pig’s run-in with Thin Lizzy’s Phil Lynott, “Pig Punk Part One” (Teenage Head, Simply Saucer, The Viletones, Battered Wives and The Curse) plus record reviews of the Saints’ ''(I’m) Stranded'', ''The Beach Boys Love You'' and ''Surfin’ With The Viletones''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper06 '''Pig Paper # 6'''] (October 1977) <br />
Interviews with Talking Heads and Beach Boy Dennis Wilson, a report on the Toronto “Outrage” concert, “Marc Bolan Is Dead” obituary, “Pig Punk Part Two” (The Dishes, Loved Ones, Concordes, Headache, Diodes), the first “Pigossip” column, “More True Kink Konfessions” (from the proposed ''Pig Paper # 4''), plus record reviews of the Alan Parsons Project, Viletones, Sex Pistols, Rattles, Dishes, ''24 Original Happening Hits'', Nick Lowe, and the New Legion Rock Spectacular.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper07 '''Pig Paper # 7'''] (December 1977) <br />
Interviews with The Hollies, Eddie and the Hot Rods and the Boyfriends, articles on Tommy Ramone, Freddie and the Dreamers and the Vibrators, the first “Pigallery” photo spread, “Pig Punk Part Three” (Dole-Q, The Ugly, Afrika Korps, The Poles, Stanley Frank), plus record reviews of Iggy Pop, XTC, the Dead Boys, Bay City Rollers, Suicide, Dwight Twilley Band, X-Ray Spex, and many more. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper08 '''Pig Paper # 8'''] (April 1978) <br />
Interviews with Elvis Costello and The Viletones, The Forgotten Rebels’ Fan Mail, Jeremy Gluck’s “Stupid Songs I Have Known,” The Runaways at the El Mocambo, The Diodes in New York City, Bill McAvory’s first Classic Canada column, “Pig Punk Part 4” (Blue Reimondos, Jumpers, The Good), plus record reviews of the Heartbreakers, The Monkees, Rich Kids, Damned, Eric Burdon, The Rutles, and many more. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper09 '''Pig Paper # 9'''] (August 1978) <br />
Interviews with John Lydon and Generation X, articles on Suicide, Buddy Holly, and Destroy All Monsters, “Pig Toronto Punk Discography,” Bill McAvory on the Ugly Ducklings, Edgar Breau plays “Blindate,” plus record reviews of David Johansen, Wild Man Fischer, Blondie, Mink DeVille, the Paley Brothers, Tom Petty, the Romantics, Television, Soft Boys, Ringo Starr, Ian Dury, and many more. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper10 '''Pig Paper # 10'''] (December 1978) <br />
The Story of the Dave Clark Five, Rock Serling’s All-Time Top 1000, “Where The Action Is” Boston and Los Angeles scene reports, Keith Richards plays “Blindate,” articles on the Rich Kids, Greg Kihn and The Verbs, plus record reviews of Glen Campbell, Captain Beefheart, Shaun Cassidy, the Modern Lovers, Elvis Presley, Devo, and many more.<br />
<br />
<br />
* '''Pig Paper #’s''' [http://www.archive.org/details/ThePigPaper10a '''10-A'''] and [http://www.archive.org/details/ThePigPaper10b '''10-B'''] (February and March 1979) <br />
First two of a proposed series of 25-cent, monthly “between ''Pig Paper'' Newsletters,” featuring The Diodes, Clash, Teenage Head and Ugly Ducklings.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper11 '''Pig Paper # 11'''] (January 1980) <br />
The first of the “Pocket Pig Papers,” featuring Elvis Presley, Half Japanese, Wayne County, Steve Jones’ “Blindate,” plus record reviews of Chuck Berry, the Cramps, ABBA, ''The Chipmunks Sing The Beatles Hits'', Kim Fowley, Michael Nesmith, Shoes, Bob Dylan, and many more.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper12 '''Pig Paper # 12'''] (March 1980) <br />
“The Strange Case of John Lennon,” PiL, Marianne Faithfull interview, plus the Paul Revere and the Raiders record (review) that never was. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper13 '''Pig Paper # 13'''] (June 1980) <br />
The first of two strictly promotional ''Pig Paper''s, reproducing clippings and reviews spotlighting Pig Productions’ first five years of operation.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper14 '''Pig Paper # 14'''] (January 1982) <br />
The first California-produced ''Pig Paper'', featuring Mick Clintrock’s interview with Jerry Lee Lewis.<br />
<br />
<br />
* [http://www.archive.org/details/PigPaper15 '''Pig Paper # 15'''] (October 1983) <br />
The second ''Promo-Pig Paper''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper16 '''Pig Paper # 16'''] (February 1985) <br />
The first of the two-page giveaway Mail Art ''Pig Paper''s, featuring Part One of an interview with the Dream Syndicate.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper17 '''Pig Paper # 17'''] (March 1985) <br />
Part Two of the Dream Syndicate interview, plus the first Ace Backwords Comix. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper18 '''Pig Paper # 18'''] (April 1985) <br />
Part Three of the Dream Syndicate interview, plus first Jad Fair artwork. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper19 '''Pig Paper # 19'''] (June 1985) <br />
Part Four of the Dream Syndicate interview.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper20 '''Pig Paper # 20'''] (July 1985) <br />
Interview with Fat Mike of NOFX.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper21 '''Pig Paper # 21'''] (August 1985) <br />
“Why I Hate the Psychedelic Revival” by H. Gertz, plus Eddie Flowers’ first “L.A. Blues” column.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper22 '''Pig Paper # 22'''] (September 1985) <br />
''Back To Cool Issue'', featuring “Questions Gas Station Attendants Frequently Ask About Deja Voodoo’s Car.”<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper23 '''Pig Paper # 23'''] (October 1985) <br />
''Special Anachronism Issue'', including the first “Continuing Saga of Dr. Iguana” column.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper24 '''Pig Paper # 24'''] (January 1986) <br />
''Gala Tenth Anniversary Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper25 '''Pig Paper # 25'''] (March 1986) <br />
“Confessions of an Ex-Loved One” by Ed O’Bryan, Part Three, plus John Crawford’s “The World’s First Hardcore Compilation Letter!”<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper26 '''Pig Paper # 26'''] (May 1986) <br />
''Special Glenn Gould Memorial Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper27 '''Pig Paper # 27'''] (August 1986) <br />
''Special Bobby Fuller Memorial Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper28 '''Pig Paper # 28'''] (October 1986) <br />
''Special Brian Epstein Memorial Issue'', including first Tuli Kupferberg artwork.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper29 '''Pig Paper # 29'''] (January 1987) <br />
''Special Brian Wilson Memorial Issue'', including David Leaf’s Top Ten List.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper30 '''Pig Paper # 30'''] (April 1987) <br />
''Gala Thirtieth Anniversary Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper31 '''Pig Paper # 31'''] (August 1987) <br />
''Special Elvis-Still-Dead Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper32 '''Pig Paper # 32'''] (December 1987) <br />
''Special Punkstalgia Memorial Issue'', including James Lord’s “Letters From The Damned” and Ace Backwords’ “Sid Vicious and Johnny Rotten Garbage Patch Dolls.”<br />
<br />
==External Links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.archive.org/search.php?query=subject%3A%22The%20Pig%20Paper%22 ''The Pig Paper'' at Internet Archive]<br />
* [http://www.garypiggold.com/pigshit.html some ''Pigshit'' columns]<br />
* [http://www.rocksbackpages.com/writer.html?WriterID=gold_gp Gary Pig Gold at Rock’s Backpages]<br />
* [http://en.wikipedia.org/wiki/Gary_Pig_Gold Gary Pig Gold Wikipedia]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Pig_Paper&diff=35930Pig Paper2011-01-08T04:25:01Z<p>Shakeandpop: </p>
<hr />
<div>[[Image:PigPaper9.jpg|200px|thumb|right |PigPaper]]<br />
'''''The Pig Paper''''' was Canada’s very first self-published music [[fanzine]], one of the pioneering, and longest-lasting examples of that country’s vibrant small press pedigree.<br />
<br />
==History==<br />
Beginning life in the early Seventies as record-hunting correspondence between founder/publisher [http://en.wikipedia.org/wiki/Gary_Pig_Gold Gary Pig Gold] and his oldest friend, Doug “Rock Serling” Pelton, the first ''Pig Paper'' to be made available to the public was a mock-concert program sold during a 1975 appearance by The Who in Toronto. <br />
<br />
Two years later, ''The Pig Paper'' was covering Canada’s nascent [[punk]] rock scene, publishing some of the first-ever in-depth articles on such bands as '''Teenage Head''', '''The Viletones''', and '''Simply Saucer''' as well as early reviews and interviews with '''The Ramones''', '''Sex Pistols''', '''Talking Heads''' and many others. Each issue also contained material on vintage acts such as '''The Beach Boys''' and '''Elvis Presley''', as well as offering performers such as '''Half Japanese''' and '''Jandek''' many of their initial appearances in print.<br />
<br />
''The Pig Paper'' duly gave birth as well to the '''Pig Records''' label in 1978, issuing the first release by '''Simply Saucer''', and Gary’s widely-syndicated '''''Pigshit''''' column, which first appeared in the February 1979 issue of [[Flipside]] Magazine, continues to run monthly online to this day.<br />
<br />
==Issues==<br />
<br />
* [http://www.archive.org/details/ThePigPaper01 '''Pig Paper # 1'''] (December 1975) <br />
Pictures, stories, and interviews, both old and new, on The Who, including a lengthly discography, packaged together as an Official Concert Program and initially sold only on the streets outside Maple Leaf Gardens in Toronto when the band performed there on December 11, 1975.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper02 '''Pig Paper # 2'''] (October 1976) <br />
A small literary “coda” and update on The Who, inserted into reprints of ''Pig Paper 1'' and again sold outside Toronto’s Maple Leaf Gardens when the band returned there on October 21, 1976 (coincidentally, Keith Moon’s final public performance with the band).<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper03 '''Pig Paper # 3'''] (April 1977) <br />
The “True Kink Konfessions” of Simply Saucer’s Edgar Breau, distributed free-of-charge to concert-goers when The Kinks played Maple Leaf Gardens in Toronto on April 29, 1977. This was also the first ''Pig Paper'' made available outside of Canada (at the Kinks’ show in Buffalo, NY the following evening, as well as during their in-store appearance at Buffalo’s Record Theatre the day after that).<br />
<br />
<br />
* '''Pig Paper # 4''' (June 1977) withdrawn<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper05 '''Pig Paper # 5'''] (August 1977) <br />
An interview with The Ramones (conducted at their June 18, 1977 Toronto performance and party afterwards), an article/discography on the Australian band The Saints, Rock Serling’s first “Delete Zone” column, the Sex Pistols’ “Anarchy In Canada,” “Elvis Is Dead” obituary, ''Pig Paper'' photographer Johnny Pig’s run-in with Thin Lizzy’s Phil Lynott, “Pig Punk Part One” (Teenage Head, Simply Saucer, The Viletones, Battered Wives and The Curse) plus record reviews of the Saints’ ''(I’m) Stranded'', ''The Beach Boys Love You'' and ''Surfin’ With The Viletones''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper06 '''Pig Paper # 6'''] (October 1977) <br />
Interviews with Talking Heads and Beach Boy Dennis Wilson, a report on the Toronto “Outrage” concert, “Marc Bolan Is Dead” obituary, “Pig Punk Part Two” (The Dishes, Loved Ones, Concordes, Headache, Diodes), the first “Pigossip” column, “More True Kink Konfessions” (from the proposed ''Pig Paper # 4''), plus record reviews of the Alan Parsons Project, Viletones, Sex Pistols, Rattles, Dishes, ''24 Original Happening Hits'', Nick Lowe, and the New Legion Rock Spectacular.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper07 '''Pig Paper # 7'''] (December 1977) <br />
Interviews with The Hollies, Eddie and the Hot Rods and the Boyfriends, articles on Tommy Ramone, Freddie and the Dreamers and the Vibrators, the first “Pigallery” photo spread, “Pig Punk Part Three” (Dole-Q, The Ugly, Afrika Korps, The Poles, Stanley Frank), plus record reviews of Iggy Pop, XTC, the Dead Boys, Bay City Rollers, Suicide, Dwight Twilley Band, X-Ray Spex, and many more. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper08 '''Pig Paper # 8'''] (April 1978) <br />
Interviews with Elvis Costello and The Viletones, The Forgotten Rebels’ Fan Mail, Jeremy Gluck’s “Stupid Songs I Have Known,” The Runaways at the El Mocambo, The Diodes in New York City, Bill McAvory’s first Classic Canada column, “Pig Punk Part 4” (Blue Reimondos, Jumpers, The Good), plus record reviews of the Heartbreakers, The Monkees, Rich Kids, Damned, Eric Burdon, The Rutles, and many more. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper09 '''Pig Paper # 9'''] (August 1978) <br />
Interviews with John Lydon and Generation X, articles on Suicide, Buddy Holly, and Destroy All Monsters, “Pig Toronto Punk Discography,” Bill McAvory on the Ugly Ducklings, Edgar Breau plays “Blindate,” plus record reviews of David Johansen, Wild Man Fischer, Blondie, Mink DeVille, the Paley Brothers, Tom Petty, the Romantics, Television, Soft Boys, Ringo Starr, Ian Dury, and many more. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper10 '''Pig Paper # 10'''] (December 1978) <br />
The Story of the Dave Clark Five, Rock Serling’s All-Time Top 1000, “Where The Action Is” Boston and Los Angeles scene reports, Keith Richards plays “Blindate,” articles on the Rich Kids, Greg Kihn and The Verbs, plus record reviews of Glen Campbell, Captain Beefheart, Shaun Cassidy, the Modern Lovers, Elvis Presley, Devo, and many more.<br />
<br />
<br />
* '''Pig Paper #’s''' [http://www.archive.org/details/ThePigPaper10a '''10-A'''] and [http://www.archive.org/details/ThePigPaper10b '''10-B'''] (February and March 1979) <br />
First two of a proposed series of 25-cent, monthly “between ''Pig Paper'' Newsletters,” featuring The Diodes, Clash, Teenage Head and Ugly Ducklings.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper11 '''Pig Paper # 11'''] (January 1980) <br />
The first of the “Pocket Pig Papers,” featuring Elvis Presley, Half Japanese, Wayne County, Steve Jones’ “Blindate,” plus record reviews of Chuck Berry, the Cramps, ABBA, ''The Chipmunks Sing The Beatles Hits'', Kim Fowley, Michael Nesmith, Shoes, Bob Dylan, and many more.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper12 '''Pig Paper # 12'''] (March 1980) <br />
“The Strange Case of John Lennon,” PiL, Marianne Faithfull interview, plus the Paul Revere and the Raiders record (review) that never was. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper13 '''Pig Paper # 13'''] (June 1980) <br />
The first of two strictly promotional ''Pig Paper''s, reproducing clippings and reviews spotlighting Pig Productions’ first five years of operation.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper14 '''Pig Paper # 14'''] (January 1982) <br />
The first California-produced ''Pig Paper'', featuring Mick Clintrock’s interview with Jerry Lee Lewis.<br />
<br />
<br />
* [http://www.archive.org/details/PigPaper15 '''Pig Paper # 15'''] (October 1983) <br />
The second ''Promo-Pig Paper''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper16 '''Pig Paper # 16'''] (February 1985) <br />
The first of the two-page giveaway Mail Art ''Pig Paper''s, featuring Part One of an interview with the Dream Syndicate.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper17 '''Pig Paper # 17'''] (March 1985) <br />
Part Two of the Dream Syndicate interview, plus the first Ace Backwords Comix. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper18 '''Pig Paper # 18'''] (April 1985) <br />
Part Three of the Dream Syndicate interview, plus first Jad Fair artwork. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper19 '''Pig Paper # 19'''] (June 1985) <br />
Part Four of the Dream Syndicate interview.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper20 '''Pig Paper # 20'''] (July 1985) <br />
Interview with Fat Mike of NOFX.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper21 '''Pig Paper # 21'''] (August 1985) <br />
“Why I Hate the Psychedelic Revival” by H. Gertz, plus Eddie Flowers’ first “L.A. Blues” column.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper22 '''Pig Paper # 22'''] (September 1985) <br />
''Back To Cool Issue'', featuring “Questions Gas Station Attendants Frequently Ask About Deja Voodoo’s Car.”<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper23 '''Pig Paper # 23'''] (October 1985) <br />
''Special Anachronism Issue'', including the first “Continuing Saga of Dr. Iguana” column.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper24 '''Pig Paper # 24'''] (January 1986) <br />
''Gala Tenth Anniversary Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper25 '''Pig Paper # 25'''] (March 1986) <br />
“Confessions of an Ex-Loved One” by Ed O’Bryan, Part Three, plus John Crawford’s “The World’s First Hardcore Compilation Letter!”<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper26 '''Pig Paper # 26'''] (May 1986) <br />
''Special Glenn Gould Memorial Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper27 '''Pig Paper # 27'''] (August 1986) <br />
''Special Bobby Fuller Memorial Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper28 '''Pig Paper # 28'''] (October 1986) <br />
''Special Brian Epstein Memorial Issue'', including first Tuli Kupferberg artwork.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper29 '''Pig Paper # 29'''] (January 1987) <br />
''Special Brian Wilson Memorial Issue'', including David Leaf’s Top Ten List.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper30 '''Pig Paper # 30'''] (April 1987) <br />
''Gala Thirtieth Anniversary Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper31 '''Pig Paper # 31'''] (August 1987) <br />
''Special Elvis-Still-Dead Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper32 '''Pig Paper # 32'''] (December 1987) <br />
''Special Punkstalgia Memorial Issue'', including James Lord’s “Letters From The Damned” and Ace Backwords’ “Sid Vicious and Johnny Rotten Garbage Patch Dolls.”<br />
<br />
==External Links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.archive.org/search.php?query=subject%3A%22The%20Pig%20Paper%22 ''The Pig Paper'' at Internet Archive]<br />
* [http://www.garypiggold.com/pigshit.html some ''Pigshit'' columns]<br />
* [http://www.rocksbackpages.com/writer.html?WriterID=gold_gp Gary Pig Gold at Rock’s Backpages]<br />
* [http://en.wikipedia.org/wiki/Gary_Pig_Gold Gary Pig Gold Wikipedia]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Punk&diff=35929Punk2011-01-08T04:18:47Z<p>Shakeandpop: </p>
<hr />
<div>'''Punk''' is an anti-establishment genre of music that emerged in the mid-1970s and grew to include a large subculture. <br />
<br />
Punk culture included it's own fashion styles, ideologies, types of dance, film, visual art and literature. Punk's [[DIY]] attitude towards music and publishing led to a massive growth in [[zine]]s produced by the punk community, who seized on the medium of self-publishing. The punk movement was an essential part of zine history and a large segment of the zine community today has at least some roots in punk. Early punk zines included [[Punk Magazine]], [[Flipside]] and [[Maximum Rock 'N' Roll]] in the U.S.A., [[Sniffin' Glue]] and [[Ripped & Torn]] in the UK, and The [[Pig Paper]] from Canada. Later popular punk zines include titles like [[Punk Planet]], [[Razorcake]], [[Cometbus]] and [[HeartattaCk]].<br />
<br />
==Artists==<br />
The attitude of punk was present before the formation of the CBGB's scene, starting in 1975, however this was the time and location of the first 'punk scene.' The main artists which were active at this time were Patti Smith, Television, Richard Hell and the Voidoids, Wayne County, Talking Heads, Blondie, and the Ramones. <br />
<br />
The Ramones performance at the Roundhouse in London on July 4th, 1976, was the sparking point of the British punk scene. Members of bands that were present at that show included the Sex Pistols, The Clash, The Damned, and the Buzzcocks. While the Ramones helped kick start the more visible and notable artists, the original CBGBs mix of bands provided to be influential in punk as a whole. Punk was never a unified concept of what a band should sound like. <br />
<br />
Later, punk developed into a number of various styles and movements.<br />
<br />
==See also==<br />
*[[:Category:Punk|A list of Punk zines]]<br />
*[[Hardcore]]<br />
*[[Straight Edge]]<br />
<br />
[[Category:Punk|*]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Punk&diff=35928Punk2011-01-08T04:18:11Z<p>Shakeandpop: added zine and link</p>
<hr />
<div>'''Punk''' is an anti-establishment genre of music that emerged in the mid-1970s and grew to include a large subculture. <br />
<br />
Punk culture included it's own fashion styles, ideologies, types of dance, film, visual art and literature. Punk's [[DIY]] attitude towards music and publishing led to a massive growth in [[zine]]s produced by the punk community, who seized on the medium of self-publishing. The punk movement was an essential part of zine history and a large segment of the zine community today has at least some roots in punk. Early punk zines included [[Punk Magazine]], [[Flipside]] and [[Maximum Rock 'N' Roll]] in the U.S.A., [[Sniffin' Glue]] and [[Ripped & Torn]] in the UK, and [[The Pig Paper]] from Canada. Later popular punk zines include titles like [[Punk Planet]], [[Razorcake]], [[Cometbus]] and [[HeartattaCk]].<br />
<br />
==Artists==<br />
The attitude of punk was present before the formation of the CBGB's scene, starting in 1975, however this was the time and location of the first 'punk scene.' The main artists which were active at this time were Patti Smith, Television, Richard Hell and the Voidoids, Wayne County, Talking Heads, Blondie, and the Ramones. <br />
<br />
The Ramones performance at the Roundhouse in London on July 4th, 1976, was the sparking point of the British punk scene. Members of bands that were present at that show included the Sex Pistols, The Clash, The Damned, and the Buzzcocks. While the Ramones helped kick start the more visible and notable artists, the original CBGBs mix of bands provided to be influential in punk as a whole. Punk was never a unified concept of what a band should sound like. <br />
<br />
Later, punk developed into a number of various styles and movements.<br />
<br />
==See also==<br />
*[[:Category:Punk|A list of Punk zines]]<br />
*[[Hardcore]]<br />
*[[Straight Edge]]<br />
<br />
[[Category:Punk|*]]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Zines_P-S&diff=35927Zines P-S2011-01-08T04:08:16Z<p>Shakeandpop: /* P */</p>
<hr />
<div>==P==<br />
<br />
* [[P5's Pussy Magazine]]<br />
* [[Pacifier]]<br />
* [[The Pac-Man Fever]]<br />
* [[Pagan's Head]]<br />
* [[pagina.de.stânga]]<br />
* [[Painter Lewis]]<br />
* [[Panacea]]<br />
* [[Panache]]<br />
* [[Panda Girl Zine]]<br />
* [[Pandora's Box]]<br />
* [[Pandora's Box (U.S.A.)]]<br />
* [[Panegyric]]<br />
* [[Panic: A Guide to Recovering From Panic Attacks With Resources for Managing Long-Term Anxiety]]<br />
* [[Panic Button]]<br />
* [[Panik]]<br />
* [[Panmag]]<br />
* [[Panophobia]]<br />
* [[Panorama]]<br />
* [[Paper Clips]]<br />
* [[Paper Scissors Clocks]]<br />
* [[Papercutter]]<br />
* [[Papier Mache]]<br />
* [[Papyrus helix]]<br />
* [[Paralyzed]]<br />
* [[Pardon punx zine]]<br />
* [[Pariah Zine]]<br />
* [[Pasty]]<br />
* [[Pathetic Life]]<br />
* [[Patty Duke Fanzine]]<br />
* [[Pavement Licker]]<br />
* [[Pavement of Surface]]<br />
* [[pAwn]]<br />
* [[PC Casualties]]<br />
* [[PCC Helldwellers]]<br />
* [[Peace & Quiet]]<br />
* [[Peach]]<br />
* [[Peaches & Herbicide]]<br />
* [[Pearl Tongue]]<br />
* [[Ped Xing Comics]]<br />
* [[Peesh]]<br />
* [[Penny sentinel]]<br />
* [[PEOP(le)S]]<br />
* [[The People's Comic]] (mid-1970s, 4 issues)<br />
* [[Perhaps]]<br />
* [[The Period Project]]<br />
* [[Perkins Press]]<br />
* [[Persephone's Passion]]<br />
* [[Persephone the Destroyer]]<br />
* [[Personal_Industrial_Revolution]]<br />
* [[Personality liberation front]]<br />
* [[Pesky Meddling Girls!]]<br />
* [[Pez]]<br />
* [[Phalanx]]<br />
* [[Phantastes]]<br />
* [[Phantom zine]]<br />
* [[Phases of the moon]]<br />
* [[Phatgirl & Ravin]]<br />
* [[Phoenix]]<br />
* [[Phony Lid]]<br />
* [[Photo Booth Toolbox]]<br />
* [[Photodrome]]<br />
* [[Photolite]]<br />
* [[Phree]]<br />
* [[Picaresque]]<br />
* [[Pick Your Poison]]<br />
* [[Picnic]]<br />
* [[Pig meat]]<br />
* [[Pig Paper]]<br />
* [[Pigdog]]<br />
* [[Pigguts]]<br />
* [[Pigs Taste Good]]<br />
* [[Pilcrow News]]<br />
* [[Pills a Go-Go]]<br />
* [[the pine box]]<br />
* [[Pineapple venetti zine]]<br />
* [[Pink Haired Jenny]]<br />
* [[The Pink Lemonade Affair]]<br />
* [[Pink Mary Ruth]]<br />
* [[Pink Mince]]<br />
* [[Pink Mini]]<br />
* [[Pink Realm]]<br />
* [[Pink Sugar Heart Attack]]<br />
* [[Pink Tea]]<br />
* [[Pinkie Swear]] also goes by [[Pinky Swear]]<br />
* [[Pirate Jenny]]<br />
* [[Pirate Radio Kills the Ruling Class Stars]]<br />
* [[The Pisces Ladybug]]<br />
* [[Pistil Prose]]<br />
* [[Pixel]]<br />
* [[Pixel This]]<br />
* [[Pixie Girl]]<br />
* [[Pizzeria Takeout]]<br />
* [[Placenta]]<br />
* [[Plain Jane]]<br />
* [[The Plain Text Zine]]<br />
* [[Plan dementure wrestling ghoul]]<br />
* [[Plan Your Work]]<br />
* [[Planet Crush]]<br />
* [[Planet Drag King]]<br />
* [[Planet Es]]<br />
* [[Planet Venus]]<br />
* [[Planetary Previews]]<br />
* [[Plastic knife]]<br />
* [[Play for Today]]<br />
* [[Playground Lies]]<br />
* [[Please Don't Feed The Bears]]<br />
* [[Please Don't Hit Beneath the Belt]]<br />
* [[Please Keep Sharing]]<br />
* [[Please Let Me Help]]<br />
* [[Please Quit Eating My Kittens!]]<br />
* [[Plebeian Jobs! Jobs! Jobs!]]<br />
* [[The Pleiades]]<br />
* [[Plink-o]]<br />
* [[PLopLop]]<br />
* [[Plotz]]<br />
* [[Plünkie]]<br />
* [[Plume]]<br />
* [[PMS]]<br />
* [[PMt]]<br />
* [[Pocket]]<br />
* [[Pocket Trick]]<br />
* [[Podunk]]<br />
* [[Poemfishgrrl]]<br />
* [[Poems of the Body and Its Sinusoidal Ways]]<br />
* [[Poets Against the War]]<br />
* [[Poet's Eve]]<br />
* [[Poindexter]]<br />
* [[Point of Purchase]]<br />
* [[Pointy, pointy scissors]]<br />
* [[Poison Pen]]<br />
* [[Poison Planet]]<br />
* [[Poisoned Mind]]<br />
* [[Poisonous Plants in the Garden]]<br />
* [[Polarity]]<br />
* [[Polaroid-Celluloid]]<br />
* [[Poldi Rich]]<br />
* [[The ponies]]<br />
* [[Pool Dust]]<br />
* [[Poopsheet Jr.]]<br />
* [[Pop Core]]<br />
* [[Pop-Fly!]]<br />
* [[Pop Smear]]<br />
* [[Popcore]]<br />
* [[Popcorn]]<br />
* [[Poppin' Zits]]<br />
* [[Population Control]]<br />
* [[Porcupine]]<br />
* [[Pornavida]]<br />
* [[A Portrait of an Artist as a Young Trannie]]<br />
* [[Poser]]<br />
* [[Positive vegan]]<br />
* [[Positron]]<br />
* [[Possible Worlds]]<br />
* [[Post Polvo Snooze fest]]<br />
* [[Potatoe]]<br />
* [[Potluck]]<br />
* [[Pound The Pavement]]<br />
* [[Pout]]<br />
* [[Power Candy]]<br />
* [[Power Machine]]<br />
* [[Power Toot]]<br />
* [[Prescription for Change]]<br />
* [[Pressed Between the Pages]]<br />
* [[Pressure Drop]]<br />
* [[Preteen Princess]]<br />
* [[Pretending It's the Eighties]]<br />
* [[Pretend It Didn't Happen and Maybe It'll Go Away]]<br />
* [[Pretty In Peach]]<br />
* [[Pretty Pussy!]]<br />
* [[Prime directive]]<br />
* [[Primitive Noise]]<br />
* [[Princess Charming]]<br />
* [[Prince of Denmark]]<br />
* [[Prisoner - the Wentworth star]]<br />
* [[Priv@do 1999]]<br />
* [[Private Catholic]]<br />
* [[The Probe]]<br />
* [[Profane Existence]]<br />
* [[Projector]]<br />
* [[Prolapse]]<br />
* [[Promise]]<br />
* [[Promise me skies]]<br />
* [[Promise on Anything]]<br />
* [[Proof I Exist]]<br />
* [[Pro-tection]]<br />
* [[Protect Yourself!]]<br />
* [[Protest zine]]<br />
* [[Prove it Pretzel Boy]]<br />
* [[Provo-CAT-ive]]<br />
* [[Prudella]]<br />
* [[Punctuation Training (a Confession)]]<br />
* [[PSYCHO]]<br />
* [[Psycho Carnival]]<br />
* [[Psycho No1 Fan]]<br />
* [[Psycho Sleaze]]<br />
* [[Psycho Tooth Fairies and Other Idols]]<br />
* [[Psychobabble]]<br />
* [[Psychobitch]]<br />
* [[Psychoterror]]<br />
* [[PTBH!]]<br />
* [[Puberty Strike]]<br />
* [[Public Notebook ]]<br />
* [[Puke-a-booze]]<br />
* [[Pull Back to Reveal No Trousers]]<br />
* [[Pulse Zine]]<br />
* [[Pump it up]]<br />
* [[Pumpkin Boy]]<br />
* [[Punk Boys]]<br />
* [[Pumpkin Seed]]<br />
* [[Punk in my Vitamins?]]<br />
* [[A Punk Kid Walks Into A Bar]]<br />
* [[Punk Pals Unwashed]]<br />
* [[Punk Planet]]<br />
* [[Punk Research]]<br />
* [[Punktur]]<br />
* [[Puppies and Kittens]]<br />
* [[Puppy Dawg]]<br />
* [[Puppy Love]]<br />
* [[Pure Tuna Fish]]<br />
* [[Purgatory]]<br />
* [[Purple monkey dishwasher]]<br />
* [[Pushing Twenty]]<br />
* [[Pussboy]]<br />
* [[Pussy Cat Vision]]<br />
<br />
==Q==<br />
<br />
* [[Q.T.]]<br />
* [[Quail Season]]<br />
* [[Quality Street]]<br />
* [[Quantify]]<br />
* [[Queen Mab]]<br />
* [[Queen of the Kangaroos]]<br />
* [[Queen of the Thundercats]]<br />
* [[Queenie]]<br />
* [[Queer zine]]<br />
* [[Question Everything, Challenge Everything]]<br />
* [[Quiet Nights of Quiet Stars]]<br />
* [[Quim]]<br />
* [[Quirk]]<br />
* [[The quirk|The Quirk]]<br />
* [[Quitter]]<br />
<br />
==R==<br />
<br />
* [[R.A.W.R.]]<br />
* [[R-Kive]]<br />
* [[RR]]<br />
* [[Race Revolt]]<br />
* [[Rachel Zine]]<br />
* [[Rad Company]]<br />
* [[Rad Dad]]<br />
* [[Radical Pet]]<br />
* [[Radical sadness]]<br />
* [[Radical Updates]]<br />
* [[Radical South Zine]]<br />
* [[Rage Against Psychic Death!]]<br />
* [[Railings]]<br />
* [[Random Life In Progress]]<br />
* [[Rank Amateur Press]]<br />
* [[Rarity]]<br />
* [[The Rash]]<br />
* [[Raspberry]]<br />
* [[Rat]]<br />
* [[Rat Junior]]<br />
* [[Raw Sugar]]<br />
* [[Razor Sharp Haze Daze]]<br />
* [[Razorcake]]<br />
* [[React]]<br />
* [[Read]]<br />
* [[Read Me]]<br />
* [[Read Our Minds]]<br />
* [[Real Girls]]<br />
* [[Real Men]]<br />
* [[Reality Mom]]<br />
* [[The reality cadenza]]<br />
* [[The Remainders]]<br />
* [[The revolution is my boyfriend]]<br />
* [[The Road To Either Of]]<br />
* [[A Rough Guide to Bicycle Maintenance]]<br />
* [[The rum rebellion]]<br />
* [[Reason to Believe]]<br />
* [[Reassess Your Weapons]]<br />
* [[Rebel Fux!]]<br />
* [[Rebel Grrrl]]<br />
* [[Rebel grrl zine]]<br />
* [[Reclaiming Our Ancient Wisdom]]<br />
* [[Reclusive Obscenities]]<br />
* [[Red]]<br />
* [[Red Emma]]<br />
* [[Red Fez Publications]] <br />
* [[Red Hanky Panky]] <br />
* [[Red Hooded Sweatshirt]]<br />
* [[The Red Pill]]<br />
* [[The Red Sky]]<br />
* [[Red Rover]]<br />
* [[Reflections in Concrete and Steel]]<br />
* [[Refugee Zine]]<br />
* [[Re/fuse]]<br />
* [[Reggae Quarterly]]<br />
* [[Regional Changes]]<br />
* [[The Register]]<br />
* [[Rejected Band Names]]<br />
* [[Remainder of Zero]]<br />
* [[Remember who you are]] <br />
* [[A Renegade's Handbook to Love & Sabotage]]<br />
* [[R*E*P*E*A*T]]<br />
* [[REPORT ON THE MEANING OF THE MOMENT]]<br />
* [[Reptiles of the Mind]]<br />
* [[Resist]]<br />
* [[Resister]]<br />
* [[Restaurant Fuel]]<br />
* [[Retail Whore]]<br />
* [[Retard]]<br />
* [[Retrogression]]<br />
* [[Revelations]]<br />
* [[Revelling in New York]]<br />
* [[Review]]<br />
* [[The Revolution Starts At Home]]<br />
* [[Revolutionaries Zine]]<br />
* [[The Rhododendron Reader]]<br />
* [[Ribald Zine]]<br />
* [[Ricochet! Ricochet!]]<br />
* [[The riddler zine|The Riddler]]<br />
* [[Ride On]]<br />
* [[Ring of Fire]]<br />
* [[Riot Boy]]<br />
* [[riot grrrl (zine)|riot grrrl]]<br />
* [[Riot Grrrl!!!]] (Riot Grrrl Bradford/Leeds UK, no date)<br />
* [[Riot Grrrl DC]] (1992)<br />
* [[Riot Grrrl Eureka/Arcata]] <br />
* [[Riot Grrrl London]]<br />
* [[Riot Grrrl Montreal]]<br />
* [[Riot Grrrl NYC]] <br />
* [[Riot Grrrl Review]] <br />
* [[Riot Grrrl Vancouver]]<br />
* [[Riot House Zine]]<br />
* [[Riottemptresses]]<br />
* [[Ripe]]<br />
* [[Ripped & Torn]]<br />
* [[Ripper]]<br />
* [[Ripples]]<br />
* [[The Rise and Fall of Mr. Fuck You Man]]<br />
* [[Ritalin]]<br />
* [[Rivers and Radiators]]<br />
* [[The Road To Either Of]]<br />
* [[Roadkill]]<br />
* [[Roam]]<br />
* [[Robbing the Carriage]]<br />
* [[Roberta]]<br />
* [[Robot Guy]]<br />
* [[Robot Guts]]<br />
* [[Robomonkey Tron]]<br />
* [[Robots and Electronic Brains]]<br />
* [[Rob schneider is a poor man's pauly shore zine]]<br />
* [[Rochester teen set outsider]]<br />
* [[Rock Candy]]<br />
* [[Rock Star With Words]]<br />
* [[Rock Star With Purses]]<br />
* [[Rock This Town]]<br />
* [[Rocket Tonic Quarterly]]<br />
* [[Rocket Queen]]<br />
* [[Rocks and Blows]]<br />
* [[Rocktober]]<br />
* [[Roll 'em]]<br />
* [[Rollerderby]]<br />
* [[Rolling Thunder]]<br />
* [[Rollycoaster]]<br />
* [[Ron]]<br />
* [[Root]]<br />
* [[Rote Tränen]]<br />
* [[Rotortiller hausjunge]]<br />
* [[Rotten To The Core]]<br />
* [[Rotzooi]]<br />
* [[Rough]]<br />
* [[A Rough Guide to Bicycle Maintenance]]<br />
* [[Round Things Roll]]<br />
* [[Routes I Know]]<br />
* [[Roxie]]<br />
* [[The Ruby Slippers]]<br />
* [[Rückenkälte]]<br />
* [[Ruckus]]<br />
* [[Rude Girl]]<br />
* [[Rug Burn]]<br />
* [[Rugburn Spectacular]]<br />
* [[Rum Lad]]<br />
* [[Rum-Muffel]]<br />
* [[The rum rebellion]]<br />
* [[Ruminatio]]<br />
* [[Rump]]<br />
* [[RUMPOT MAGAZINE]]<br />
* [[Rumpus Room]]<br />
* [[Run panic bight]]<br />
* [[Runt]]<br />
* [[Rupture]]<br />
* [[Rural urban]]<br />
<br />
==S==<br />
* [[S/he Said Is for Lovers]]<br />
* [[S/he's Got Labe]], originally ''She's Got Labe''<br />
* [[Saboniz]]<br />
* [[Sancho]]<br />
* [[The Sacred and the Profane]]<br />
* [[Sacred Obligations]]<br />
* [[Sacred Places]]<br />
* [[Safety Pin]]<br />
* [[Safety Pin Girl]]<br />
* [[Saliva Girl]]<br />
* [[Salza]]<br />
* [[Sammiches]]<br />
* [[Samsara]]<br />
* [[Sandwich Skatezine]]<br />
* [[Sanimag]]<br />
* [[Sanitary and Ship]]<br />
* [[Sanity Sux]]<br />
* [[Satanic Cat]]<br />
* [[Satanic Toasters]]<br />
* [[Saturnine's Smile]]<br />
* [[Savage Messiah]]<br />
* [[SCAB]]<br />
* [[Scam]]<br />
* [[The Scam]]<br />
* [[The Scaredy Cat Stalker]]<br />
* [[Scatter Gram]]<br />
* [[Scenery]]<br />
* [[Schlepp Fanzine]]<br />
* [[Science Fiction]]<br />
* [[Science Fiction / San Francisco]]<br />
* [[Scissor Socket Shocker]]<br />
* [[Scorcher]]<br />
* [[Scram]]<br />
* [[Scrappy]]<br />
* [[Scribble Faster]]<br />
* [[Scrim Shank: Complete Photo How-To Zine]]<br />
* [[Scruffy]]<br />
* [[Scrumdilliumptious]]<br />
* [[Scum on the wall]]<br />
* [[Scut]]<br />
* [[Scythrop]]<br />
* [[Se Maquiller (To Make One's Self Up)]]<br />
* [[Sea/Snow]]<br />
* [[Seamonkeys from Guatemala]]<br />
* [[Search and Destroy]]<br />
* [[Second Guess]]<br />
* [[Second Set Out]]<br />
* [[The Secret Files of Captain Sissy]]<br />
* [[The Secret Life]]<br />
* [[Secret Mystery Love Shoes]]<br />
* [[Secret Weapon]]<br />
* [[Seeds]]<br />
* [[SemiBold]]<br />
* [[Serrated Edges]]<br />
* [[Servings]]<br />
* [[Seven Rainbows]]<br />
* [[Seventeen.]]<br />
* [[Seventh Grade]]<br />
* [[Sexual Chocolate]]<br />
* [[Shabby]]<br />
* [[Shaft's big score]]<br />
* [[Shalom]]<br />
* [[Shat Upon]]<br />
* [[Shating With Writers]]<br />
* [[She Breathes]]<br />
* [[She Likes Rice Pudding]]<br />
* [[She makes jewelry out of car crashes]]<br />
* [[She's Got Labe]]<br />
* [[She's Not a Morning Person]]<br />
* [[she's so very...]]<br />
* [[Shebobbin']]<br />
* [[Shebytches]]<br />
* [[Sheet Worrier]]<br />
* [[Shelter]]<br />
* [[Shelve that idea]]<br />
* [[Shezam]]<br />
* [[Shiny Sapphire Dreams]]<br />
* [[Shivers and Sprinkles]]<br />
* [[Short Fast & Loud]]<br />
* [[Short/Wave Zine]]<br />
* [[Shortandqueer]]<br />
* [[Shots]]<br />
* [[A Shout In The Street]]<br />
* [[Shovel Bum]]<br />
* [[A show of hands zine]]<br />
* [[Shrimp]]<br />
* [[Shutdown]]<br />
* [[Sick puppy comix|Sick Puppy Comix]]<br />
* [[SickZine (NL)]]<br />
* [[Sidewayz & Backwayz]]<br />
* [[Silent Screams]]<br />
* [[The Silk Screen Zine]]<br />
* [[The Silky Membrane]]<br />
* [[Silverfish Magazine]]<br />
* [[Silverkool]]<br />
* [[Simba]]<br />
* [[Simon]]<br />
* [[Singing Garbage and Hardware]]<br />
* [[Sissy Butch]]<br />
* [[Sister Disco]]<br />
* [[Sister Friend]]<br />
* [[Sister Nobody]]<br />
* [[Sisu]]<br />
* [[The Sisyphean Task]]<br />
* [[Six Degrees of Separation]]<br />
* [[Six magnetic poems]]<br />
* [[The Sixth Minky]]<br />
* [[Sixty days]]<br />
* [[Ska beat]]<br />
* [[Skeleton.]]<br />
* [[Skeleton Key]]<br />
* [[The Skeleton News]]<br />
* [[Skinhead Times]]<br />
* [[Skinned alive]]<br />
* [[Skinned Heart]]<br />
* [[Skintomb]]<br />
* [[The Skirt]]<br />
* [[Skunk's Life]]<br />
* [[Sky Flying By]]<br />
* [[Slambook]]<br />
* [[Slander]]<br />
* [[Slant]]<br />
* [[Sl@nted @nd Ench@nted]]<br />
* [[Slave]]<br />
* [[Slave of Turbonegro]]<br />
* [[Slavezombie]]<br />
* [[Slingshot]]<br />
* [[Slouch]]<br />
* [[Slow Leek]]<br />
* [[The Sludge Pond]]<br />
* [[Slug & Lettuce]]<br />
* [[Slush Pile]]<br />
* [[Slut Magnet]]<br />
* [[Slutwrench]]<br />
* [[Small Girl Small World]]<br />
* [[Small Press Comics Explosion]]<br />
* [[Small Town Loser]]<br />
* [[Smart Like Eve]]<br />
* [[Smegma]]<br />
* [[Smell of Dead Fish]]<br />
* [[Smelling Trees]]<br />
* [[Smilin' Dan the Ice Cream Man]]<br />
* [[Smiling Disease]]<br />
* [[Smoldering Ape]]<br />
* [[Smug Zine]]<br />
* [[Smut]]<br />
* [[Snackbar Confidential]]<br />
* [[Snakepit]]<br />
* [[Snarla]]<br />
* [[Sniffin' Glue]]<br />
* [[Snipehunt]]<br />
* [[Snow Chicken]]<br />
* [[So Midwest]]<br />
* [[So Tough]]<br />
* [[So What]]<br />
* [[Sobaka]]<br />
* [[Social Deviate]]<br />
* [[Socially Fucking Retarded]]<br />
* [[Sock Monkey Social Life]]<br />
* [[Sojourner]]<br />
* [[Sojourns]]<br />
* [[SOL]]<br />
* [[Some Misplaced Joan of Arc]]<br />
* [[Someone Hearts Me in Ohio]]<br />
* [[Someone Said]]<br />
* [[Something For Nothing]]<br />
* [[Some People Are Jerks]]<br />
* [[Some underground machine]]<br />
* [[Something for the Weekend]]<br />
* [[Somnambulist]]<br />
* [[Songs About Ghosts]]<br />
* [[Songs of a Dead Boy]]<br />
* [[Songs to fly kites to]]<br />
* [[Sons of Kiron III]]<br />
* [[Sony Free]]<br />
* [[Sore]]<br />
* [[Sorry Tree]]<br />
* [[Sounding the Ritual Echo]]<br />
* [[Sounds copacetic]]<br />
* [[Sourgrapes]]<br />
* [[Sourpuss (Sara McCool)|Sourpuss]] (by [[Sara McCool]])<br />
* [[Sourpuss (Robyn Chapman)|Sourpuss]] (by Robyn Chapman)<br />
* [[South fur lands]]<br />
* [[The South Texas Experience]]<br />
* [[Soy Not Oi]]<br />
* [[The Space wastrel]]<br />
* [[Spaghetti Dinner & Dancing]]<br />
* [[The Space wastrel]]<br />
* [[Spank! Zine]]<br />
* [[The Spark]]<br />
* [[Sparkly Kitty Stickers]]<br />
* [[Speed Demon]]<br />
* [[Splatterspleen]]<br />
* [[Spock]]<br />
* [[Spooneye]]<br />
* [[Spontaneous Combustion]]<br />
* [[Sporadic Droolings]]<br />
* [[Sprak!]]<br />
* [[Spunk]]<br />
* [[Spunk-ass]]<br />
* [[Spunk zine]]<br />
* [[Square One]]<br />
* [[Squatter's Handbook]]<br />
* [[Squidling is Dancer]]<br />
* [[Stab Heart]]<br />
* [[Stained Pages]]<br />
* [[Standing Behind Me]]<br />
* [[Stankzine]]<br />
* [[Staples]]<br />
* [[Starlette]]<br />
* [[Stars]]<br />
* [[State Of Beings]]<br />
* [[Static]]<br />
* [[Statistical Analysis of the Things That Happen but Don't Matter]]<br />
* [[Statues From Another Planet]]<br />
* [[Stay Free!]]<br />
* [[Stay Gold Jesse, Stay Gold]]<br />
* [[Star struck]]<br />
* [[Sticky Hands Heavy Lids]]<br />
* [[Stifled]]<br />
* [[Stitch in Time]]<br />
* [[Stolen Sharpie Revolution]]<br />
* [[Stoop]]<br />
* [[Storm Warning]]<br />
* [[Straight To Hell]]<br />
* [[Strange-Looking Exile|Strange Looking Exile]]<br />
* [[Strange Orange]]<br />
* [[The Strange Voyage of the Leona Joyce]]<br />
* [[Straßenfeger]]<br />
* [[Straw Horse Spiral]]<br />
* [[Strawclutch]]<br />
* [[Street art zine]]<br />
* [[Streeteaters]]<br />
* [[Strong Hearts]]<br />
* [[Sty Zine]]<br />
* [[Subject to Change]]<br />
* [[Sub plot zine]]<br />
* [[Sub Rosa]]<br />
* [[Sublet]]<br />
* [[SUBNecro]]<br />
* [[Sub Pop]]<br />
* [[Subterranea]]<br />
* [[Subterranean Comics]]<br />
* [[Suburban Blight]]<br />
* [[Suburban Gothic]]<br />
* [[Suburban Legends]]<br />
* [[Suburban Relapse]]<br />
* [[Suburban Voice]]<br />
* [[Suburban Waste]]<br />
* [[Sugar Needle]]<br />
* [[Summarily]]<br />
* [[Summer Tears]]<br />
* [[Summit]]<br />
* [[Super Girl]]<br />
* [[The super happy anarcho fun pages]]<br />
* [[Superscissor]]<br />
* [[Superweed]]<br />
* [[Support Zine]]<br />
* [[Supramundane Stories]]<br />
* [[Supreme Nothing]]<br />
* [[Sure zine]]<br />
* [[Susie is a robot]]<br />
* [[Swallow Your Pride]]<br />
* [[Sweet Olive]]<br />
* [[Sweetness and light]]<br />
* [[Sweetshop Syndicate]]<br />
* [[Sweetarts Fanzine]]<br />
* [[Swings and Roundabouts]]<br />
* [[Swirlies]]<br />
* [[Swishblade]]<br />
* [[Syndicate Product]]<br />
* [[Synthesis Zine]]<br />
<br />
{{Title_navigation}}</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Pig_Paper&diff=35926Pig Paper2011-01-08T03:54:15Z<p>Shakeandpop: </p>
<hr />
<div>[[Image:PigPaper9.jpg|200px|thumb|right |PigPaper]]<br />
'''''The Pig Paper''''' was Canada’s very first self-published music [[fanzine]], one of the pioneering, and longest-lasting examples of that country’s vibrant small press pedigree.<br />
<br />
==History==<br />
Beginning life in the early Seventies as record-hunting correspondence between founder/publisher [http://en.wikipedia.org/wiki/Gary_Pig_Gold Gary Pig Gold] and his oldest friend, Doug “Rock Serling” Pelton, the first ''Pig Paper'' to be made available to the public was a mock-concert program sold during a 1975 appearance by The Who in Toronto. <br />
<br />
Two years later, ''The Pig Paper'' was covering Canada’s nascent punk rock scene, publishing some of the first-ever in-depth articles on such bands as '''Teenage Head''', '''The Viletones''', and '''Simply Saucer''' as well as early reviews and interviews with '''The Ramones''', '''Sex Pistols''', '''Talking Heads''' and many others. Each issue also contained material on vintage acts such as '''The Beach Boys''' and '''Elvis Presley''', as well as offering performers such as '''Half Japanese''' and '''Jandek''' many of their initial appearances in print.<br />
<br />
''The Pig Paper'' duly gave birth as well to the '''Pig Records''' label in 1978, issuing the first release by '''Simply Saucer''', and Gary’s widely-syndicated '''''Pigshit''''' column, which first appeared in the February 1979 issue of [[Flipside]] Magazine, continues to run monthly online to this day.<br />
<br />
==Issues==<br />
<br />
* [http://www.archive.org/details/ThePigPaper01 '''Pig Paper # 1'''] (December 1975) <br />
Pictures, stories, and interviews, both old and new, on The Who, including a lengthly discography, packaged together as an Official Concert Program and initially sold only on the streets outside Maple Leaf Gardens in Toronto when the band performed there on December 11, 1975.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper02 '''Pig Paper # 2'''] (October 1976) <br />
A small literary “coda” and update on The Who, inserted into reprints of ''Pig Paper 1'' and again sold outside Toronto’s Maple Leaf Gardens when the band returned there on October 21, 1976 (coincidentally, Keith Moon’s final public performance with the band).<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper03 '''Pig Paper # 3'''] (April 1977) <br />
The “True Kink Konfessions” of Simply Saucer’s Edgar Breau, distributed free-of-charge to concert-goers when The Kinks played Maple Leaf Gardens in Toronto on April 29, 1977. This was also the first ''Pig Paper'' made available outside of Canada (at the Kinks’ show in Buffalo, NY the following evening, as well as during their in-store appearance at Buffalo’s Record Theatre the day after that).<br />
<br />
<br />
* '''Pig Paper # 4''' (June 1977) withdrawn<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper05 '''Pig Paper # 5'''] (August 1977) <br />
An interview with The Ramones (conducted at their June 18, 1977 Toronto performance and party afterwards), an article/discography on the Australian band The Saints, Rock Serling’s first “Delete Zone” column, the Sex Pistols’ “Anarchy In Canada,” “Elvis Is Dead” obituary, ''Pig Paper'' photographer Johnny Pig’s run-in with Thin Lizzy’s Phil Lynott, “Pig Punk Part One” (Teenage Head, Simply Saucer, The Viletones, Battered Wives and The Curse) plus record reviews of the Saints’ ''(I’m) Stranded'', ''The Beach Boys Love You'' and ''Surfin’ With The Viletones''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper06 '''Pig Paper # 6'''] (October 1977) <br />
Interviews with Talking Heads and Beach Boy Dennis Wilson, a report on the Toronto “Outrage” concert, “Marc Bolan Is Dead” obituary, “Pig Punk Part Two” (The Dishes, Loved Ones, Concordes, Headache, Diodes), the first “Pigossip” column, “More True Kink Konfessions” (from the proposed ''Pig Paper # 4''), plus record reviews of the Alan Parsons Project, Viletones, Sex Pistols, Rattles, Dishes, ''24 Original Happening Hits'', Nick Lowe, and the New Legion Rock Spectacular.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper07 '''Pig Paper # 7'''] (December 1977) <br />
Interviews with The Hollies, Eddie and the Hot Rods and the Boyfriends, articles on Tommy Ramone, Freddie and the Dreamers and the Vibrators, the first “Pigallery” photo spread, “Pig Punk Part Three” (Dole-Q, The Ugly, Afrika Korps, The Poles, Stanley Frank), plus record reviews of Iggy Pop, XTC, the Dead Boys, Bay City Rollers, Suicide, Dwight Twilley Band, X-Ray Spex, and many more. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper08 '''Pig Paper # 8'''] (April 1978) <br />
Interviews with Elvis Costello and The Viletones, The Forgotten Rebels’ Fan Mail, Jeremy Gluck’s “Stupid Songs I Have Known,” The Runaways at the El Mocambo, The Diodes in New York City, Bill McAvory’s first Classic Canada column, “Pig Punk Part 4” (Blue Reimondos, Jumpers, The Good), plus record reviews of the Heartbreakers, The Monkees, Rich Kids, Damned, Eric Burdon, The Rutles, and many more. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper09 '''Pig Paper # 9'''] (August 1978) <br />
Interviews with John Lydon and Generation X, articles on Suicide, Buddy Holly, and Destroy All Monsters, “Pig Toronto Punk Discography,” Bill McAvory on the Ugly Ducklings, Edgar Breau plays “Blindate,” plus record reviews of David Johansen, Wild Man Fischer, Blondie, Mink DeVille, the Paley Brothers, Tom Petty, the Romantics, Television, Soft Boys, Ringo Starr, Ian Dury, and many more. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper10 '''Pig Paper # 10'''] (December 1978) <br />
The Story of the Dave Clark Five, Rock Serling’s All-Time Top 1000, “Where The Action Is” Boston and Los Angeles scene reports, Keith Richards plays “Blindate,” articles on the Rich Kids, Greg Kihn and The Verbs, plus record reviews of Glen Campbell, Captain Beefheart, Shaun Cassidy, the Modern Lovers, Elvis Presley, Devo, and many more.<br />
<br />
<br />
* '''Pig Paper #’s''' [http://www.archive.org/details/ThePigPaper10a '''10-A'''] and [http://www.archive.org/details/ThePigPaper10b '''10-B'''] (February and March 1979) <br />
First two of a proposed series of 25-cent, monthly “between ''Pig Paper'' Newsletters,” featuring The Diodes, Clash, Teenage Head and Ugly Ducklings.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper11 '''Pig Paper # 11'''] (January 1980) <br />
The first of the “Pocket Pig Papers,” featuring Elvis Presley, Half Japanese, Wayne County, Steve Jones’ “Blindate,” plus record reviews of Chuck Berry, the Cramps, ABBA, ''The Chipmunks Sing The Beatles Hits'', Kim Fowley, Michael Nesmith, Shoes, Bob Dylan, and many more.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper12 '''Pig Paper # 12'''] (March 1980) <br />
“The Strange Case of John Lennon,” PiL, Marianne Faithfull interview, plus the Paul Revere and the Raiders record (review) that never was. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper13 '''Pig Paper # 13'''] (June 1980) <br />
The first of two strictly promotional ''Pig Paper''s, reproducing clippings and reviews spotlighting Pig Productions’ first five years of operation.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper14 '''Pig Paper # 14'''] (January 1982) <br />
The first California-produced ''Pig Paper'', featuring Mick Clintrock’s interview with Jerry Lee Lewis.<br />
<br />
<br />
* [http://www.archive.org/details/PigPaper15 '''Pig Paper # 15'''] (October 1983) <br />
The second ''Promo-Pig Paper''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper16 '''Pig Paper # 16'''] (February 1985) <br />
The first of the two-page giveaway Mail Art ''Pig Paper''s, featuring Part One of an interview with the Dream Syndicate.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper17 '''Pig Paper # 17'''] (March 1985) <br />
Part Two of the Dream Syndicate interview, plus the first Ace Backwords Comix. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper18 '''Pig Paper # 18'''] (April 1985) <br />
Part Three of the Dream Syndicate interview, plus first Jad Fair artwork. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper19 '''Pig Paper # 19'''] (June 1985) <br />
Part Four of the Dream Syndicate interview.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper20 '''Pig Paper # 20'''] (July 1985) <br />
Interview with Fat Mike of NOFX.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper21 '''Pig Paper # 21'''] (August 1985) <br />
“Why I Hate the Psychedelic Revival” by H. Gertz, plus Eddie Flowers’ first “L.A. Blues” column.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper22 '''Pig Paper # 22'''] (September 1985) <br />
''Back To Cool Issue'', featuring “Questions Gas Station Attendants Frequently Ask About Deja Voodoo’s Car.”<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper23 '''Pig Paper # 23'''] (October 1985) <br />
''Special Anachronism Issue'', including the first “Continuing Saga of Dr. Iguana” column.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper24 '''Pig Paper # 24'''] (January 1986) <br />
''Gala Tenth Anniversary Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper25 '''Pig Paper # 25'''] (March 1986) <br />
“Confessions of an Ex-Loved One” by Ed O’Bryan, Part Three, plus John Crawford’s “The World’s First Hardcore Compilation Letter!”<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper26 '''Pig Paper # 26'''] (May 1986) <br />
''Special Glenn Gould Memorial Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper27 '''Pig Paper # 27'''] (August 1986) <br />
''Special Bobby Fuller Memorial Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper28 '''Pig Paper # 28'''] (October 1986) <br />
''Special Brian Epstein Memorial Issue'', including first Tuli Kupferberg artwork.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper29 '''Pig Paper # 29'''] (January 1987) <br />
''Special Brian Wilson Memorial Issue'', including David Leaf’s Top Ten List.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper30 '''Pig Paper # 30'''] (April 1987) <br />
''Gala Thirtieth Anniversary Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper31 '''Pig Paper # 31'''] (August 1987) <br />
''Special Elvis-Still-Dead Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper32 '''Pig Paper # 32'''] (December 1987) <br />
''Special Punkstalgia Memorial Issue'', including James Lord’s “Letters From The Damned” and Ace Backwords’ “Sid Vicious and Johnny Rotten Garbage Patch Dolls.”<br />
<br />
==External Links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.archive.org/search.php?query=subject%3A%22The%20Pig%20Paper%22 ''The Pig Paper'' at Internet Archive]<br />
* [http://www.garypiggold.com/pigshit.html some ''Pigshit'' columns]<br />
* [http://www.rocksbackpages.com/writer.html?WriterID=gold_gp Gary Pig Gold at Rock’s Backpages]<br />
* [http://en.wikipedia.org/wiki/Gary_Pig_Gold Gary Pig Gold Wikipedia]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Pig_Paper&diff=35925Pig Paper2011-01-08T03:53:09Z<p>Shakeandpop: </p>
<hr />
<div>[[Image:PigPaper9.jpg|200px|thumb|right |PigPaper]]<br />
'''''The Pig Paper''''' was Canada’s very first self-published music [[fanzine]], one of the pioneering, and longest-lasting examples of that country’s vibrant small press pedigree.<br />
<br />
==History==<br />
Beginning life in the early Seventies as record-hunting correspondence between founder/publisher [http://en.wikipedia.org/wiki/Gary_Pig_Gold Gary Pig Gold] and his oldest friend, Doug “Rock Serling” Pelton, the first ''Pig Paper'' to be made available to the public was a mock-concert program sold during a 1975 appearance by The Who in Toronto. <br />
<br />
Two years later, ''The Pig Paper'' was covering Canada’s nascent punk rock scene, publishing some of the first-ever in-depth articles on such bands as '''Teenage Head''', '''The Viletones''', and '''Simply Saucer''' as well as early reviews and interviews with '''The Ramones''', '''Sex Pistols''', '''Talking Heads''' and many others. Each issue also contained material on vintage acts such as '''The Beach Boys''' and '''Elvis Presley''', as well as offering performers such as '''Half Japanese''' and '''Jandek''' many of their initial appearances in print.<br />
<br />
''The Pig Paper'' duly gave birth as well to the '''Pig Records''' label in 1978, issuing the first release by '''Simply Saucer''', and Gary’s widely-syndicated '''''Pigshit''''' column, which first appeared in the February 1979 issue of [http://www.zinewiki.com/Flipside Flipside] Magazine, continues to run monthly online to this day.<br />
<br />
==Issues==<br />
<br />
* [http://www.archive.org/details/ThePigPaper01 '''Pig Paper # 1'''] (December 1975) <br />
Pictures, stories, and interviews, both old and new, on The Who, including a lengthly discography, packaged together as an Official Concert Program and initially sold only on the streets outside Maple Leaf Gardens in Toronto when the band performed there on December 11, 1975.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper02 '''Pig Paper # 2'''] (October 1976) <br />
A small literary “coda” and update on The Who, inserted into reprints of ''Pig Paper 1'' and again sold outside Toronto’s Maple Leaf Gardens when the band returned there on October 21, 1976 (coincidentally, Keith Moon’s final public performance with the band).<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper03 '''Pig Paper # 3'''] (April 1977) <br />
The “True Kink Konfessions” of Simply Saucer’s Edgar Breau, distributed free-of-charge to concert-goers when The Kinks played Maple Leaf Gardens in Toronto on April 29, 1977. This was also the first ''Pig Paper'' made available outside of Canada (at the Kinks’ show in Buffalo, NY the following evening, as well as during their in-store appearance at Buffalo’s Record Theatre the day after that).<br />
<br />
<br />
* '''Pig Paper # 4''' (June 1977) withdrawn<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper05 '''Pig Paper # 5'''] (August 1977) <br />
An interview with The Ramones (conducted at their June 18, 1977 Toronto performance and party afterwards), an article/discography on the Australian band The Saints, Rock Serling’s first “Delete Zone” column, the Sex Pistols’ “Anarchy In Canada,” “Elvis Is Dead” obituary, ''Pig Paper'' photographer Johnny Pig’s run-in with Thin Lizzy’s Phil Lynott, “Pig Punk Part One” (Teenage Head, Simply Saucer, The Viletones, Battered Wives and The Curse) plus record reviews of the Saints’ ''(I’m) Stranded'', ''The Beach Boys Love You'' and ''Surfin’ With The Viletones''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper06 '''Pig Paper # 6'''] (October 1977) <br />
Interviews with Talking Heads and Beach Boy Dennis Wilson, a report on the Toronto “Outrage” concert, “Marc Bolan Is Dead” obituary, “Pig Punk Part Two” (The Dishes, Loved Ones, Concordes, Headache, Diodes), the first “Pigossip” column, “More True Kink Konfessions” (from the proposed ''Pig Paper # 4''), plus record reviews of the Alan Parsons Project, Viletones, Sex Pistols, Rattles, Dishes, ''24 Original Happening Hits'', Nick Lowe, and the New Legion Rock Spectacular.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper07 '''Pig Paper # 7'''] (December 1977) <br />
Interviews with The Hollies, Eddie and the Hot Rods and the Boyfriends, articles on Tommy Ramone, Freddie and the Dreamers and the Vibrators, the first “Pigallery” photo spread, “Pig Punk Part Three” (Dole-Q, The Ugly, Afrika Korps, The Poles, Stanley Frank), plus record reviews of Iggy Pop, XTC, the Dead Boys, Bay City Rollers, Suicide, Dwight Twilley Band, X-Ray Spex, and many more. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper08 '''Pig Paper # 8'''] (April 1978) <br />
Interviews with Elvis Costello and The Viletones, The Forgotten Rebels’ Fan Mail, Jeremy Gluck’s “Stupid Songs I Have Known,” The Runaways at the El Mocambo, The Diodes in New York City, Bill McAvory’s first Classic Canada column, “Pig Punk Part 4” (Blue Reimondos, Jumpers, The Good), plus record reviews of the Heartbreakers, The Monkees, Rich Kids, Damned, Eric Burdon, The Rutles, and many more. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper09 '''Pig Paper # 9'''] (August 1978) <br />
Interviews with John Lydon and Generation X, articles on Suicide, Buddy Holly, and Destroy All Monsters, “Pig Toronto Punk Discography,” Bill McAvory on the Ugly Ducklings, Edgar Breau plays “Blindate,” plus record reviews of David Johansen, Wild Man Fischer, Blondie, Mink DeVille, the Paley Brothers, Tom Petty, the Romantics, Television, Soft Boys, Ringo Starr, Ian Dury, and many more. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper10 '''Pig Paper # 10'''] (December 1978) <br />
The Story of the Dave Clark Five, Rock Serling’s All-Time Top 1000, “Where The Action Is” Boston and Los Angeles scene reports, Keith Richards plays “Blindate,” articles on the Rich Kids, Greg Kihn and The Verbs, plus record reviews of Glen Campbell, Captain Beefheart, Shaun Cassidy, the Modern Lovers, Elvis Presley, Devo, and many more.<br />
<br />
<br />
* '''Pig Paper #’s''' [http://www.archive.org/details/ThePigPaper10a '''10-A'''] and [http://www.archive.org/details/ThePigPaper10b '''10-B'''] (February and March 1979) <br />
First two of a proposed series of 25-cent, monthly “between ''Pig Paper'' Newsletters,” featuring The Diodes, Clash, Teenage Head and Ugly Ducklings.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper11 '''Pig Paper # 11'''] (January 1980) <br />
The first of the “Pocket Pig Papers,” featuring Elvis Presley, Half Japanese, Wayne County, Steve Jones’ “Blindate,” plus record reviews of Chuck Berry, the Cramps, ABBA, ''The Chipmunks Sing The Beatles Hits'', Kim Fowley, Michael Nesmith, Shoes, Bob Dylan, and many more.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper12 '''Pig Paper # 12'''] (March 1980) <br />
“The Strange Case of John Lennon,” PiL, Marianne Faithfull interview, plus the Paul Revere and the Raiders record (review) that never was. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper13 '''Pig Paper # 13'''] (June 1980) <br />
The first of two strictly promotional ''Pig Paper''s, reproducing clippings and reviews spotlighting Pig Productions’ first five years of operation.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper14 '''Pig Paper # 14'''] (January 1982) <br />
The first California-produced ''Pig Paper'', featuring Mick Clintrock’s interview with Jerry Lee Lewis.<br />
<br />
<br />
* [http://www.archive.org/details/PigPaper15 '''Pig Paper # 15'''] (October 1983) <br />
The second ''Promo-Pig Paper''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper16 '''Pig Paper # 16'''] (February 1985) <br />
The first of the two-page giveaway Mail Art ''Pig Paper''s, featuring Part One of an interview with the Dream Syndicate.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper17 '''Pig Paper # 17'''] (March 1985) <br />
Part Two of the Dream Syndicate interview, plus the first Ace Backwords Comix. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper18 '''Pig Paper # 18'''] (April 1985) <br />
Part Three of the Dream Syndicate interview, plus first Jad Fair artwork. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper19 '''Pig Paper # 19'''] (June 1985) <br />
Part Four of the Dream Syndicate interview.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper20 '''Pig Paper # 20'''] (July 1985) <br />
Interview with Fat Mike of NOFX.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper21 '''Pig Paper # 21'''] (August 1985) <br />
“Why I Hate the Psychedelic Revival” by H. Gertz, plus Eddie Flowers’ first “L.A. Blues” column.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper22 '''Pig Paper # 22'''] (September 1985) <br />
''Back To Cool Issue'', featuring “Questions Gas Station Attendants Frequently Ask About Deja Voodoo’s Car.”<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper23 '''Pig Paper # 23'''] (October 1985) <br />
''Special Anachronism Issue'', including the first “Continuing Saga of Dr. Iguana” column.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper24 '''Pig Paper # 24'''] (January 1986) <br />
''Gala Tenth Anniversary Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper25 '''Pig Paper # 25'''] (March 1986) <br />
“Confessions of an Ex-Loved One” by Ed O’Bryan, Part Three, plus John Crawford’s “The World’s First Hardcore Compilation Letter!”<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper26 '''Pig Paper # 26'''] (May 1986) <br />
''Special Glenn Gould Memorial Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper27 '''Pig Paper # 27'''] (August 1986) <br />
''Special Bobby Fuller Memorial Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper28 '''Pig Paper # 28'''] (October 1986) <br />
''Special Brian Epstein Memorial Issue'', including first Tuli Kupferberg artwork.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper29 '''Pig Paper # 29'''] (January 1987) <br />
''Special Brian Wilson Memorial Issue'', including David Leaf’s Top Ten List.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper30 '''Pig Paper # 30'''] (April 1987) <br />
''Gala Thirtieth Anniversary Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper31 '''Pig Paper # 31'''] (August 1987) <br />
''Special Elvis-Still-Dead Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper32 '''Pig Paper # 32'''] (December 1987) <br />
''Special Punkstalgia Memorial Issue'', including James Lord’s “Letters From The Damned” and Ace Backwords’ “Sid Vicious and Johnny Rotten Garbage Patch Dolls.”<br />
<br />
==External Links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.archive.org/search.php?query=subject%3A%22The%20Pig%20Paper%22 ''The Pig Paper'' at Internet Archive]<br />
* [http://www.garypiggold.com/pigshit.html some ''Pigshit'' columns]<br />
* [http://www.rocksbackpages.com/writer.html?WriterID=gold_gp Gary Pig Gold at Rock’s Backpages]<br />
* [http://en.wikipedia.org/wiki/Gary_Pig_Gold Gary Pig Gold Wikipedia]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Zines_P-S&diff=35924Zines P-S2011-01-08T03:47:01Z<p>Shakeandpop: /* P */</p>
<hr />
<div>==P==<br />
<br />
* [[P5's Pussy Magazine]]<br />
* [[Pacifier]]<br />
* [[The Pac-Man Fever]]<br />
* [[Pagan's Head]]<br />
* [[pagina.de.stânga]]<br />
* [[Painter Lewis]]<br />
* [[Panacea]]<br />
* [[Panache]]<br />
* [[Panda Girl Zine]]<br />
* [[Pandora's Box]]<br />
* [[Pandora's Box (U.S.A.)]]<br />
* [[Panegyric]]<br />
* [[Panic: A Guide to Recovering From Panic Attacks With Resources for Managing Long-Term Anxiety]]<br />
* [[Panic Button]]<br />
* [[Panik]]<br />
* [[Panmag]]<br />
* [[Panophobia]]<br />
* [[Panorama]]<br />
* [[Paper Clips]]<br />
* [[Paper Scissors Clocks]]<br />
* [[Papercutter]]<br />
* [[Papier Mache]]<br />
* [[Papyrus helix]]<br />
* [[Paralyzed]]<br />
* [[Pardon punx zine]]<br />
* [[Pariah Zine]]<br />
* [[Pasty]]<br />
* [[Pathetic Life]]<br />
* [[Patty Duke Fanzine]]<br />
* [[Pavement Licker]]<br />
* [[Pavement of Surface]]<br />
* [[pAwn]]<br />
* [[PC Casualties]]<br />
* [[PCC Helldwellers]]<br />
* [[Peace & Quiet]]<br />
* [[Peach]]<br />
* [[Peaches & Herbicide]]<br />
* [[Pearl Tongue]]<br />
* [[Ped Xing Comics]]<br />
* [[Peesh]]<br />
* [[Penny sentinel]]<br />
* [[PEOP(le)S]]<br />
* [[The People's Comic]] (mid-1970s, 4 issues)<br />
* [[Perhaps]]<br />
* [[The Period Project]]<br />
* [[Perkins Press]]<br />
* [[Persephone's Passion]]<br />
* [[Persephone the Destroyer]]<br />
* [[Personal_Industrial_Revolution]]<br />
* [[Personality liberation front]]<br />
* [[Pesky Meddling Girls!]]<br />
* [[Pez]]<br />
* [[Phalanx]]<br />
* [[Phantastes]]<br />
* [[Phantom zine]]<br />
* [[Phases of the moon]]<br />
* [[Phatgirl & Ravin]]<br />
* [[Phoenix]]<br />
* [[Phony Lid]]<br />
* [[Photo Booth Toolbox]]<br />
* [[Photodrome]]<br />
* [[Photolite]]<br />
* [[Phree]]<br />
* [[Picaresque]]<br />
* [[Pick Your Poison]]<br />
* [[Picnic]]<br />
* [[Pig meat]]<br />
* [http://zinewiki.com/Pig_Paper Pig Paper]<br />
* [[Pigdog]]<br />
* [[Pigguts]]<br />
* [[Pigs Taste Good]]<br />
* [[Pilcrow News]]<br />
* [[Pills a Go-Go]]<br />
* [[the pine box]]<br />
* [[Pineapple venetti zine]]<br />
* [[Pink Haired Jenny]]<br />
* [[The Pink Lemonade Affair]]<br />
* [[Pink Mary Ruth]]<br />
* [[Pink Mince]]<br />
* [[Pink Mini]]<br />
* [[Pink Realm]]<br />
* [[Pink Sugar Heart Attack]]<br />
* [[Pink Tea]]<br />
* [[Pinkie Swear]] also goes by [[Pinky Swear]]<br />
* [[Pirate Jenny]]<br />
* [[Pirate Radio Kills the Ruling Class Stars]]<br />
* [[The Pisces Ladybug]]<br />
* [[Pistil Prose]]<br />
* [[Pixel]]<br />
* [[Pixel This]]<br />
* [[Pixie Girl]]<br />
* [[Pizzeria Takeout]]<br />
* [[Placenta]]<br />
* [[Plain Jane]]<br />
* [[The Plain Text Zine]]<br />
* [[Plan dementure wrestling ghoul]]<br />
* [[Plan Your Work]]<br />
* [[Planet Crush]]<br />
* [[Planet Drag King]]<br />
* [[Planet Es]]<br />
* [[Planet Venus]]<br />
* [[Planetary Previews]]<br />
* [[Plastic knife]]<br />
* [[Play for Today]]<br />
* [[Playground Lies]]<br />
* [[Please Don't Feed The Bears]]<br />
* [[Please Don't Hit Beneath the Belt]]<br />
* [[Please Keep Sharing]]<br />
* [[Please Let Me Help]]<br />
* [[Please Quit Eating My Kittens!]]<br />
* [[Plebeian Jobs! Jobs! Jobs!]]<br />
* [[The Pleiades]]<br />
* [[Plink-o]]<br />
* [[PLopLop]]<br />
* [[Plotz]]<br />
* [[Plünkie]]<br />
* [[Plume]]<br />
* [[PMS]]<br />
* [[PMt]]<br />
* [[Pocket]]<br />
* [[Pocket Trick]]<br />
* [[Podunk]]<br />
* [[Poemfishgrrl]]<br />
* [[Poems of the Body and Its Sinusoidal Ways]]<br />
* [[Poets Against the War]]<br />
* [[Poet's Eve]]<br />
* [[Poindexter]]<br />
* [[Point of Purchase]]<br />
* [[Pointy, pointy scissors]]<br />
* [[Poison Pen]]<br />
* [[Poison Planet]]<br />
* [[Poisoned Mind]]<br />
* [[Poisonous Plants in the Garden]]<br />
* [[Polarity]]<br />
* [[Polaroid-Celluloid]]<br />
* [[Poldi Rich]]<br />
* [[The ponies]]<br />
* [[Pool Dust]]<br />
* [[Poopsheet Jr.]]<br />
* [[Pop Core]]<br />
* [[Pop-Fly!]]<br />
* [[Pop Smear]]<br />
* [[Popcore]]<br />
* [[Popcorn]]<br />
* [[Poppin' Zits]]<br />
* [[Population Control]]<br />
* [[Porcupine]]<br />
* [[Pornavida]]<br />
* [[A Portrait of an Artist as a Young Trannie]]<br />
* [[Poser]]<br />
* [[Positive vegan]]<br />
* [[Positron]]<br />
* [[Possible Worlds]]<br />
* [[Post Polvo Snooze fest]]<br />
* [[Potatoe]]<br />
* [[Potluck]]<br />
* [[Pound The Pavement]]<br />
* [[Pout]]<br />
* [[Power Candy]]<br />
* [[Power Machine]]<br />
* [[Power Toot]]<br />
* [[Prescription for Change]]<br />
* [[Pressed Between the Pages]]<br />
* [[Pressure Drop]]<br />
* [[Preteen Princess]]<br />
* [[Pretending It's the Eighties]]<br />
* [[Pretend It Didn't Happen and Maybe It'll Go Away]]<br />
* [[Pretty In Peach]]<br />
* [[Pretty Pussy!]]<br />
* [[Prime directive]]<br />
* [[Primitive Noise]]<br />
* [[Princess Charming]]<br />
* [[Prince of Denmark]]<br />
* [[Prisoner - the Wentworth star]]<br />
* [[Priv@do 1999]]<br />
* [[Private Catholic]]<br />
* [[The Probe]]<br />
* [[Profane Existence]]<br />
* [[Projector]]<br />
* [[Prolapse]]<br />
* [[Promise]]<br />
* [[Promise me skies]]<br />
* [[Promise on Anything]]<br />
* [[Proof I Exist]]<br />
* [[Pro-tection]]<br />
* [[Protect Yourself!]]<br />
* [[Protest zine]]<br />
* [[Prove it Pretzel Boy]]<br />
* [[Provo-CAT-ive]]<br />
* [[Prudella]]<br />
* [[Punctuation Training (a Confession)]]<br />
* [[PSYCHO]]<br />
* [[Psycho Carnival]]<br />
* [[Psycho No1 Fan]]<br />
* [[Psycho Sleaze]]<br />
* [[Psycho Tooth Fairies and Other Idols]]<br />
* [[Psychobabble]]<br />
* [[Psychobitch]]<br />
* [[Psychoterror]]<br />
* [[PTBH!]]<br />
* [[Puberty Strike]]<br />
* [[Public Notebook ]]<br />
* [[Puke-a-booze]]<br />
* [[Pull Back to Reveal No Trousers]]<br />
* [[Pulse Zine]]<br />
* [[Pump it up]]<br />
* [[Pumpkin Boy]]<br />
* [[Punk Boys]]<br />
* [[Pumpkin Seed]]<br />
* [[Punk in my Vitamins?]]<br />
* [[A Punk Kid Walks Into A Bar]]<br />
* [[Punk Pals Unwashed]]<br />
* [[Punk Planet]]<br />
* [[Punk Research]]<br />
* [[Punktur]]<br />
* [[Puppies and Kittens]]<br />
* [[Puppy Dawg]]<br />
* [[Puppy Love]]<br />
* [[Pure Tuna Fish]]<br />
* [[Purgatory]]<br />
* [[Purple monkey dishwasher]]<br />
* [[Pushing Twenty]]<br />
* [[Pussboy]]<br />
* [[Pussy Cat Vision]]<br />
<br />
==Q==<br />
<br />
* [[Q.T.]]<br />
* [[Quail Season]]<br />
* [[Quality Street]]<br />
* [[Quantify]]<br />
* [[Queen Mab]]<br />
* [[Queen of the Kangaroos]]<br />
* [[Queen of the Thundercats]]<br />
* [[Queenie]]<br />
* [[Queer zine]]<br />
* [[Question Everything, Challenge Everything]]<br />
* [[Quiet Nights of Quiet Stars]]<br />
* [[Quim]]<br />
* [[Quirk]]<br />
* [[The quirk|The Quirk]]<br />
* [[Quitter]]<br />
<br />
==R==<br />
<br />
* [[R.A.W.R.]]<br />
* [[R-Kive]]<br />
* [[RR]]<br />
* [[Race Revolt]]<br />
* [[Rachel Zine]]<br />
* [[Rad Company]]<br />
* [[Rad Dad]]<br />
* [[Radical Pet]]<br />
* [[Radical sadness]]<br />
* [[Radical Updates]]<br />
* [[Radical South Zine]]<br />
* [[Rage Against Psychic Death!]]<br />
* [[Railings]]<br />
* [[Random Life In Progress]]<br />
* [[Rank Amateur Press]]<br />
* [[Rarity]]<br />
* [[The Rash]]<br />
* [[Raspberry]]<br />
* [[Rat]]<br />
* [[Rat Junior]]<br />
* [[Raw Sugar]]<br />
* [[Razor Sharp Haze Daze]]<br />
* [[Razorcake]]<br />
* [[React]]<br />
* [[Read]]<br />
* [[Read Me]]<br />
* [[Read Our Minds]]<br />
* [[Real Girls]]<br />
* [[Real Men]]<br />
* [[Reality Mom]]<br />
* [[The reality cadenza]]<br />
* [[The Remainders]]<br />
* [[The revolution is my boyfriend]]<br />
* [[The Road To Either Of]]<br />
* [[A Rough Guide to Bicycle Maintenance]]<br />
* [[The rum rebellion]]<br />
* [[Reason to Believe]]<br />
* [[Reassess Your Weapons]]<br />
* [[Rebel Fux!]]<br />
* [[Rebel Grrrl]]<br />
* [[Rebel grrl zine]]<br />
* [[Reclaiming Our Ancient Wisdom]]<br />
* [[Reclusive Obscenities]]<br />
* [[Red]]<br />
* [[Red Emma]]<br />
* [[Red Fez Publications]] <br />
* [[Red Hanky Panky]] <br />
* [[Red Hooded Sweatshirt]]<br />
* [[The Red Pill]]<br />
* [[The Red Sky]]<br />
* [[Red Rover]]<br />
* [[Reflections in Concrete and Steel]]<br />
* [[Refugee Zine]]<br />
* [[Re/fuse]]<br />
* [[Reggae Quarterly]]<br />
* [[Regional Changes]]<br />
* [[The Register]]<br />
* [[Rejected Band Names]]<br />
* [[Remainder of Zero]]<br />
* [[Remember who you are]] <br />
* [[A Renegade's Handbook to Love & Sabotage]]<br />
* [[R*E*P*E*A*T]]<br />
* [[REPORT ON THE MEANING OF THE MOMENT]]<br />
* [[Reptiles of the Mind]]<br />
* [[Resist]]<br />
* [[Resister]]<br />
* [[Restaurant Fuel]]<br />
* [[Retail Whore]]<br />
* [[Retard]]<br />
* [[Retrogression]]<br />
* [[Revelations]]<br />
* [[Revelling in New York]]<br />
* [[Review]]<br />
* [[The Revolution Starts At Home]]<br />
* [[Revolutionaries Zine]]<br />
* [[The Rhododendron Reader]]<br />
* [[Ribald Zine]]<br />
* [[Ricochet! Ricochet!]]<br />
* [[The riddler zine|The Riddler]]<br />
* [[Ride On]]<br />
* [[Ring of Fire]]<br />
* [[Riot Boy]]<br />
* [[riot grrrl (zine)|riot grrrl]]<br />
* [[Riot Grrrl!!!]] (Riot Grrrl Bradford/Leeds UK, no date)<br />
* [[Riot Grrrl DC]] (1992)<br />
* [[Riot Grrrl Eureka/Arcata]] <br />
* [[Riot Grrrl London]]<br />
* [[Riot Grrrl Montreal]]<br />
* [[Riot Grrrl NYC]] <br />
* [[Riot Grrrl Review]] <br />
* [[Riot Grrrl Vancouver]]<br />
* [[Riot House Zine]]<br />
* [[Riottemptresses]]<br />
* [[Ripe]]<br />
* [[Ripped & Torn]]<br />
* [[Ripper]]<br />
* [[Ripples]]<br />
* [[The Rise and Fall of Mr. Fuck You Man]]<br />
* [[Ritalin]]<br />
* [[Rivers and Radiators]]<br />
* [[The Road To Either Of]]<br />
* [[Roadkill]]<br />
* [[Roam]]<br />
* [[Robbing the Carriage]]<br />
* [[Roberta]]<br />
* [[Robot Guy]]<br />
* [[Robot Guts]]<br />
* [[Robomonkey Tron]]<br />
* [[Robots and Electronic Brains]]<br />
* [[Rob schneider is a poor man's pauly shore zine]]<br />
* [[Rochester teen set outsider]]<br />
* [[Rock Candy]]<br />
* [[Rock Star With Words]]<br />
* [[Rock Star With Purses]]<br />
* [[Rock This Town]]<br />
* [[Rocket Tonic Quarterly]]<br />
* [[Rocket Queen]]<br />
* [[Rocks and Blows]]<br />
* [[Rocktober]]<br />
* [[Roll 'em]]<br />
* [[Rollerderby]]<br />
* [[Rolling Thunder]]<br />
* [[Rollycoaster]]<br />
* [[Ron]]<br />
* [[Root]]<br />
* [[Rote Tränen]]<br />
* [[Rotortiller hausjunge]]<br />
* [[Rotten To The Core]]<br />
* [[Rotzooi]]<br />
* [[Rough]]<br />
* [[A Rough Guide to Bicycle Maintenance]]<br />
* [[Round Things Roll]]<br />
* [[Routes I Know]]<br />
* [[Roxie]]<br />
* [[The Ruby Slippers]]<br />
* [[Rückenkälte]]<br />
* [[Ruckus]]<br />
* [[Rude Girl]]<br />
* [[Rug Burn]]<br />
* [[Rugburn Spectacular]]<br />
* [[Rum Lad]]<br />
* [[Rum-Muffel]]<br />
* [[The rum rebellion]]<br />
* [[Ruminatio]]<br />
* [[Rump]]<br />
* [[RUMPOT MAGAZINE]]<br />
* [[Rumpus Room]]<br />
* [[Run panic bight]]<br />
* [[Runt]]<br />
* [[Rupture]]<br />
* [[Rural urban]]<br />
<br />
==S==<br />
* [[S/he Said Is for Lovers]]<br />
* [[S/he's Got Labe]], originally ''She's Got Labe''<br />
* [[Saboniz]]<br />
* [[Sancho]]<br />
* [[The Sacred and the Profane]]<br />
* [[Sacred Obligations]]<br />
* [[Sacred Places]]<br />
* [[Safety Pin]]<br />
* [[Safety Pin Girl]]<br />
* [[Saliva Girl]]<br />
* [[Salza]]<br />
* [[Sammiches]]<br />
* [[Samsara]]<br />
* [[Sandwich Skatezine]]<br />
* [[Sanimag]]<br />
* [[Sanitary and Ship]]<br />
* [[Sanity Sux]]<br />
* [[Satanic Cat]]<br />
* [[Satanic Toasters]]<br />
* [[Saturnine's Smile]]<br />
* [[Savage Messiah]]<br />
* [[SCAB]]<br />
* [[Scam]]<br />
* [[The Scam]]<br />
* [[The Scaredy Cat Stalker]]<br />
* [[Scatter Gram]]<br />
* [[Scenery]]<br />
* [[Schlepp Fanzine]]<br />
* [[Science Fiction]]<br />
* [[Science Fiction / San Francisco]]<br />
* [[Scissor Socket Shocker]]<br />
* [[Scorcher]]<br />
* [[Scram]]<br />
* [[Scrappy]]<br />
* [[Scribble Faster]]<br />
* [[Scrim Shank: Complete Photo How-To Zine]]<br />
* [[Scruffy]]<br />
* [[Scrumdilliumptious]]<br />
* [[Scum on the wall]]<br />
* [[Scut]]<br />
* [[Scythrop]]<br />
* [[Se Maquiller (To Make One's Self Up)]]<br />
* [[Sea/Snow]]<br />
* [[Seamonkeys from Guatemala]]<br />
* [[Search and Destroy]]<br />
* [[Second Guess]]<br />
* [[Second Set Out]]<br />
* [[The Secret Files of Captain Sissy]]<br />
* [[The Secret Life]]<br />
* [[Secret Mystery Love Shoes]]<br />
* [[Secret Weapon]]<br />
* [[Seeds]]<br />
* [[SemiBold]]<br />
* [[Serrated Edges]]<br />
* [[Servings]]<br />
* [[Seven Rainbows]]<br />
* [[Seventeen.]]<br />
* [[Seventh Grade]]<br />
* [[Sexual Chocolate]]<br />
* [[Shabby]]<br />
* [[Shaft's big score]]<br />
* [[Shalom]]<br />
* [[Shat Upon]]<br />
* [[Shating With Writers]]<br />
* [[She Breathes]]<br />
* [[She Likes Rice Pudding]]<br />
* [[She makes jewelry out of car crashes]]<br />
* [[She's Got Labe]]<br />
* [[She's Not a Morning Person]]<br />
* [[she's so very...]]<br />
* [[Shebobbin']]<br />
* [[Shebytches]]<br />
* [[Sheet Worrier]]<br />
* [[Shelter]]<br />
* [[Shelve that idea]]<br />
* [[Shezam]]<br />
* [[Shiny Sapphire Dreams]]<br />
* [[Shivers and Sprinkles]]<br />
* [[Short Fast & Loud]]<br />
* [[Short/Wave Zine]]<br />
* [[Shortandqueer]]<br />
* [[Shots]]<br />
* [[A Shout In The Street]]<br />
* [[Shovel Bum]]<br />
* [[A show of hands zine]]<br />
* [[Shrimp]]<br />
* [[Shutdown]]<br />
* [[Sick puppy comix|Sick Puppy Comix]]<br />
* [[SickZine (NL)]]<br />
* [[Sidewayz & Backwayz]]<br />
* [[Silent Screams]]<br />
* [[The Silk Screen Zine]]<br />
* [[The Silky Membrane]]<br />
* [[Silverfish Magazine]]<br />
* [[Silverkool]]<br />
* [[Simba]]<br />
* [[Simon]]<br />
* [[Singing Garbage and Hardware]]<br />
* [[Sissy Butch]]<br />
* [[Sister Disco]]<br />
* [[Sister Friend]]<br />
* [[Sister Nobody]]<br />
* [[Sisu]]<br />
* [[The Sisyphean Task]]<br />
* [[Six Degrees of Separation]]<br />
* [[Six magnetic poems]]<br />
* [[The Sixth Minky]]<br />
* [[Sixty days]]<br />
* [[Ska beat]]<br />
* [[Skeleton.]]<br />
* [[Skeleton Key]]<br />
* [[The Skeleton News]]<br />
* [[Skinhead Times]]<br />
* [[Skinned alive]]<br />
* [[Skinned Heart]]<br />
* [[Skintomb]]<br />
* [[The Skirt]]<br />
* [[Skunk's Life]]<br />
* [[Sky Flying By]]<br />
* [[Slambook]]<br />
* [[Slander]]<br />
* [[Slant]]<br />
* [[Sl@nted @nd Ench@nted]]<br />
* [[Slave]]<br />
* [[Slave of Turbonegro]]<br />
* [[Slavezombie]]<br />
* [[Slingshot]]<br />
* [[Slouch]]<br />
* [[Slow Leek]]<br />
* [[The Sludge Pond]]<br />
* [[Slug & Lettuce]]<br />
* [[Slush Pile]]<br />
* [[Slut Magnet]]<br />
* [[Slutwrench]]<br />
* [[Small Girl Small World]]<br />
* [[Small Press Comics Explosion]]<br />
* [[Small Town Loser]]<br />
* [[Smart Like Eve]]<br />
* [[Smegma]]<br />
* [[Smell of Dead Fish]]<br />
* [[Smelling Trees]]<br />
* [[Smilin' Dan the Ice Cream Man]]<br />
* [[Smiling Disease]]<br />
* [[Smoldering Ape]]<br />
* [[Smug Zine]]<br />
* [[Smut]]<br />
* [[Snackbar Confidential]]<br />
* [[Snakepit]]<br />
* [[Snarla]]<br />
* [[Sniffin' Glue]]<br />
* [[Snipehunt]]<br />
* [[Snow Chicken]]<br />
* [[So Midwest]]<br />
* [[So Tough]]<br />
* [[So What]]<br />
* [[Sobaka]]<br />
* [[Social Deviate]]<br />
* [[Socially Fucking Retarded]]<br />
* [[Sock Monkey Social Life]]<br />
* [[Sojourner]]<br />
* [[Sojourns]]<br />
* [[SOL]]<br />
* [[Some Misplaced Joan of Arc]]<br />
* [[Someone Hearts Me in Ohio]]<br />
* [[Someone Said]]<br />
* [[Something For Nothing]]<br />
* [[Some People Are Jerks]]<br />
* [[Some underground machine]]<br />
* [[Something for the Weekend]]<br />
* [[Somnambulist]]<br />
* [[Songs About Ghosts]]<br />
* [[Songs of a Dead Boy]]<br />
* [[Songs to fly kites to]]<br />
* [[Sons of Kiron III]]<br />
* [[Sony Free]]<br />
* [[Sore]]<br />
* [[Sorry Tree]]<br />
* [[Sounding the Ritual Echo]]<br />
* [[Sounds copacetic]]<br />
* [[Sourgrapes]]<br />
* [[Sourpuss (Sara McCool)|Sourpuss]] (by [[Sara McCool]])<br />
* [[Sourpuss (Robyn Chapman)|Sourpuss]] (by Robyn Chapman)<br />
* [[South fur lands]]<br />
* [[The South Texas Experience]]<br />
* [[Soy Not Oi]]<br />
* [[The Space wastrel]]<br />
* [[Spaghetti Dinner & Dancing]]<br />
* [[The Space wastrel]]<br />
* [[Spank! Zine]]<br />
* [[The Spark]]<br />
* [[Sparkly Kitty Stickers]]<br />
* [[Speed Demon]]<br />
* [[Splatterspleen]]<br />
* [[Spock]]<br />
* [[Spooneye]]<br />
* [[Spontaneous Combustion]]<br />
* [[Sporadic Droolings]]<br />
* [[Sprak!]]<br />
* [[Spunk]]<br />
* [[Spunk-ass]]<br />
* [[Spunk zine]]<br />
* [[Square One]]<br />
* [[Squatter's Handbook]]<br />
* [[Squidling is Dancer]]<br />
* [[Stab Heart]]<br />
* [[Stained Pages]]<br />
* [[Standing Behind Me]]<br />
* [[Stankzine]]<br />
* [[Staples]]<br />
* [[Starlette]]<br />
* [[Stars]]<br />
* [[State Of Beings]]<br />
* [[Static]]<br />
* [[Statistical Analysis of the Things That Happen but Don't Matter]]<br />
* [[Statues From Another Planet]]<br />
* [[Stay Free!]]<br />
* [[Stay Gold Jesse, Stay Gold]]<br />
* [[Star struck]]<br />
* [[Sticky Hands Heavy Lids]]<br />
* [[Stifled]]<br />
* [[Stitch in Time]]<br />
* [[Stolen Sharpie Revolution]]<br />
* [[Stoop]]<br />
* [[Storm Warning]]<br />
* [[Straight To Hell]]<br />
* [[Strange-Looking Exile|Strange Looking Exile]]<br />
* [[Strange Orange]]<br />
* [[The Strange Voyage of the Leona Joyce]]<br />
* [[Straßenfeger]]<br />
* [[Straw Horse Spiral]]<br />
* [[Strawclutch]]<br />
* [[Street art zine]]<br />
* [[Streeteaters]]<br />
* [[Strong Hearts]]<br />
* [[Sty Zine]]<br />
* [[Subject to Change]]<br />
* [[Sub plot zine]]<br />
* [[Sub Rosa]]<br />
* [[Sublet]]<br />
* [[SUBNecro]]<br />
* [[Sub Pop]]<br />
* [[Subterranea]]<br />
* [[Subterranean Comics]]<br />
* [[Suburban Blight]]<br />
* [[Suburban Gothic]]<br />
* [[Suburban Legends]]<br />
* [[Suburban Relapse]]<br />
* [[Suburban Voice]]<br />
* [[Suburban Waste]]<br />
* [[Sugar Needle]]<br />
* [[Summarily]]<br />
* [[Summer Tears]]<br />
* [[Summit]]<br />
* [[Super Girl]]<br />
* [[The super happy anarcho fun pages]]<br />
* [[Superscissor]]<br />
* [[Superweed]]<br />
* [[Support Zine]]<br />
* [[Supramundane Stories]]<br />
* [[Supreme Nothing]]<br />
* [[Sure zine]]<br />
* [[Susie is a robot]]<br />
* [[Swallow Your Pride]]<br />
* [[Sweet Olive]]<br />
* [[Sweetness and light]]<br />
* [[Sweetshop Syndicate]]<br />
* [[Sweetarts Fanzine]]<br />
* [[Swings and Roundabouts]]<br />
* [[Swirlies]]<br />
* [[Swishblade]]<br />
* [[Syndicate Product]]<br />
* [[Synthesis Zine]]<br />
<br />
{{Title_navigation}}</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Pig_Paper&diff=35923Pig Paper2011-01-08T03:46:17Z<p>Shakeandpop: New page: PigPaper '''''The Pig Paper''''' was Canada’s very first self-published music [http://www.zinewiki.com/Fanzine fanzine], one of the pioneering,...</p>
<hr />
<div>[[Image:PigPaper9.jpg|200px|thumb|right |PigPaper]]<br />
'''''The Pig Paper''''' was Canada’s very first self-published music [http://www.zinewiki.com/Fanzine fanzine], one of the pioneering, and longest-lasting examples of that country’s vibrant small press pedigree.<br />
<br />
==History==<br />
Beginning life in the early Seventies as record-hunting correspondence between founder/publisher [http://en.wikipedia.org/wiki/Gary_Pig_Gold Gary Pig Gold] and his oldest friend, Doug “Rock Serling” Pelton, the first ''Pig Paper'' to be made available to the public was a mock-concert program sold during a 1975 appearance by The Who in Toronto. <br />
<br />
Two years later, ''The Pig Paper'' was covering Canada’s nascent punk rock scene, publishing some of the first-ever in-depth articles on such bands as '''Teenage Head''', '''The Viletones''', and '''Simply Saucer''' as well as early reviews and interviews with '''The Ramones''', '''Sex Pistols''', '''Talking Heads''' and many others. Each issue also contained material on vintage acts such as '''The Beach Boys''' and '''Elvis Presley''', as well as offering performers such as '''Half Japanese''' and '''Jandek''' many of their initial appearances in print.<br />
<br />
''The Pig Paper'' duly gave birth as well to the '''Pig Records''' label in 1978, issuing the first release by '''Simply Saucer''', and Gary’s widely-syndicated '''''Pigshit''''' column, which first appeared in the February 1979 issue of [http://www.zinewiki.com/Flipside Flipside] Magazine, continues to run monthly online to this day.<br />
<br />
==Issues==<br />
<br />
* [http://www.archive.org/details/ThePigPaper01 '''Pig Paper # 1'''] (December 1975) <br />
Pictures, stories, and interviews, both old and new, on The Who, including a lengthly discography, packaged together as an Official Concert Program and initially sold only on the streets outside Maple Leaf Gardens in Toronto when the band performed there on December 11, 1975.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper02 '''Pig Paper # 2'''] (October 1976) <br />
A small literary “coda” and update on The Who, inserted into reprints of ''Pig Paper 1'' and again sold outside Toronto’s Maple Leaf Gardens when the band returned there on October 21, 1976 (coincidentally, Keith Moon’s final public performance with the band).<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper03 '''Pig Paper # 3'''] (April 1977) <br />
The “True Kink Konfessions” of Simply Saucer’s Edgar Breau, distributed free-of-charge to concert-goers when The Kinks played Maple Leaf Gardens in Toronto on April 29, 1977. This was also the first ''Pig Paper'' made available outside of Canada (at the Kinks’ show in Buffalo, NY the following evening, as well as during their in-store appearance at Buffalo’s Record Theatre the day after that).<br />
<br />
<br />
* '''Pig Paper # 4''' (June 1977) withdrawn<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper05 '''Pig Paper # 5'''] (August 1977) <br />
An interview with The Ramones (conducted at their June 18, 1977 Toronto performance and party afterwards), an article/discography on the Australian band The Saints, Rock Serling’s first “Delete Zone” column, the Sex Pistols’ “Anarchy In Canada,” “Elvis Is Dead” obituary, ''Pig Paper'' photographer Johnny Pig’s run-in with Thin Lizzy’s Phil Lynott, “Pig Punk Part One” (Teenage Head, Simply Saucer, The Viletones, Battered Wives and The Curse) plus record reviews of the Saints’ ''(I’m) Stranded'', ''The Beach Boys Love You'' and ''Surfin’ With The Viletones''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper06 '''Pig Paper # 6'''] (October 1977) <br />
Interviews with Talking Heads and Beach Boy Dennis Wilson, a report on the Toronto “Outrage” concert, “Marc Bolan Is Dead” obituary, “Pig Punk Part Two” (The Dishes, Loved Ones, Concordes, Headache, Diodes), the first “Pigossip” column, “More True Kink Konfessions” (from the proposed ''Pig Paper # 4''), plus record reviews of the Alan Parsons Project, Viletones, Sex Pistols, Rattles, Dishes, ''24 Original Happening Hits'', Nick Lowe, and the New Legion Rock Spectacular.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper07 '''Pig Paper # 7'''] (December 1977) <br />
Interviews with The Hollies, Eddie and the Hot Rods and the Boyfriends, articles on Tommy Ramone, Freddie and the Dreamers and the Vibrators, the first “Pigallery” photo spread, “Pig Punk Part Three” (Dole-Q, The Ugly, Afrika Korps, The Poles, Stanley Frank), plus record reviews of Iggy Pop, XTC, the Dead Boys, Bay City Rollers, Suicide, Dwight Twilley Band, X-Ray Spex, and many more. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper08 '''Pig Paper # 8'''] (April 1978) <br />
Interviews with Elvis Costello and The Viletones, The Forgotten Rebels’ Fan Mail, Jeremy Gluck’s “Stupid Songs I Have Known,” The Runaways at the El Mocambo, The Diodes in New York City, Bill McAvory’s first Classic Canada column, “Pig Punk Part 4” (Blue Reimondos, Jumpers, The Good), plus record reviews of the Heartbreakers, The Monkees, Rich Kids, Damned, Eric Burdon, The Rutles, and many more. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper09 '''Pig Paper # 9'''] (August 1978) <br />
Interviews with John Lydon and Generation X, articles on Suicide, Buddy Holly, and Destroy All Monsters, “Pig Toronto Punk Discography,” Bill McAvory on the Ugly Ducklings, Edgar Breau plays “Blindate,” plus record reviews of David Johansen, Wild Man Fischer, Blondie, Mink DeVille, the Paley Brothers, Tom Petty, the Romantics, Television, Soft Boys, Ringo Starr, Ian Dury, and many more. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper10 '''Pig Paper # 10'''] (December 1978) <br />
The Story of the Dave Clark Five, Rock Serling’s All-Time Top 1000, “Where The Action Is” Boston and Los Angeles scene reports, Keith Richards plays “Blindate,” articles on the Rich Kids, Greg Kihn and The Verbs, plus record reviews of Glen Campbell, Captain Beefheart, Shaun Cassidy, the Modern Lovers, Elvis Presley, Devo, and many more.<br />
<br />
<br />
* '''Pig Paper #’s''' [http://www.archive.org/details/ThePigPaper10a '''10-A'''] and [http://www.archive.org/details/ThePigPaper10b '''10-B'''] (February and March 1979) <br />
First two of a proposed series of 25-cent, monthly “between ''Pig Paper'' Newsletters,” featuring The Diodes, Clash, Teenage Head and Ugly Ducklings.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper11 '''Pig Paper # 11'''] (January 1980) <br />
The first of the “Pocket Pig Papers,” featuring Elvis Presley, Half Japanese, Wayne County, Steve Jones’ “Blindate,” plus record reviews of Chuck Berry, the Cramps, ABBA, ''The Chipmunks Sing The Beatles Hits'', Kim Fowley, Michael Nesmith, Shoes, Bob Dylan, and many more.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper12 '''Pig Paper # 12'''] (March 1980) <br />
“The Strange Case of John Lennon,” PiL, Marianne Faithfull interview, plus the Paul Revere and the Raiders record (review) that never was. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper13 '''Pig Paper # 13'''] (June 1980) <br />
The first of two strictly promotional ''Pig Paper''s, reproducing clippings and reviews spotlighting Pig Productions’ first five years of operation.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper14 '''Pig Paper # 14'''] (January 1982) <br />
The first California-produced ''Pig Paper'', featuring Mick Clintrock’s interview with Jerry Lee Lewis.<br />
<br />
<br />
* [http://www.archive.org/details/PigPaper15 '''Pig Paper # 15'''] (October 1983) <br />
The second ''Promo-Pig Paper''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper16 '''Pig Paper # 16'''] (February 1985) <br />
The first of the two-page giveaway Mail Art ''Pig Paper''s, featuring Part One of an interview with the Dream Syndicate.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper17 '''Pig Paper # 17'''] (March 1985) <br />
Part Two of the Dream Syndicate interview, plus the first Ace Backwords Comix. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper18 '''Pig Paper # 18'''] (April 1985) <br />
Part Three of the Dream Syndicate interview, plus first Jad Fair artwork. <br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper19 '''Pig Paper # 19'''] (June 1985) <br />
Part Four of the Dream Syndicate interview.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper20 '''Pig Paper # 20'''] (July 1985) <br />
Interview with Fat Mike of NOFX.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper21 '''Pig Paper # 21'''] (August 1985) <br />
“Why I Hate the Psychedelic Revival” by H. Gertz, plus Eddie Flowers’ first “L.A. Blues” column.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper22 '''Pig Paper # 22'''] (September 1985) <br />
''Back To Cool Issue'', featuring “Questions Gas Station Attendants Frequently Ask About Deja Voodoo’s Car.”<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper23 '''Pig Paper # 23'''] (October 1985) <br />
''Special Anachronism Issue'', including the first “Continuing Saga of Dr. Iguana” column.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper24 '''Pig Paper # 24'''] (January 1986) <br />
''Gala Tenth Anniversary Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper25 '''Pig Paper # 25'''] (March 1986) <br />
“Confessions of an Ex-Loved One” by Ed O’Bryan, Part Three, plus John Crawford’s “The World’s First Hardcore Compilation Letter!”<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper26 '''Pig Paper # 26'''] (May 1986) <br />
''Special Glenn Gould Memorial Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper27 '''Pig Paper # 27'''] (August 1986) <br />
''Special Bobby Fuller Memorial Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper28 '''Pig Paper # 28'''] (October 1986) <br />
''Special Brian Epstein Memorial Issue'', including first Tuli Kupferberg artwork.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper29 '''Pig Paper # 29'''] (January 1987) <br />
''Special Brian Wilson Memorial Issue'', including David Leaf’s Top Ten List.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper30 '''Pig Paper # 30'''] (April 1987) <br />
''Gala Thirtieth Anniversary Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper31 '''Pig Paper # 31'''] (August 1987) <br />
''Special Elvis-Still-Dead Issue''.<br />
<br />
<br />
* [http://www.archive.org/details/ThePigPaper32 '''Pig Paper # 32'''] (December 1987) <br />
''Special Punkstalgia Memorial Issue'', including James Lord’s “Letters From The Damned” and Ace Backwords’ “Sid Vicious and Johnny Rotten Garbage Patch Dolls.”<br />
<br />
==External Links==<br />
* [http://www.garypiggold.com official Gary Pig Gold site]<br />
* [http://www.archive.org/search.php?query=subject%3A%22The%20Pig%20Paper%22 ''The Pig Paper'' at Internet Archive]<br />
* [http://www.garypiggold.com/pigshit.html some ''Pigshit'' columns]<br />
* [http://www.rocksbackpages.com/writer.html?WriterID=gold_gp Gary Pig Gold at Rock’s Backpages]<br />
* [http://en.wikipedia.org/wiki/Gary_Pig_Gold Gary Pig Gold Wikipedia]</div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=File:PigPaper9.jpg&diff=35918File:PigPaper9.jpg2011-01-08T03:14:08Z<p>Shakeandpop: </p>
<hr />
<div></div>Shakeandpophttps://zinewiki.com/zinewiki/index.php?title=Zines_P-S&diff=35917Zines P-S2011-01-08T03:10:26Z<p>Shakeandpop: /* P */</p>
<hr />
<div>==P==<br />
<br />
* [[P5's Pussy Magazine]]<br />
* [[Pacifier]]<br />
* [[The Pac-Man Fever]]<br />
* [[Pagan's Head]]<br />
* [[pagina.de.stânga]]<br />
* [[Painter Lewis]]<br />
* [[Panacea]]<br />
* [[Panache]]<br />
* [[Panda Girl Zine]]<br />
* [[Pandora's Box]]<br />
* [[Pandora's Box (U.S.A.)]]<br />
* [[Panegyric]]<br />
* [[Panic: A Guide to Recovering From Panic Attacks With Resources for Managing Long-Term Anxiety]]<br />
* [[Panic Button]]<br />
* [[Panik]]<br />
* [[Panmag]]<br />
* [[Panophobia]]<br />
* [[Panorama]]<br />
* [[Paper Clips]]<br />
* [[Paper Scissors Clocks]]<br />
* [[Papercutter]]<br />
* [[Papier Mache]]<br />
* [[Papyrus helix]]<br />
* [[Paralyzed]]<br />
* [[Pardon punx zine]]<br />
* [[Pariah Zine]]<br />
* [[Pasty]]<br />
* [[Pathetic Life]]<br />
* [[Patty Duke Fanzine]]<br />
* [[Pavement Licker]]<br />
* [[Pavement of Surface]]<br />
* [[pAwn]]<br />
* [[PC Casualties]]<br />
* [[PCC Helldwellers]]<br />
* [[Peace & Quiet]]<br />
* [[Peach]]<br />
* [[Peaches & Herbicide]]<br />
* [[Pearl Tongue]]<br />
* [[Ped Xing Comics]]<br />
* [[Peesh]]<br />
* [[Penny sentinel]]<br />
* [[PEOP(le)S]]<br />
* [[The People's Comic]] (mid-1970s, 4 issues)<br />
* [[Perhaps]]<br />
* [[The Period Project]]<br />
* [[Perkins Press]]<br />
* [[Persephone's Passion]]<br />
* [[Persephone the Destroyer]]<br />
* [[Personal_Industrial_Revolution]]<br />
* [[Personality liberation front]]<br />
* [[Pesky Meddling Girls!]]<br />
* [[Pez]]<br />
* [[Phalanx]]<br />
* [[Phantastes]]<br />
* [[Phantom zine]]<br />
* [[Phases of the moon]]<br />
* [[Phatgirl & Ravin]]<br />
* [[Phoenix]]<br />
* [[Phony Lid]]<br />
* [[Photo Booth Toolbox]]<br />
* [[Photodrome]]<br />
* [[Photolite]]<br />
* [[Phree]]<br />
* [[Picaresque]]<br />
* [[Pick Your Poison]]<br />
* [[Picnic]]<br />
* [[Pig meat]]<br />
* [http://zinewiki.com/PigPaper Pig Paper]<br />
* [[Pigdog]]<br />
* [[Pigguts]]<br />
* [[Pigs Taste Good]]<br />
* [[Pilcrow News]]<br />
* [[Pills a Go-Go]]<br />
* [[the pine box]]<br />
* [[Pineapple venetti zine]]<br />
* [[Pink Haired Jenny]]<br />
* [[The Pink Lemonade Affair]]<br />
* [[Pink Mary Ruth]]<br />
* [[Pink Mince]]<br />
* [[Pink Mini]]<br />
* [[Pink Realm]]<br />
* [[Pink Sugar Heart Attack]]<br />
* [[Pink Tea]]<br />
* [[Pinkie Swear]] also goes by [[Pinky Swear]]<br />
* [[Pirate Jenny]]<br />
* [[Pirate Radio Kills the Ruling Class Stars]]<br />
* [[The Pisces Ladybug]]<br />
* [[Pistil Prose]]<br />
* [[Pixel]]<br />
* [[Pixel This]]<br />
* [[Pixie Girl]]<br />
* [[Pizzeria Takeout]]<br />
* [[Placenta]]<br />
* [[Plain Jane]]<br />
* [[The Plain Text Zine]]<br />
* [[Plan dementure wrestling ghoul]]<br />
* [[Plan Your Work]]<br />
* [[Planet Crush]]<br />
* [[Planet Drag King]]<br />
* [[Planet Es]]<br />
* [[Planet Venus]]<br />
* [[Planetary Previews]]<br />
* [[Plastic knife]]<br />
* [[Play for Today]]<br />
* [[Playground Lies]]<br />
* [[Please Don't Feed The Bears]]<br />
* [[Please Don't Hit Beneath the Belt]]<br />
* [[Please Keep Sharing]]<br />
* [[Please Let Me Help]]<br />
* [[Please Quit Eating My Kittens!]]<br />
* [[Plebeian Jobs! Jobs! Jobs!]]<br />
* [[The Pleiades]]<br />
* [[Plink-o]]<br />
* [[PLopLop]]<br />
* [[Plotz]]<br />
* [[Plünkie]]<br />
* [[Plume]]<br />
* [[PMS]]<br />
* [[PMt]]<br />
* [[Pocket]]<br />
* [[Pocket Trick]]<br />
* [[Podunk]]<br />
* [[Poemfishgrrl]]<br />
* [[Poems of the Body and Its Sinusoidal Ways]]<br />
* [[Poets Against the War]]<br />
* [[Poet's Eve]]<br />
* [[Poindexter]]<br />
* [[Point of Purchase]]<br />
* [[Pointy, pointy scissors]]<br />
* [[Poison Pen]]<br />
* [[Poison Planet]]<br />
* [[Poisoned Mind]]<br />
* [[Poisonous Plants in the Garden]]<br />
* [[Polarity]]<br />
* [[Polaroid-Celluloid]]<br />
* [[Poldi Rich]]<br />
* [[The ponies]]<br />
* [[Pool Dust]]<br />
* [[Poopsheet Jr.]]<br />
* [[Pop Core]]<br />
* [[Pop-Fly!]]<br />
* [[Pop Smear]]<br />
* [[Popcore]]<br />
* [[Popcorn]]<br />
* [[Poppin' Zits]]<br />
* [[Population Control]]<br />
* [[Porcupine]]<br />
* [[Pornavida]]<br />
* [[A Portrait of an Artist as a Young Trannie]]<br />
* [[Poser]]<br />
* [[Positive vegan]]<br />
* [[Positron]]<br />
* [[Possible Worlds]]<br />
* [[Post Polvo Snooze fest]]<br />
* [[Potatoe]]<br />
* [[Potluck]]<br />
* [[Pound The Pavement]]<br />
* [[Pout]]<br />
* [[Power Candy]]<br />
* [[Power Machine]]<br />
* [[Power Toot]]<br />
* [[Prescription for Change]]<br />
* [[Pressed Between the Pages]]<br />
* [[Pressure Drop]]<br />
* [[Preteen Princess]]<br />
* [[Pretending It's the Eighties]]<br />
* [[Pretend It Didn't Happen and Maybe It'll Go Away]]<br />
* [[Pretty In Peach]]<br />
* [[Pretty Pussy!]]<br />
* [[Prime directive]]<br />
* [[Primitive Noise]]<br />
* [[Princess Charming]]<br />
* [[Prince of Denmark]]<br />
* [[Prisoner - the Wentworth star]]<br />
* [[Priv@do 1999]]<br />
* [[Private Catholic]]<br />
* [[The Probe]]<br />
* [[Profane Existence]]<br />
* [[Projector]]<br />
* [[Prolapse]]<br />
* [[Promise]]<br />
* [[Promise me skies]]<br />
* [[Promise on Anything]]<br />
* [[Proof I Exist]]<br />
* [[Pro-tection]]<br />
* [[Protect Yourself!]]<br />
* [[Protest zine]]<br />
* [[Prove it Pretzel Boy]]<br />
* [[Provo-CAT-ive]]<br />
* [[Prudella]]<br />
* [[Punctuation Training (a Confession)]]<br />
* [[PSYCHO]]<br />
* [[Psycho Carnival]]<br />
* [[Psycho No1 Fan]]<br />
* [[Psycho Sleaze]]<br />
* [[Psycho Tooth Fairies and Other Idols]]<br />
* [[Psychobabble]]<br />
* [[Psychobitch]]<br />
* [[Psychoterror]]<br />
* [[PTBH!]]<br />
* [[Puberty Strike]]<br />
* [[Public Notebook ]]<br />
* [[Puke-a-booze]]<br />
* [[Pull Back to Reveal No Trousers]]<br />
* [[Pulse Zine]]<br />
* [[Pump it up]]<br />
* [[Pumpkin Boy]]<br />
* [[Punk Boys]]<br />
* [[Pumpkin Seed]]<br />
* [[Punk in my Vitamins?]]<br />
* [[A Punk Kid Walks Into A Bar]]<br />
* [[Punk Pals Unwashed]]<br />
* [[Punk Planet]]<br />
* [[Punk Research]]<br />
* [[Punktur]]<br />
* [[Puppies and Kittens]]<br />
* [[Puppy Dawg]]<br />
* [[Puppy Love]]<br />
* [[Pure Tuna Fish]]<br />
* [[Purgatory]]<br />
* [[Purple monkey dishwasher]]<br />
* [[Pushing Twenty]]<br />
* [[Pussboy]]<br />
* [[Pussy Cat Vision]]<br />
<br />
==Q==<br />
<br />
* [[Q.T.]]<br />
* [[Quail Season]]<br />
* [[Quality Street]]<br />
* [[Quantify]]<br />
* [[Queen Mab]]<br />
* [[Queen of the Kangaroos]]<br />
* [[Queen of the Thundercats]]<br />
* [[Queenie]]<br />
* [[Queer zine]]<br />
* [[Question Everything, Challenge Everything]]<br />
* [[Quiet Nights of Quiet Stars]]<br />
* [[Quim]]<br />
* [[Quirk]]<br />
* [[The quirk|The Quirk]]<br />
* [[Quitter]]<br />
<br />
==R==<br />
<br />
* [[R.A.W.R.]]<br />
* [[R-Kive]]<br />
* [[RR]]<br />
* [[Race Revolt]]<br />
* [[Rachel Zine]]<br />
* [[Rad Company]]<br />
* [[Rad Dad]]<br />
* [[Radical Pet]]<br />
* [[Radical sadness]]<br />
* [[Radical Updates]]<br />
* [[Radical South Zine]]<br />
* [[Rage Against Psychic Death!]]<br />
* [[Railings]]<br />
* [[Random Life In Progress]]<br />
* [[Rank Amateur Press]]<br />
* [[Rarity]]<br />
* [[The Rash]]<br />
* [[Raspberry]]<br />
* [[Rat]]<br />
* [[Rat Junior]]<br />
* [[Raw Sugar]]<br />
* [[Razor Sharp Haze Daze]]<br />
* [[Razorcake]]<br />
* [[React]]<br />
* [[Read]]<br />
* [[Read Me]]<br />
* [[Read Our Minds]]<br />
* [[Real Girls]]<br />
* [[Real Men]]<br />
* [[Reality Mom]]<br />
* [[The reality cadenza]]<br />
* [[The Remainders]]<br />
* [[The revolution is my boyfriend]]<br />
* [[The Road To Either Of]]<br />
* [[A Rough Guide to Bicycle Maintenance]]<br />
* [[The rum rebellion]]<br />
* [[Reason to Believe]]<br />
* [[Reassess Your Weapons]]<br />
* [[Rebel Fux!]]<br />
* [[Rebel Grrrl]]<br />
* [[Rebel grrl zine]]<br />
* [[Reclaiming Our Ancient Wisdom]]<br />
* [[Reclusive Obscenities]]<br />
* [[Red]]<br />
* [[Red Emma]]<br />
* [[Red Fez Publications]] <br />
* [[Red Hanky Panky]] <br />
* [[Red Hooded Sweatshirt]]<br />
* [[The Red Pill]]<br />
* [[The Red Sky]]<br />
* [[Red Rover]]<br />
* [[Reflections in Concrete and Steel]]<br />
* [[Refugee Zine]]<br />
* [[Re/fuse]]<br />
* [[Reggae Quarterly]]<br />
* [[Regional Changes]]<br />
* [[The Register]]<br />
* [[Rejected Band Names]]<br />
* [[Remainder of Zero]]<br />
* [[Remember who you are]] <br />
* [[A Renegade's Handbook to Love & Sabotage]]<br />
* [[R*E*P*E*A*T]]<br />
* [[REPORT ON THE MEANING OF THE MOMENT]]<br />
* [[Reptiles of the Mind]]<br />
* [[Resist]]<br />
* [[Resister]]<br />
* [[Restaurant Fuel]]<br />
* [[Retail Whore]]<br />
* [[Retard]]<br />
* [[Retrogression]]<br />
* [[Revelations]]<br />
* [[Revelling in New York]]<br />
* [[Review]]<br />
* [[The Revolution Starts At Home]]<br />
* [[Revolutionaries Zine]]<br />
* [[The Rhododendron Reader]]<br />
* [[Ribald Zine]]<br />
* [[Ricochet! Ricochet!]]<br />
* [[The riddler zine|The Riddler]]<br />
* [[Ride On]]<br />
* [[Ring of Fire]]<br />
* [[Riot Boy]]<br />
* [[riot grrrl (zine)|riot grrrl]]<br />
* [[Riot Grrrl!!!]] (Riot Grrrl Bradford/Leeds UK, no date)<br />
* [[Riot Grrrl DC]] (1992)<br />
* [[Riot Grrrl Eureka/Arcata]] <br />
* [[Riot Grrrl London]]<br />
* [[Riot Grrrl Montreal]]<br />
* [[Riot Grrrl NYC]] <br />
* [[Riot Grrrl Review]] <br />
* [[Riot Grrrl Vancouver]]<br />
* [[Riot House Zine]]<br />
* [[Riottemptresses]]<br />
* [[Ripe]]<br />
* [[Ripped & Torn]]<br />
* [[Ripper]]<br />
* [[Ripples]]<br />
* [[The Rise and Fall of Mr. Fuck You Man]]<br />
* [[Ritalin]]<br />
* [[Rivers and Radiators]]<br />
* [[The Road To Either Of]]<br />
* [[Roadkill]]<br />
* [[Roam]]<br />
* [[Robbing the Carriage]]<br />
* [[Roberta]]<br />
* [[Robot Guy]]<br />
* [[Robot Guts]]<br />
* [[Robomonkey Tron]]<br />
* [[Robots and Electronic Brains]]<br />
* [[Rob schneider is a poor man's pauly shore zine]]<br />
* [[Rochester teen set outsider]]<br />
* [[Rock Candy]]<br />
* [[Rock Star With Words]]<br />
* [[Rock Star With Purses]]<br />
* [[Rock This Town]]<br />
* [[Rocket Tonic Quarterly]]<br />
* [[Rocket Queen]]<br />
* [[Rocks and Blows]]<br />
* [[Rocktober]]<br />
* [[Roll 'em]]<br />
* [[Rollerderby]]<br />
* [[Rolling Thunder]]<br />
* [[Rollycoaster]]<br />
* [[Ron]]<br />
* [[Root]]<br />
* [[Rote Tränen]]<br />
* [[Rotortiller hausjunge]]<br />
* [[Rotten To The Core]]<br />
* [[Rotzooi]]<br />
* [[Rough]]<br />
* [[A Rough Guide to Bicycle Maintenance]]<br />
* [[Round Things Roll]]<br />
* [[Routes I Know]]<br />
* [[Roxie]]<br />
* [[The Ruby Slippers]]<br />
* [[Rückenkälte]]<br />
* [[Ruckus]]<br />
* [[Rude Girl]]<br />
* [[Rug Burn]]<br />
* [[Rugburn Spectacular]]<br />
* [[Rum Lad]]<br />
* [[Rum-Muffel]]<br />
* [[The rum rebellion]]<br />
* [[Ruminatio]]<br />
* [[Rump]]<br />
* [[RUMPOT MAGAZINE]]<br />
* [[Rumpus Room]]<br />
* [[Run panic bight]]<br />
* [[Runt]]<br />
* [[Rupture]]<br />
* [[Rural urban]]<br />
<br />
==S==<br />
* [[S/he Said Is for Lovers]]<br />
* [[S/he's Got Labe]], originally ''She's Got Labe''<br />
* [[Saboniz]]<br />
* [[Sancho]]<br />
* [[The Sacred and the Profane]]<br />
* [[Sacred Obligations]]<br />
* [[Sacred Places]]<br />
* [[Safety Pin]]<br />
* [[Safety Pin Girl]]<br />
* [[Saliva Girl]]<br />
* [[Salza]]<br />
* [[Sammiches]]<br />
* [[Samsara]]<br />
* [[Sandwich Skatezine]]<br />
* [[Sanimag]]<br />
* [[Sanitary and Ship]]<br />
* [[Sanity Sux]]<br />
* [[Satanic Cat]]<br />
* [[Satanic Toasters]]<br />
* [[Saturnine's Smile]]<br />
* [[Savage Messiah]]<br />
* [[SCAB]]<br />
* [[Scam]]<br />
* [[The Scam]]<br />
* [[The Scaredy Cat Stalker]]<br />
* [[Scatter Gram]]<br />
* [[Scenery]]<br />
* [[Schlepp Fanzine]]<br />
* [[Science Fiction]]<br />
* [[Science Fiction / San Francisco]]<br />
* [[Scissor Socket Shocker]]<br />
* [[Scorcher]]<br />
* [[Scram]]<br />
* [[Scrappy]]<br />
* [[Scribble Faster]]<br />
* [[Scrim Shank: Complete Photo How-To Zine]]<br />
* [[Scruffy]]<br />
* [[Scrumdilliumptious]]<br />
* [[Scum on the wall]]<br />
* [[Scut]]<br />
* [[Scythrop]]<br />
* [[Se Maquiller (To Make One's Self Up)]]<br />
* [[Sea/Snow]]<br />
* [[Seamonkeys from Guatemala]]<br />
* [[Search and Destroy]]<br />
* [[Second Guess]]<br />
* [[Second Set Out]]<br />
* [[The Secret Files of Captain Sissy]]<br />
* [[The Secret Life]]<br />
* [[Secret Mystery Love Shoes]]<br />
* [[Secret Weapon]]<br />
* [[Seeds]]<br />
* [[SemiBold]]<br />
* [[Serrated Edges]]<br />
* [[Servings]]<br />
* [[Seven Rainbows]]<br />
* [[Seventeen.]]<br />
* [[Seventh Grade]]<br />
* [[Sexual Chocolate]]<br />
* [[Shabby]]<br />
* [[Shaft's big score]]<br />
* [[Shalom]]<br />
* [[Shat Upon]]<br />
* [[Shating With Writers]]<br />
* [[She Breathes]]<br />
* [[She Likes Rice Pudding]]<br />
* [[She makes jewelry out of car crashes]]<br />
* [[She's Got Labe]]<br />
* [[She's Not a Morning Person]]<br />
* [[she's so very...]]<br />
* [[Shebobbin']]<br />
* [[Shebytches]]<br />
* [[Sheet Worrier]]<br />
* [[Shelter]]<br />
* [[Shelve that idea]]<br />
* [[Shezam]]<br />
* [[Shiny Sapphire Dreams]]<br />
* [[Shivers and Sprinkles]]<br />
* [[Short Fast & Loud]]<br />
* [[Short/Wave Zine]]<br />
* [[Shortandqueer]]<br />
* [[Shots]]<br />
* [[A Shout In The Street]]<br />
* [[Shovel Bum]]<br />
* [[A show of hands zine]]<br />
* [[Shrimp]]<br />
* [[Shutdown]]<br />
* [[Sick puppy comix|Sick Puppy Comix]]<br />
* [[SickZine (NL)]]<br />
* [[Sidewayz & Backwayz]]<br />
* [[Silent Screams]]<br />
* [[The Silk Screen Zine]]<br />
* [[The Silky Membrane]]<br />
* [[Silverfish Magazine]]<br />
* [[Silverkool]]<br />
* [[Simba]]<br />
* [[Simon]]<br />
* [[Singing Garbage and Hardware]]<br />
* [[Sissy Butch]]<br />
* [[Sister Disco]]<br />
* [[Sister Friend]]<br />
* [[Sister Nobody]]<br />
* [[Sisu]]<br />
* [[The Sisyphean Task]]<br />
* [[Six Degrees of Separation]]<br />
* [[Six magnetic poems]]<br />
* [[The Sixth Minky]]<br />
* [[Sixty days]]<br />
* [[Ska beat]]<br />
* [[Skeleton.]]<br />
* [[Skeleton Key]]<br />
* [[The Skeleton News]]<br />
* [[Skinhead Times]]<br />
* [[Skinned alive]]<br />
* [[Skinned Heart]]<br />
* [[Skintomb]]<br />
* [[The Skirt]]<br />
* [[Skunk's Life]]<br />
* [[Sky Flying By]]<br />
* [[Slambook]]<br />
* [[Slander]]<br />
* [[Slant]]<br />
* [[Sl@nted @nd Ench@nted]]<br />
* [[Slave]]<br />
* [[Slave of Turbonegro]]<br />
* [[Slavezombie]]<br />
* [[Slingshot]]<br />
* [[Slouch]]<br />
* [[Slow Leek]]<br />
* [[The Sludge Pond]]<br />
* [[Slug & Lettuce]]<br />
* [[Slush Pile]]<br />
* [[Slut Magnet]]<br />
* [[Slutwrench]]<br />
* [[Small Girl Small World]]<br />
* [[Small Press Comics Explosion]]<br />
* [[Small Town Loser]]<br />
* [[Smart Like Eve]]<br />
* [[Smegma]]<br />
* [[Smell of Dead Fish]]<br />
* [[Smelling Trees]]<br />
* [[Smilin' Dan the Ice Cream Man]]<br />
* [[Smiling Disease]]<br />
* [[Smoldering Ape]]<br />
* [[Smug Zine]]<br />
* [[Smut]]<br />
* [[Snackbar Confidential]]<br />
* [[Snakepit]]<br />
* [[Snarla]]<br />
* [[Sniffin' Glue]]<br />
* [[Snipehunt]]<br />
* [[Snow Chicken]]<br />
* [[So Midwest]]<br />
* [[So Tough]]<br />
* [[So What]]<br />
* [[Sobaka]]<br />
* [[Social Deviate]]<br />
* [[Socially Fucking Retarded]]<br />
* [[Sock Monkey Social Life]]<br />
* [[Sojourner]]<br />
* [[Sojourns]]<br />
* [[SOL]]<br />
* [[Some Misplaced Joan of Arc]]<br />
* [[Someone Hearts Me in Ohio]]<br />
* [[Someone Said]]<br />
* [[Something For Nothing]]<br />
* [[Some People Are Jerks]]<br />
* [[Some underground machine]]<br />
* [[Something for the Weekend]]<br />
* [[Somnambulist]]<br />
* [[Songs About Ghosts]]<br />
* [[Songs of a Dead Boy]]<br />
* [[Songs to fly kites to]]<br />
* [[Sons of Kiron III]]<br />
* [[Sony Free]]<br />
* [[Sore]]<br />
* [[Sorry Tree]]<br />
* [[Sounding the Ritual Echo]]<br />
* [[Sounds copacetic]]<br />
* [[Sourgrapes]]<br />
* [[Sourpuss (Sara McCool)|Sourpuss]] (by [[Sara McCool]])<br />
* [[Sourpuss (Robyn Chapman)|Sourpuss]] (by Robyn Chapman)<br />
* [[South fur lands]]<br />
* [[The South Texas Experience]]<br />
* [[Soy Not Oi]]<br />
* [[The Space wastrel]]<br />
* [[Spaghetti Dinner & Dancing]]<br />
* [[The Space wastrel]]<br />
* [[Spank! Zine]]<br />
* [[The Spark]]<br />
* [[Sparkly Kitty Stickers]]<br />
* [[Speed Demon]]<br />
* [[Splatterspleen]]<br />
* [[Spock]]<br />
* [[Spooneye]]<br />
* [[Spontaneous Combustion]]<br />
* [[Sporadic Droolings]]<br />
* [[Sprak!]]<br />
* [[Spunk]]<br />
* [[Spunk-ass]]<br />
* [[Spunk zine]]<br />
* [[Square One]]<br />
* [[Squatter's Handbook]]<br />
* [[Squidling is Dancer]]<br />
* [[Stab Heart]]<br />
* [[Stained Pages]]<br />
* [[Standing Behind Me]]<br />
* [[Stankzine]]<br />
* [[Staples]]<br />
* [[Starlette]]<br />
* [[Stars]]<br />
* [[State Of Beings]]<br />
* [[Static]]<br />
* [[Statistical Analysis of the Things That Happen but Don't Matter]]<br />
* [[Statues From Another Planet]]<br />
* [[Stay Free!]]<br />
* [[Stay Gold Jesse, Stay Gold]]<br />
* [[Star struck]]<br />
* [[Sticky Hands Heavy Lids]]<br />
* [[Stifled]]<br />
* [[Stitch in Time]]<br />
* [[Stolen Sharpie Revolution]]<br />
* [[Stoop]]<br />
* [[Storm Warning]]<br />
* [[Straight To Hell]]<br />
* [[Strange-Looking Exile|Strange Looking Exile]]<br />
* [[Strange Orange]]<br />
* [[The Strange Voyage of the Leona Joyce]]<br />
* [[Straßenfeger]]<br />
* [[Straw Horse Spiral]]<br />
* [[Strawclutch]]<br />
* [[Street art zine]]<br />
* [[Streeteaters]]<br />
* [[Strong Hearts]]<br />
* [[Sty Zine]]<br />
* [[Subject to Change]]<br />
* [[Sub plot zine]]<br />
* [[Sub Rosa]]<br />
* [[Sublet]]<br />
* [[SUBNecro]]<br />
* [[Sub Pop]]<br />
* [[Subterranea]]<br />
* [[Subterranean Comics]]<br />
* [[Suburban Blight]]<br />
* [[Suburban Gothic]]<br />
* [[Suburban Legends]]<br />
* [[Suburban Relapse]]<br />
* [[Suburban Voice]]<br />
* [[Suburban Waste]]<br />
* [[Sugar Needle]]<br />
* [[Summarily]]<br />
* [[Summer Tears]]<br />
* [[Summit]]<br />
* [[Super Girl]]<br />
* [[The super happy anarcho fun pages]]<br />
* [[Superscissor]]<br />
* [[Superweed]]<br />
* [[Support Zine]]<br />
* [[Supramundane Stories]]<br />
* [[Supreme Nothing]]<br />
* [[Sure zine]]<br />
* [[Susie is a robot]]<br />
* [[Swallow Your Pride]]<br />
* [[Sweet Olive]]<br />
* [[Sweetness and light]]<br />
* [[Sweetshop Syndicate]]<br />
* [[Sweetarts Fanzine]]<br />
* [[Swings and Roundabouts]]<br />
* [[Swirlies]]<br />
* [[Swishblade]]<br />
* [[Syndicate Product]]<br />
* [[Synthesis Zine]]<br />
<br />
{{Title_navigation}}</div>Shakeandpop